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  • casa de correos

    A beautiful girl went into meltdown at the post office counter at ten o’clock at night and we saw her wailing, sobbing with her mouth open, pleading in liquid Spanish. Tears ran down her face and arms, she was almost screaming with some kind of unbearable grief, what could be the matter? I felt like a psychopath unable to share her intense suffering. People behind us in the queue started shouting and pelting the staff members with accusations. No, said the man at the end, no, we’re closed now. I asked the man next to me, Hablo pocolito Ingles? Do you have a tiny bit of English? Yes, he said, hesitating. “Why is that girl so upset? What happened to her? Do you know?” He said, “She have to deliver something and the staff is working extra slow, that is why she’s unhappy.” I looked the girl over, carefully. I had never seen anyone cry so unashamedly and I envied her. She had dropped her head onto the counter and long black hair fell across her shoulders and pooled on the desk. She lifted her head suddenly and with both hands spread imploringly cried out to the postal worker in her husky treble, oh you can not do this, you are ruining my life. This tableau took place in a surreal setting as at some deserted wedding reception or garden party, we were right up the back of the seventh floor of a department store where the post office is located – other floors had advertised a travel agent, health insurance office, cafe – and on three sides were palatial suites of bright gleaming garden furniture, orange and pink and purple, sleek beige couches which fold out into beds, Chinese vases, immaculate mirrors. The rest of the store had closed and we went slowly, reluctantly down the escalators past floor after floor of unlit displays of homewares, women’s clothing, children’s fashion, appliances. Outside it was high blue hour and all the creamy ancient buildings reared into the perfect endless Spanish sky like stagecraft, I have never seen anywhere more beautiful and its mix of comfortable acceptance and torrid drama is a constant astonishment to me. Last time I flew home to Berlin from Madrid I noticed Spanish passengers tend to applaud, once the plane safely touches down – something English-speaking people will do only when the weather has been perilous and the landing dicey. They did it again this time. A ragged shout of “yay!” went up when we took off. The streets are crowded with tablecloth stalls which are held by four ropes to be picked up over the shoulder if the police happen past; there are stores filled with gold-crusted crosses and confirmation cups, long white candles with gold stickers round them, baby Jesuses the size of small bears. The sacred Andalusian baths in a grotto underground which are lit only by candles and have tiled signs in every room which say Silencio, Por Favor are always crammed with people gossiping at the tops of their voices. At the end of the night we walk home very slowly, worn out by the endless stones and the glaring heat, and in the Museum of Ham and the Paradise of Ham along the zinc-topped counters men in white aprons are sweeping, very quietly, a dirty snowfall of white crumpled napkins flung down by the day’s customers as they have finished their meals, one by one.

  • hair now gone to morels

    Today I had my hair cut and lost enough length to stuff a small teddy bear. Afterwards I crouched on the floor in the horseshoe swatch of paler wood worn on the black boards where the hairdresser stands every day in an arc that sweeps back and forth around each customer, and tamped up the soft, drying clumps in my fingertips, and put them in a paper bag they gave me. My hair had spread across a wide area and I gleaned back as much as I could. I feel a bit weird saying, Can you give me a bag, I want to take this stuff home: and even weirder about leaving it there lying on the floor. To get swept up. Mingled in with other people’s hair. Dusted in landfill, with its bad magic.

    I had chosen for this outing a place I felt safe in, in a chic part of town where women carry little dogs in their handbags. All the trees have sprung into service and the old buildings gleam. On my way home feeling lighter and breezier in the fresh afternoon Spring air I pulled the handles of the bag apart and peered in – a soft knot of washed and combed ends and curls lay there in a heap, big as my two fists, coiled on itself on the floor of the bag like some little dog lured from its home.

