Category: i wish

  • Eddie McGuire & Adam Goodes

    Eddie McGuire & Adam Goodes

    Eddie McGuire, prominent Australian broadcaster, compares Adam Goodes, respected Aboriginal footballer, to King Kong. The conversation, outraged on both sides, focuses on whether or not Eddie “is” racist. Thus it gets nowhere because no one can establish what lurks in the depths of his heart.

    If a child gets run over “by accident”, or because a distracted driver did not take sufficient care to prevent it, the child is still run over whether or not that driver “is” a “killer.” Let’s stop competing for most enlightened person who has the most Aboriginal friends, and focus on the damage and pain our unconscious, casual, lazy, habitual, over-entitled, selfish, spoilt racism inflicts.

    Even the fact that I label Adam Goodes “Aboriginal” and Eddie McGuire “Australian” shows racism. And ill logic, given that the truest possible “Australians” are indigenous. Let’s move this conversation on and start urgently examining and addressing our actions, our inaction, and their effects, before we get round to finally being more honest about the subtle motivations and conflicts in our hearts.

     

  • a bush tissue

    a bush tissue

    Almost a year ago I left Brisbane, on three days’ notice, to come to Berlin. I had looked up the weather map and packed a small suitcase and figured I would stay about a week. A very dear friend was in town and we wanted to meet up before he set off on his bicycling tour across Europe.

    That came and went and the strange, metallic, leafy feeling of being back in Europe set upon me like moss. I decided to stay on and see what became of me. I met a gorgeous guy with a beautiful heart. Some weeks later the intrepidity or foolishness of what I had done came over me one afternoon in a storm of tears, and I just started crying and couldn’t stop.

    We were sitting on a bench not far from here, under the trees, overlooking the murky canal. Swans then and now. My companion was alarmed by all this emotion but he was super-generous and sweet. It waxed into a burbling froth of mucus and salt water and he offered wouldn’t I like to blow my nose between his pinched fingers. Well, no: certainly not. I covered my face with one hand and kept crying, as quietly as I could. Sometimes it takes a man some time to notice that I laugh as easily as I cry and I guess this was one of the things on my mind as I sat there and people walked past smoking pot. Several benches down an Italian guy was playing guitar and crooning, three girls with long hair sat around him like groupies from the Sixties. One was perched on the back of the bench like a sweet bird. I looked up and there was my friend with a little wad of leaves in his hand. He had picked for me the softest, greenest, most tissue-like leaves, heart-shaped from a tree I don’t know, and had stacked them from biggest to smallest so I could mop myself up in stages. I remember the softness of the leaves on my skin and I wish now that I could remember the song that Italian bench star was playing.

    H2O HoL italian buskers san pellegrino

  • dochdach, dochdach

    dochdach, dochdach

    Back in Berlin for a few days: what a strange feeling. Now there is no snow on the ground and the trees have appeared from nowhere, they are green, green, green. We ate at a Turkish grillhouse where you sit around a glass-cased cooktop fired with coals, onto which four brawny and frankly handsome men in white shirts loaded blade after blade of minced meat, chicken wings, lamb ribs, skewer after skewer of whole, red tomatoes and prongs of scarlet peppers like jewels. They scoop the heat together in a bottomless tin of blackened aluminium. Everything stinks of cookstove fuel. We drank several copper tumblers apiece of ayran, the salty fresh yoghurt drink, eyeing the mirrored cabinet of meats: a tray of kidneys, maroon and flecked with gristly white, a tray of ribs ready to be sliced and grilled, a tray of chops, a tray of wings. Afterwards a long, long bicycle ride through the city forest which leads in from a smurfish village of cutesy summer houses with adorable, tiny gardens. The sign at the side gate says “Freiheit” but the “Freiheit” gate is locked. Everything as pretty as a thousand words and worth a picture. A young waiter smoking on the gingerbread verandah of his Black Forest-styled Gasthaus told us, using the informal “you”, “you can’t get out that way.”

    Drank a beer, one of those long German beers, on board a boat on the river which has a wooden cabin built on it, housing the kitchen and bar. There is grass growing on the roof. Grass, and little purple flowers. I stood in front of it blocking the way with my bike saying over and over and over, “It has grass! On the roof!” I had never seen that before: grass! on the roof! I am tired from travelling and the temperature has dropped ten degrees. When Berlin’s petticoat woods tilted up to meet the plane I felt a rush of unaccustomed homesickness: Australia, be less far away. Australia, be less vast. I miss you though I had almost forgotten, persuaded myself I had forgotten. This big city is not my city and that river is not my river. Doch.

