Blog

  • fight for your right to part ways for the night

    My boyfriend and I had a huge fight and I went storming into a bar and ordered a dirty martini. I was wearing a big scarlet onesie with a Danish flag down the back, had jumped out of the car and wasn’t dressed for city life. This blonde girl came up to me, drunk on her swaying heels. “Excuse me. Are you a musician?” I started to laugh. “Is it the ugg boots?”

  • a singer I’d never heard of

    Our nearest cafe has made such a bold and tender innovation. Simple, really. How shall I describe it? Ok, imagine it’s Monday morning. It’s earlier than you’d like. For reasons unusual you have had to stagger out of bed and you feel grumpy. There’s no milk, argh. You grab your mug and stumble almost literally down the hill. Over your head trees are waving to each other across the asphalt, they would join hands if they could. The crows cark, the traffic spurls, the world is bright and full of love and if I could just get my eyes to open properly I’d see it all. At the bottom of a steep slope there’s a little coffee shop. If you had a billycart you’d be there within seconds. The usual clot of people in suits standing not looking at each other parts on a sweet and familiar sound: a strummed guitar. Monday morning gig! First thing, in the grumpy hour. It’s genius.

    A guy sits curved over a mic whose stand, set at an enquiring angle, seems to be interviewing him. Guitar is plugged into a tiny amp, one of those kerbside amps you carry under one arm. You reach the head of the queue and buy coffee. He is singing. He sings with a tentative grace. The customers, embarrassed, so strenuously ignore him it almost must break his heart. The songs are familiar, radio fodder, he is doing them an injustice. You love him for that. With his voice he breaks open the idea that all songs come fully formed from a studio, there is no struggle, only gloss; that everyone’s life is far better than yours.

    You have had to kind of climb out of your sleep and sleep’s warm privacy to emerge in public city life, to use your vocal chords. Your hair is all over your face and you’re wearing the tshirt you slept in. You lean over and say, You have got the sweetest voice, it’s such a lovely surprise of a Monday morning. Oh! he says: thanks. He takes hold of his guitar differently. Over the back of his machine the barista asks, Did you just request the Beastie Boys? I told him he has the sweetest voice, you say: same thing.

    You are slouched against the besser block wall in the sun. Your hips swing and one clog is knocking on the other, you emit an appreciative murmur when the song is done. This emboldens a man in his suit standing nearby to say, That was better than the original! The singer laughs, thanks him. All of a sudden the music is not invisible and we don’t have to pretend it hasn’t happened. A girl in knee-length boots comes striding in and sits at a spindly table opposite. A guy in a striped tie looks up and smiles. At the end of the next song your coffee is ready, in its own curling-handled brown mug. You can’t leave because you’ve asked the guitarist, Do you write stuff, as well? And very diffidently he has offered: I could pull one of those out… if you like. And he pulls out like a long swathe of coloured scarves knotted one end to the other a lilting song about a little bird; sitting on my shoulder; telling me you’re not the man you use to be. It is a song about self-belief: that thing we’re all in need of. The things this little bird says to him seem cruel and they remind you of the kinds of things your own little bird sometimes whispers, the reasons why you are not also sitting out in the sun in a coffee shop, playing. You think about your dusty guitar and how he said, I haven’t played my own songs for a long time. You notice how he is curled in on himself but from the outside there is nothing not to like: his gentle presence, his tortured and reedy voice, plaintive and frayed but strong inside, like a rope. When the song is done it is a gift that he has given you. You want to give it back, to show it to him. You say, That was really lovely. Have more confidence in your own stuff. Thanks! he says, already sitting up straighter. You look at him and keep seeing yourself. I was so happy when I came down the hill just now! you say: Monday morning gig! it’s brilliant! You’ve made a big difference to my day.

    You pick up your mug off the railing. He ducks his head, says, You’ve made a big difference to my day, too. Thank you, you say again, and leaving the music behind, carrying the music, start walking up the hill for home. Carrying milk and honey and beans. A small swirling land of milk and honey. Pot of steam. A bright morning. A singer you’ve never heard of, but heard, and who heard you. What more can be grace? Come, Monday: come.

  • surprise party

    “Meet us at Southbank on Saturday night, birthday party, surprise party.” We turn up late, missing the great unveiling, and sit at the very end of a long table outdoors. Gray Street is one long dinner party, a half mile of revelry and carousing. How many teaspoons, I’m thinking, how much milk. After dinner there is a general dispersal but seven people close to the bride, sorry, the birthday girl want to have a drink someplace quiet before heading home.

    There’s a bar in Paddington. “Is that quiet?” A bar in the Valley. “But the parking!” It comes down to The End, nearby in West End, or a place called Lefties in Paddington which I have visited once before, hardly quiet but hearty, a merry joint, both of them sound good, no one can decide.

    “The End is nigher,” says my German friend, thus proving if you can make puns in your second language you can make half a dozen people really happy at once. Birthday girl comes weaving through us on her high high heels. She is holding up her loot, a clank of wine bottles in different sparkly carrier bags with gift tags, in bunches either side of her head like a victorious shopper. “I’ve got 6 litres of wine,” she says. “Why are we going to a bar?”