    I so hate getting my hair cut that it happens only once every year, or two years; for a long time I used to cut it myself, with the scissors on my Swiss army knife. The girl who took my appointment earlier in the day had a blond bob severely asymmetrical but her eyes were soft. “I will put you with Damir,” she decided. “He has an unusual name too.” Damir was very cool, as all hairdressers are cool, and reminded me of my friend M. Same quirked brow, same smooshed beanie on the back of his head; same deft hips. He let my hair out from its elastic and said, Ahh, in a tone of satisfaction. Took his time, handling the masses of it for ten minutes, parting and lifting it, weighing it, judging the curl and its spring and the way the colour grows. Only then did he say, “Let us go wash,” lässt uns waschen gehen. It was a pleasure to close my eyes and let myself be handled. He said, see how it’s much curlier at the back. See how it’s ginger at the ends, I said, and he said: that’s because you wear it up in a knot and that’s where the sun most gets to it. Right, I said, slowly, thinking: oh, riiight. How little one notices oneself.

    Would you like something to read? He went over to a low table by the huge windows and bent over, sifting and separating. In the mirror I watched him choose me out three magazines and order them into a stack. One had a photo in it of the beautiful photojournalist Lee Mitchell, shortly after the death of Adolf Hitler, in his apartment taking a bath in his tub. When Damir offered me a drink and I said I’d like some water he said, Still oder mit. This translates, “Still or with?” Germans ask each other these questions about water, still or sparkling? With or without. “With” means with gas: bubbly. The salon was huge and only one other person was getting their hair cut in it. How much was all this going to cost? “I don’t care,” I said to myself, trying to calculate when it was last cut: more than two years ago. It was peaceful there under his hands within the tent of my own hair. I remembered how I used to go to nightclubs just for the dancing, and would dance alone, all night, all night. When men came up to me I didn’t yet know how to get rid of them so eventually I would take the elastic out of my hair and let it fall across my face like this, making a thorough curtain through which I could see out but no one could see in. I used to smoke and I guess it was eerie to see a woman sitting smoking stolidly through the sheet of her own hair, certainly no one persisted past that curtain and this reminded me of that. I closed my eyes and let sensation scratch at me all round. The fingers brushing the back of my neck. The tugging as he lifted wings of hair up high to trim the ends. The soft feathering as it fell down over my face. The scent of tobacco from his fingertips, that lay on the hairs hanging combed straight over my nose. The faintly tropical, faintly chemical smell of salon shampoo. “You never blowdry it,” he said, and I said, “I don’t even own a blowdryer. Or a comb.” “You can feel it in the hair,” he said, letting it run through his fingers like water in sand.

  • the lovely man

    You know how sometimes two souls collide in a fleeting way, like two bells chiming in different trees, and you never forget that person even if you never again see them or think of them. Well, that happened to me today. A most beautiful man. I went out to buy eggs and to finally drop in and see my friend who runs an exquisite New Berlin gift shop – it is filled with lovely things – he sells liquors and vodkas brewed locally. He sells handmade cards on creamy laid paper which have perfect arrangements of tiny dried flowers on them. Each card is initialed by the lady who makes it and inside is a little sheet of paper with her wavering handwriting – she is quite old, he says, and lives in Bavaria – explaining which wildflowers she used for this card. After much hesitation among the meadows I chose one with violets and something called in German “geese flowerlings.” The lady’s name is Rotraud – that’s her first name. I imagine her an elderly maiden, Germanic, pure-hearted, fieldly.

    While we were standing chatting a woman walked in whom I had passed on my way into the snooty health food store, she has a seamed and brown face round like a nut and he showed me the cards he also sells with her photographs on them. I was still reeling. Ahead of me browsing in the health food store opposite I had seen this lovely man, baby straps wrapped around his chest, long wrinkled pants and comfy shoes and somehow the back of his head attracted me. At the egg shelves we ran against each other and looked into one another’s eyes and smiled. I like you! I like you, too. As I was walking home feeling so filled with ardour and friendship he cycled past, slow and leisurely, making faces at his baby who lay smiling in the little wooden cart pushed in front of the bicycle. Hey, I said. Hey, he said. I came home to the man whose loveliness is known to me in more compelling detail and the sound of whose voice from outside the door lifts my heart. He took a photo of me in my crowded overalls, every pocket bulging with spinach, bananas, nectarines, tea. I put some water on to boil the eggs whilst telling him all about it. We gloated over the four different kinds of amazing German breadrolls I had chosen and their funny names. My favourite breadroll name is ‘Schrippen,’ a kind of ordinary light white bun. I bought potato rolls, farmer’s rolls, dinkel rolls and poppy and sesame fruit rolls, lifting each one out of its hutch with the long-handled scissor provided there for just that purpose.