    H2O HoL chili turkish grillhaus

  • in the dark

    in the dark

    Things you can do in silence, in the dark. Cycling alone under trees, flicker, flicker. Watching petals fall in flakes of tiny silver alight on the black liquid wind. Swinging on a swing someone’s fixed to a low bough overhanging the water, the wind rushing gently and softly as cat’s paws past your ears.

     

  • sailor way

    sailor way

    By the river new wildflowers are now growing, the seasons progress with colour and line. Some of them are upright prongs of dark pink clovers and some, I suspect from the shape, might be buttercups. Buttercups are famous! I’ve read about them since I was a little girl, in English novels. But I think I’ve never seen one. Let alone the swards of white spear-flowers populating the nearby woods, which travel in a carpet as far as the eye can discern under trees…. On the river a lady duck surfs as lady ducks did on the swift green current with their husbands, three weeks ago. This one has babies aboard. They clutter her back, five dark brown bobbing heads, and she carries them smoothly and the water carries all of them, as time carries all of us, long may it be so if our enterprises and selfishness have not too deeply uncluttered the lifeless oceans and cluttered up the air and clogged with metals the water. Sail away, duck mum, smooth like a promise and find a better, greener place.

    H2O HoL sacred river

  • golden lion

    golden lion

    I went upriver two nights ago with a box of matches in my pocket. It was overcast and just beginning to get dark. Went down a green gladed path that I know and found the place I’d found before. I’ve never seen anybody there but once there was a girl playing her guitar on the next promontory, sitting on a fallen tree with her hair falling over her face.

    As I went I collected twigs and dried stalks and small fallen branches. I made a bristling bundle with each hand, I stretched my palm to carry more. At the place I built a fire. Last week someone had played a game there: twelve squares deep and ten squares wide, etched into the dirt, it had three teams: one playing with smooth stones, one with dandelion flowers, one with short sticks each piercing a leaf.

    In front of the fire I sat down to rest my back against a tree. The water rushed behind me, rushing rushing. It had begun to rain, not too heavily, I put on my coat and let the tree shelter me. A blue egg had fallen from the nest, egg-blue and speckled. On the inside its broken shell was white as teeth. Last night I took a different way and when I came to the clearing downstream where a bench and firepit have been built, in front of the bench someone had made a heart with stones. The stones said: “I <3 ..." The inner body of the stone heart had been filled with clumps of moss, and every few inches the green dense moss was punctuated by a golden dandelion flower. Again it grew dark, and again it rained, and I sat and watched by the water. H2O HoL red egg breakfast

  • a hill of beings

    a hill of beings

    I feel tearful this morning and my chest is aching with grief. Luckily my housemate & host made us both laugh just now by describing, with infinite wryness, the ruthless player she is partnered with today (“I have to go all the way to Zurich & then it’s like the Olympics”) before leaving with her tennis racquet strapped to her back. She’s been playing tennis for sixty years and hasn’t tired of it yet.

    Sitting in the sun I think: how long will we be able to go on? There are big valuables at stake. Our generations have melodrama imposed on our lives. I’m not even counting the nuclear-fizzing bully boys chucking tantrums, the banker boys stealing from the public: there is no room in my heart for them, I am grappling with my grief about the slow death of everything.

    The tremendous, repetitive work involved, in keeping it human-sized, staying awake, conducting one’s own modest, moral, individual life; the effort of planning anything at all (‘get out of bed, revise the poem’), of keeping hope lit. A gigantic assembly line, you have to keep fitting a million tiny metal and plastic pieces meaninglessly into place, just in order to glimpse the holiday of a corner of blue sky from out of the window. We’re all bound to it together, but it is somehow the loneliest thing. I can’t describe it at all. What I wanted to say, to somebody – anybody! – when I woke up this morning and heard the bird heralds of Spring, is: there are the big griefs of mourning lost species, and the missing wild places, the shaven forests and the lopped-off hills; and the deterioration of our daily bread, air, soil, fruit, eggs, and water. There is the horrifying fear of the future, overwhelming, paralyzing: a fear we must put aside and act on at once if anything is to amount to anything at all. There is the frustration of having sung this song too long, the boredom with it, the continual assaults from hopelessness. I get on with it. I rinse the poisonous dishwasher gleam from my cup, and make tea. I look all the big questions in the eye and tell them, I’m not afraid of my fear of you, I know you, I know you are there. But today the worst thing is the tiniest thing: my resentment at the pollution of my own daily dreams and the way I try to plan my day, by the wailing of the world’s biggest questions in context of history’s biggest mess. The siren interruption of alarm, that is the call not of sodden & beautiful temptresses but of ever-growing emergency.