    Later at home I tell my companion, her husband must have said the same to everyone when he invited them. I asked him, “What kind of thing would she like, for a little birthday present?” and he said, “She likes wine…” Her sister is also well-equipped and after we finally find a beer bar that’s open in West End and accidentally shove some other people off their table and buy a round of local brewed beers and down those, she says, “I’ve got a hip flask. Who wants gin?” Someone goes up to buy glasses of tonic and after the G&T spools its way down to my stomach I am feeling so restful, so possum-like, so inexplicably toasty. I dance in my seat, I unwind the scarf from my neck and sling it onto our large pile of coats and bags. Birthday girl opens her gorgeous black purse when I admire it and says, “In the op shop it came with this little wallet inside…” It is Glomesh and came with the original brochure, cunningly tucked in a windowed plastic wallet, the price in the old money hand written on the back, in its satin side pocket. I say, “You want to know the best thing about Glomesh? How it sags into your hand so soft and comforting, like a really old and worn pair of soft underpants, you can just cup it, it just falls into your palm.” “I know!” she says, “I love that!” and her sister says, “Me too!” and we spend some time passing the purse between us to cup the fall of heavy enamelled mesh in one palm after another. Oh, Glomesh. My companion nudges me. “I’ve never seen that before. People dancing on the dance floor to a cover songs guitarist.” It’s true! Lost in a sea of writhing bodies the guitarist is bearded and intently concentrating, oblivious to the girls gyrating in front of him waving their hands like they’re attracting air craft and are stranded on some deserted island. Boys are dancing too, everybody’s dancing, although the song he’s covering seems to be… “That’s Katy Perry!” I slowly realise. “He’s singing Teenage Dream.” He goes on to cover Don’t Stop, by Fleetwood Mac, Africa by Toto which gets half the room singing along with its moving and meaningless lyrics, Girls Just Wanna Have Fun by Cyndi Lauper – “This guy is fearless!” Birthday girl returns from the bathrooms and slaps her Glomesh down on the long wooden table. She beckons me and says into my ear, “In the bathroom? There was this long line and every girl in the queue was on her phone, scrolling and texting. So funny.” I say, “No! What?” She says, “I was watching in the mirrors and it just looked so funny and sad. And then this other girl? came out of a cubicle flushing behind her – with her eyes on her phone, texting and texting – and she stuck out one hand and turned the tap, like this, still texting, and washed that hand and dried it, texting, and went out the door, still -”

    I say, “No!” “I know!” she says. We are both laughing painfully, trying to draw breath, getting out these little squeaks of sounds that resemble those furry animals you keep in a cage and feed on sawdust, mice, rats, guinea pigs, hamsters. We stagger to our feet, weak with laughter, cramming our arms into jackets and coats, winding scarves. The beautiful Indian girl raises luminous eyes to mine and I lean forward, clapping down on the table, and tell her, “You – are one of the most beautiful women I have ever met in real life.” She silently bows her head to one side and glancing at me lengthwise indicates with a wash of one pale-palmed hand, No, you… Between the high tables a couple is dancing, dreamy and fast, he spins her thus and that, forth and back, over, she ducks a quivering ponytail under his arm; they are only in jeans and tshirts but the Viennese splendour of tea dances, gold-rimmed cake dishes, and penguin orchestras wafts round them like smoke in a Berlin nightclub.

  • hark

    What if the things we are most dependent on are insufficient substitutes for something else? Walking home from my first independent visit to the gym – no trainer – and feeling throughout my body how free and magnificent I felt, and noticing the autumnal leafy breezy feel of Brisbane’s deep winter and how the traffic stop-started like jazz, I saw the signs over me and around everywhere advertising the drugs I am trying to do without. Coca-Cola, takeaway coffee, chocolate and sugary fats. Seeing the slumped walk and depressive expressions of many of the world’s wealthiest people – I mean, all of us in the couch-collapsed industrialised world – and the lit contentment and adventurous joy that is so noticeable when such people visit far poorer areas, spending-money to hand, I wondered about grace and how it can be disposable. Aren’t alcohol, marijuana, anti-depressants, and heroin emotional rescuers, overlaying the pain of unhappy life, loneliness, past abuse, dissatisfaction and boredom with softer emotions, wow-wonder, contentment? Aren’t sugar and caffeine and fats just blood spikes which replace, though inaccurately, that feeling we’re all familiar with of joyous bodily movement? Within the past decade we’ve seen children strapped down and reduced to vehicles. It feels like the training regime for a lifetime of slumping on couches, travelling by road and rail, sitting in front of a screen: sitting, sitting. Glimpsed through windows the business and manufacturing life of a city reveals itself transformed from the thousand different kinds of tasks people used once to do to run a workplace to now, always someone sitting gazing out the porthole, into the wonderunderwaterland of what we call the web or the net, a tangling ocean we all seem to get stuck in. Physical exercise is a renowned antidepressant; fresh fruit and vegetables are known cancer fighters. Do we prefer the pill. Do we want to dispense with the outdoor life, random and wild and where fresh encounters happen, in order like hamsters rewarding themselves in the cage to dispense bullets of information, and intrigue, and brief entertainment, and treats: the best bits of the roasted beast (crispy, salty, fatty crinkle packets) eaten all day every day, the high points of breasting the challenging hills (chocolates, lattes, soft drinks, sugared canned foods and everything manufactured) gulpable in near-death quantities, always nearby and available twenty-four hours a day, under a dollar: life under the dollar. I’d call it the dollar-drums if I were not afraid that coining new phrases and writing about it were my own sugar high, my own adrenalin rush, my addiction to healing the pain rather than the cause.