  • a beauty

    When I woke up I remembered the beautiful girl who was sitting outside a coffee booth by the river yesterday. She got out her phone and scrolled, she was luminous like a black pearl. When we were leaving I went up to her and said, Excuse me. Do you speak English. Yes, she said, in American. I always prefer to give compliments on the way out, to avoid creating half an hour of shared embarrassment where they have to keep smiling at you for thank you, or avoid looking your way. “You’re so beautiful,” I told her, “it makes me happy to see you. Beautiful, classy face. Bless you.”

    She looked shy and pleased and said Thanks, very soft. All along the river path people were pushing their bicycles, sitting in the sun on benches, tramping with their large and small dogs. I guess everyone is beautiful when you look closely but some people wear it like a treasure they are trapped inside of, which casts its light on everyone they pass.

  • my favourite moments of the May Day march

    The people dancing on bus stop rooves.

    The leggy punk marching in ugg boots.

    The giant skinhead I followed for several blocks who had a gentle face, was six foot eight or nine, and had a dolphin tattoo round the back of his skull.

    The raddled Australian surfer turning steaks on his roadside barbecue and serving, in Strine, with ginger hair falling all over his face. Hours later I saw him propping up the corner of a pub, huge beer in his hand, giant smile on his face; he toasted us wildly, no splashing.

    The fact that 25,000 people marched and the roar from the crowd that went up when this was announced.

    The fast pace! Australian marches are often rather leisurely. At March in March last year we spent much of the route actually dancing. This was like 12,000 people running for a bus, for miles: actually three hours. A kind of political marathon.

    The old dude, late into his seventies, who had modified a bicycle trailer with boombox speakers and was blaring the deepest, darkest old school hip hop for everybody’s edification.

    The young guy who having accidentally kicked over a bottle someone had left standing in the street scooped up all the broken pieces and carried them to the side of the road to stash neatly under an overflowing bin.

    The fact that people were marching with beers in their hands but there was very little broken glass.

    The line of police officers blackened and bulky in head to toe riot gear, boots tapping to the music as they stood otherwise impassive with arms folded.

    The smart punk who was combining politics with business by dragging a very narrow steel apparatus on wheels, strung with four large stripey airport bags, into which he harvested other people’s discarded bottles, choosing those with the highest deposit.

    The stupid punk sitting in the middle of the road with his mates who refused to get up when an ambulance came sweeping towards him, and the ambulance driver who simply sped round him without bothering to swerve.

    The pink blossoms fallen like tissues all along the centre strip of Kottbusserdam.

    The blue, blue sky and the green, green trees and the river of black in between.

    The people watching and waving from their windows along the route.

    The bumper stickers people seemed to have clapped onto parked cars as they marched by, or which perhaps drove in on them, like: Sure. You can be a Nazi. It just makes you really crapola.

    The hand painted sign two well-dressed women were carrying which said Out of the way, capitalism, the next decisions will be made by all of us.

    The City rubbish collectors clad in hi-vis orange who were dancing as they swept up, dragging a wheeled trash can.

    The piles of rubbish people had built after the bins were filled, in planter pots and around the bases of trees.

    The intense conversations later that night sitting outside our friend’s photography studio and the various people who kept trying to come in because in Kreuzberg, a wide-open living room resembles a bar.

    The songs that kept dragging me at a run back down to the milling square just when I got settled, for more dancing.

    The raised cobbled square at the end of the march were everybody was dancing to a really good DJ. The silent disco that transpired when it came time to switch the music off and the DJ started handing out headphones for a 20 quid deposit.

    The moon that came up as the sun finally went down.

    The headphones, and the song whose name I didn’t know that pierced my waters as I skated under the fizzing trees in silence.

    The dancing.