    Ambulance. Ruined police. Fire!

    Self-pity, so small and overwhelming, fades out as I type these words. The sun has settled on my neck. The traffic from across the hill hollers, the birds are exhorting, exhorting. “This is my tree,” they say: “fuck off!” Or, “Hey, wanna root?” Or so an ale-drinking friend once translated for me as we sat on my verandah and listened to the trees. He has since sunk into brain-damaged tremor for he could not stop loving his escapism. I have wrestled with that. I try to remain clear and whole. Love is impatience and patience mixed, love is a bicycle in an airplane, love is endurance.

    H2O HoL blaring tunnel

  • no news is good

    no news is good

    Watching television news for the first time in several years. Things have changed. The screen (huge!) is split into seven sections with different background footage, text, or video showing in each of them. A continuously changing crawl line along the bottom distracts attention from the main ‘story’, with unrelated headlines. There’s even a graphic indicating the state of the stock exchange at allegedly this very moment. (My investments! My fleet of investment advisors! My inflamed self-importance!) The ‘story’ is about the arrest of three more suspects in the Boston bombing and the reporter on the scene seems to be speculating & conducting her own investigation. Her storytelling is looping and diffuse. But it’s hard to notice that because of the intrusive text flashes & gripping minute-by-minute footage of a black van being backed very slowly, over and over again, into the garage of a large building. What the hell is going on? This show seems intended to make the viewer feel like they are the centre of operations in some big detective show. In fact the information given, before boredom and frustration drove me from the room, is minimal and almost meaningless. As though it were a gossip magazine the ‘news’ describes the appearance and apparent mood of the suspects. They talk to ‘neighbours’ who say I’m shocked, this sort of thing doesn’t happen here, etc. I have never looked to television news as a font of insight and wisdom but still: the level of stupidness seems to have risen markedly.

    If you have a TV and if you feel that watching this stuff is helping you ‘keep up to date’: maybe think again.

    H2O HoL turkish erode floor

  • just entwined

    just entwined

    Found this unbelievable stationery store. It is vast and old-fashioned, everything neatly arranged. They had blocks of yellow writing paper, stacked in rows, some with no margin, some with a narrow margin, some with an extra-wide margin for some specialized purpose. They had gleaming jars of bulldog clips, silver ones, brass ones: pretty. They had all different kinds of string: hemp twine, sturdy and wrapped in a round ball the size of a baby’s head; and mean-looking black-and-white flecks, thin and strong; and a dreamy colourful cotton twine which came on a long tall spool and which I held in my hand for five minutes, warming it. Like an egg. They had a whole shelf of little cardboard boxes, the kind pastels and charcoal come in, held together on the corners by neatly folded staples. They had Moleskines designed by people who use Moleskines: the covers printed with one guy’s harbourside sketch of Hong Kong in pen and ink, another woman’s purling abstract with falling petals. They had slabs of plywood for balancing your painting on your easel and aisles thinly populated with drifters, holding up articles and musing on them, some of them wearing a kind of half-smile or fierce frown of concentration that seemed to me to indicate they were dreaming up what they would make with all these products.

    This was in Copenhagen, which I visited at the age of 10 and again two months ago, and where if it didn’t cost twenty Kroner every second just to breathe, I would move tomorrow, and learn to play better piano and be a better jazz composer. In the teetering, cobbled old town I found five jazz clubs within a square kilometre; most of them filled to the gills; and the audiences ranged from age 20 to 70. What a lovely town. Cold and windy. But beautiful. And peaceful in the water.

    h20 HoL cobbles puddle copper

  • antaquarium

    When I went to Copenhagen on my own it was cold and windy and there were times I felt very lost and alone. When I felt lost and alone I would take refuge in one of two places: the library, which has free wifi and a cafe and people clustered around low tables on Eames chairs, earnestly chatting; or this antiquarian bookshop I found, labyrinthine and lined to the ceiling in leather books, which has been made over into a student caff. There are little tables tucked under the shelves and in corners. They make a very rich hot chocolate and they serve cheap food. I loved to sit in there out of the wind and just gaze and gaze, letting people’s conversations filter through me, feeling how the venerable books stand shoulder to shoulder, a phalanx of minds, and how their massed presence like the presence of noble clouds grounded and rooted me with a kind of magic spell. I grew sleepy and the world seemed much kinder. My ears blurred. I sat for hours as though underwater.