  • alle auf die Strasse

    I am in Kreuzberg, middle of Berlin, middle of Germany, middle of Europe. Today is 1st of May: May Day, alle auf die Strasse! Everyone out on the streets. People are taking it literally. Thousands upon thousands of revellers, protestors, picnickers, cyclists, bands, seven thousand police officers standing in the sun, every street is lined with little stalls where a Turkish family barbecue koefte as fast as they can, or two friends have bought a slab of beer and trucked it down on a sack truck. People are dancing. People are chatting. People are playing boules by the riverbank. It’s like Woodford only many times larger and everyone wearing black. We just walked under a kilometre-long Mauerstrecke, where the old Wall was, lined with almost a hundred cherry trees in pink blossom. A girl walked by with her hair dyed the exact same colour and let me take a picture. You can buy a beer for a Euro and even the trees are dancing. Alle auf!

  • don’t you feel like reading books any more?

    I was in a bookshop yesterday with my friend just arrived from Copenhagen. It is around the corner from the bookshop where he and I first met. We met because he was standing gazing at the books in the English-speaking section when I visited to see how the ones I’d left were doing, and I went up to him and said, You should buy this one! I wrote it! And he did and then later I visited him at his own bookshop near the cold Danish lakes which has one wall of records and two walls of books and a tiny espresso machine.

    The bookshop yesterday has a cafe attached, it’s built under a railway line in a series of old-fashioned orange brick arches and you can hear trains screaming overhead while you drink your coffee. Adjacent to the cafe part are the shelves of books in two rooms, and the two sections of literature reach each other by means of a narrow passage, all too brief, papered entirely with the titles published by a German house which uses bold whole colours. So you walk into a rainbow of literature: I catch my breath. On the other side I peeled off to go visit poetry and my friend went visiting novels. The man who staffs the back section (English and French, philosophy, poetry) came sailing through from the just-closed cafe holding a small plate high on one hand. A fork stuck out of it, upright like a sail. Hard on his heels were two sad-eyed beagle-like dogs who weren’t beagles, who gathered themselves at his feet as he reached the stool and gazed imploringly at the underside of his plate. “Two very firm friends!” I remarked. “With clearly no agenda whatsoever.” “Tcha,” he said, spearing a wedge of cake. “Or maybe two very firm friends of the strawberry cake.”

    I began turning over the hardcover books, looking to see how people had solved the design problem I am wrestling with: how do you answer, on the back cover, the one powerful almost abstract image on the front? Do you just have a plain colour? If you put another photo, does it end up looking 90s, like a boulevard magazine? The combination, I find, of ambitious ideas of beauty with design inexperience makes independent publishing hard. My friend showed me a novel marked The greatest book you’ve never read. Neither of us had read it, either. He was looking for WG Sebald. “Have you read Proust?” “Oh, yes. But I can’t remember any of it. It took me months.”

    As he turned away I remembered what my novelist friend had said, at the time: You should put that on your gravestone. “She read Proust.” The man on the stool dropped two chunks of cake for his patient friends. I thought how the poetry section was in the dimmest corner but a good slice of strawberry cake brings dogs to your heels. I turned back to the hardcovers, none the wiser, nonetheless. Another book lover walked in, an older man in a beautiful wool coat. One of the dogs had climbed into the leather armchair at the entrance to my rainbow and was sitting there looking rather tired and sad. “Na?” he said, stooping to greet her. ‘Na’ is hard to translate but means, I think, approximately: so? how are you, person whom I feel attached to and fond of, or whom I like on sight. The dog gazed back at him plaintively. Clearly he had brought no strawberry cake. He tickled her under her chin. “Und?” he asked her. “Hast du keine Lust mehr, Bücher zu lesen?” Don’t you feel like reading books anymore? How Germans speak to dogs – courteously, seriously, with familiarity – makes me truly love them.

    You’ll see some raddled punker and some lady in expensive trainers, their two dogs tangle in a sniffing wreath along the river path and they both stand there smiling tolerantly, as if to say: Tcha…. That’s just the way dogs are. I had seen this that same morning, in a seamier part of town. In other news, we saw an otter swimming along the canal, and followed it for half a mile under the trees. Periodically it dived, making a ring of bright water and then emerging further along up the bank. Turns out otters swim at about a walking pace. In all my life I’ve never seen one before, I’d have taken it for a beaver except that I asked a man standing with his arms folded and he told me, doubtlessly, “That – is an otter.” Another man in his blue kayak was sorting things on the bank, readying himself for a sunny day’s rowing. On the other side two trumpeters stood side by side and played some mournful tune into the quiet water’s ears.

  • I’m in trains

    I came clattering down the stairs to find the train already humming, its destination sign was flashing which means departure imminent. I franked the ticket and ran. The train was right down the far end of the platform. As I came pelting towards the front carriage the doors closed and it began to move. I could see the driver sitting gazing at me from his little cubicle. I said, in English, “You’re kidding, right?” and blew him a sarcastic kiss. And guess what he pulled up again, just ahead, and opened the long row of doors for me. Oh! I said in German, “O! Das war lieb!” He couldn’t hear me because the window was closed. I laid my hand on my heart to thank him. As I climbed in the other passengers looked up, startled, and one man said knowingly, “Ah! Extra Service!”

    Another time I watched as a lumbering skinhead with terrifying facial tattoos made his way slowly down the cabin to where an older man sat slumped in his sleep, all alone. Everybody tensed up as the skinhead said to him, “Hey!” I was wondering should I go up and intervene. His next words were, “Hey! Du! Alles ok? Geht’s dir schlecht?” Hey, you. Everything ok? Aren’t you feeling well? He touched the sleeping man on his shoulder and shook him gently. The man muttered, he was alive, everybody’s ok, the sun is shining.

    Two years back when I was living in Friedrichshain I used to ride back and forth on the highline between my house and my beloved’s. The sensation of speeding among the treetops along an invisible rail was one that always cheered me. The red medieval bridge that linked our suburbs was built in Victorian times: the train zips along its brick turrets and either side down below there is the river. I glanced up from my writing to see an older man gazing with an expression of indulgent fondness, as though I were his granddaughter. “Schöne Schrift,” he offered: lovely handwriting. “Danke!” I said, and we both smiled and I went back to my compelling page. At the end of the ride I clipped up my pen, closed the page, gathered my gear and as I got up to leave he was nodding and nodding. “Alles schön aufgeschrieben,” everything written up nicely, he said, with as much satisfaction in his voice as though he had written something of his own.

    Then yesterday I started to want to write something just as I left the house. All down the street I was towing it like a balloon, bobbing under the trees that have appeared rather suddenly, like umbrellas opening, in the short week we were away in the countryside. Someone has been decorating the city with Spring. I jogged down the stairs and sat down, and pulled out my pen. When the train arrived I got on it and kept writing. You know that intent feeling when you daren’t look left or right, you must keep following the scent underwater with your nose until you find its home cave, that treasure. Just as I reached for my mountaintop – balloon, umbrella, cave – a large man standing nearby said, “Guten Morgen meine Damen und Herren, Ihre Fahrkarten, bitte.” Tickets, please. He went first to the woman on my right and I just pressed on, shaping a tide of sand across the page. The outer part of my mind was tensed waiting for the interrupt. That tiny spurt of rage interruption invariably brings to the writing tide. Matchflare underwater. Dimly I felt how he had moved past me – so cultured! – asking the people standing further up the carriage for their tickets. When I was done writing and had capped my pen and zipped my bag I saw him and his colleague gathering themselves at the doors and he didn’t even catch my eye, I had the ticket out to show him because I wanted him to know I wasn’t trying to evade justice and had played fair, they were chatting casually to each other and jumped out at their door and I jumped out at mine and though the staircase was clogged with drug dealers so aggressive they will actually stand in front of you to ask what do you want I felt high and unstoned and free, like the train that curves among the treetops, in this city which respects art and respects thought, in these people.

  • wake in flight

    In my dream I was in this amazing cafe taking five floors of an abandoned building in Brisbane. Right at the top was a little terrace looking out only on treetops. There was a waitress dressed up in a robot suit she could not see out of which blinded her from doing her work, she struggled cutely from table to table and her colleagues were laughing gamely but I thought: how annoying. A boy who wanted to move to Scotland the next day & was saying farewell said to me, that is the thing about Brisbane! just when you leave something incredible opens up in the trees. Then I was talking with this man who lived on a remote island where he showed me how to find my way to his camp and said, this is where the olds are doing a lot of planning to take their Country back. Then he came in to wake me up pulling up the dense shutters and the sound of the dog snuffling and squeaking outside the door and it is time we went to the markets, we direly need vegetables and the birds are teeming life is like a dream, only people have chilly creaking jackets and their hug is cold because they have been sitting outside scented with coffee and the wind is icy although the sun is warm.

  • belovedly

    Oh, Germany. Sometimes I am just so grateful to you! I came three years ago, for a week, with a suitcase of summer clothes. Stayed on and stayed. Met a man. Made some friends. Found a Kiez, a barrio, a neighbourhood. Now I am back and the dense sweet piercing chill of this supposedly Spring evening has lifted and carried me when I most needed the lifting, I needed the carry.

    Here’s what happened to me today. I kept running aground. Couldn’t work out why and there were things I was itching to do. Eventually I figured out: it was because I was in pain. This happens irregularly, more often than you’d like. It’s character building. I rang the osteopath, who is in the next street, and she was available within hours. So I just went to bed to wait. Reading my book. Third book this week, not a bad one. I like this osteo and she treats me, after three or four visits, familiarly, friendshippy: Lass dich mal wieder sehen, she sang out a month ago when I last left. Let yourself be seen, come back again. She reminds me of the Melbourne friend of my mother and I thought of her as motherly, underwinging, kind.

    This time seemed to bring earlier events up to a clearer pitch. She wanted me to lie on my back shirtless, was reluctant to hand over a towel. She let her hands dig into my shoulders and then brought her face rather close to mine, breathing deeply in. For long moments we lay and stood like this and naked high in the sky as the blue faded to black I let my mind wash off into its meditative dream: life is deep and long, worlds are a forest, there is nothing I can change here but I bring my attention to bear on this shipwrecked beach, breathing. I surpassed it all with calm. When I got home I felt wrung out and bleakly alone. It is difficult working out how to say in German, you are too near, I want to be covered.

    When I say home, I mean my hotel room. Two months ago my honey and I had a fight, it was 4am and we simply couldn’t bear it any more, and since then I have been living in an hotel and we find ourselves gradually so much more comfy and at ease. The reason for our fight was: two of us, plus one medium-sized dog, living in one room for months on end wore us down. We are both loners and creative types, used to the silence. We tried alternating headphones, I tried writing on the floor of the tiny bathroom and in cafes. It was snowing outside and no one could simply go out for a walk and lose themselves in the greenery. What greenery. Anyway I came home to my hotel, which is quiet and sedate and very old-fashioned; they let me stay here for cheap because they like writers. I was hungry; it was midnight; surely everything would be closed. I wrapped myself again and set out across the square. This bar I like was open, glowing with the hum. Serious German conversation at all tables. The one table in the window, where the cat sleeps, empty for me. I ordered onion soup from the menu open “til one hour early”, which means, til one o’clock in the morning. I ordered a beer. I let the stumbling crank and rumble of benign Germanness wash me all round. I watched the bar cat, sleeping in the hammock of herself. Her name is Zappa. Two gentlemen next to me had the chess board out, but it took them a long while to get down to playing. Something they were discussing took up all of their attention the way a paper towel blots milk. I love listening to German men talking over beers with their friends. There’s so little machismo. Their voices are often deep but they are excited by the ideas, by the shared experience, they converse. The cook, who has biker boots and a long skinny plait, came out carrying my onion soup and a basket of four different kinds of bread. I took my book out and just stared at it. The words printed on the pages were stars and I let them carry me, they were carpets, dancing on the orange horizon where one never meets oneself, where everything is wild, where languages are ribbons not unlike long-eared underwater plants writhing in the salt and combing themselves back and back and back, illustrious, clean. I sat there until the detritus of my day had sanded out of my bathers and then the warm oil of it lit me all the way home and I will carry this into my sleep, a moreish story.