  • personal draining

    To overcome a longterm injury I’ve taken on some personal training, in a stinky gym paved in black rubber. I can only afford two half hour sessions per week so we need to get us some work done. The trainer is strawberry blonde and perky, with perfect ankles and a somewhat staring pair of baby-blue eyes. On our third meeting she mentioned casually some news about her career: “I got a call-back from the someone-or-others!” I must have looked blank, though I said, “Good for you!” because she said innocently,

    “Don’t you know anything about me at all?”

    This so tickled my sense of humour that I instantly dropped into expressionless deadpan. My first thought was, Darling: I am so much older now than you will ever be. I said, levelly, “Why, no. I guess I don’t. The only stuff I know about you is what I have gleaned in these last two half hour training sessions.”

    She took this as an invitation to fill me in. Outside our window the sun was setting and a dozen people churning up and down sprinting earnestly put my grunting machinations to poor shame. Her degree was in something. With a major in something and pilates and something else. She worked on a cruise ship? as a dancer? only then her brother got married so she had to come home – for the wedding. “Oh,” I said. And then she got this job with Anthony (the gym owner) and now she has been here two months only she’s passed an audition with such and such cruises (“Wow!” I said) and so by August she plans to be airborne again. That is, she’ll be seaborne on the world’s largest single cause of waste pollution, but her dance routine is “aerial” and in costume – last time round she wore glitter on her eyelids and was dressed “as a wasp.” Right, then.

  • carry the water

    I was chopping wood today & remembered a guy from Wales many years ago who was missing two fingers from his left hand. He described how he felt the sickening, impossible thing… then his first thought was, as he told me in his furry accent, “You stupid, stupid bastard.” He says instantly the pictures started going through his mind of all the situations over the rest of his life when he would want those two fingers, and no longer have them.

  • fear of bunyips

    It’s getting dark. The gentle end of a slow and satisfying farm day. My farm is a tiny lakeside property which belongs to an absent friend. I am alone today. Last night we walked round the lake, or dam, and I told my German visitor all about bunyips. Today he rang from a nearby mountaintop to remind me: “You know, those scary… the obokodies.” “Bunyips?” I said. “Bunyips, yes,” he agreed.

    I let the chooks out to huddle in terror under a clump of some flowering ginger that sings. Its scent sings. They are frightened by the death of their fourth friend, two days ago, who was torn into heedless headlossedness by a hawk. I guarded them all day. Chased them out into the sunshine and leaned over the sagging cyclone wire to pick them up, plumply one by one, and carry them safely home. I bent my back under bushes and collected basketsful of dry kindling. I washed all the rugs and hung them out for sun’s succour. I took the landfill and all our recycling down to the council bins, near the road. In between I was supping and sipping on things that the humming ether brought me, random stories, articles and talks that lit my tiny local and deeply domesticated sky like tinsel snow shaken through a palm-sized dome. I set the axe against the tank and broke some branches over my knee. At the foot of the scored stump on which hardwood is splitted I found the dusty remains of the peeled head, eyeless and gone, of the poor chicken who wasn’t the fittest, on Wednesday, and didn’t survive. This is where my inner-city Berlin visitor had executed her a second time, after she died, so he could pluck her in hot water and rub her all over with red cooking herbs. The whole tiny house smelled of good food last night and I ate my baked potatoes and looked on, unable to stomach it, lacking the courage, picking the eyes out of a salad.

  • eBaying at the moon

    Hooray, I just perfected a new & absolutely unexpected skill. You know when you have to write blurb for a festival or a book release and it is so so painful to describe Oneself, One’s Own Work, argh, and you end up with something stilted, awkward, embarrassed & bland…. Well I just listed some old fur coats & suede jackets on eBay for the first time, cos I’m living in the tropics and will never get to wear their sweet soft savoury selves again. Wahh. I put it off and put it off and put it off again. Then tonight I opened an account and did them all in a rush & I’m so proud! Turns out I have a flair for cheery & honest descriptions of old clothes. How bizarre. Check em out:

    * This inimitable jacket saw me through a freezing February in New York City. Recording my album I felt I was channeling Janice Joplin. People came up to me in the street to talk about the jacket! New York men adored it. Wild and hairy, from real sheepskin, unlined, undyed, hand sewn, raw and untamed. It is open down the front and in great condition. Hip length on me and I’m 6 foot tall.

    * I love this little cape. It fastens snugly round your neck and hangs free over the shoulders. Lovingly hand sewn by some 1960s fashionista and aspiring superhero who just loved sequins. Splashed across the lower back is a spray of gleaming flowers in crimson and cream sequins. It is dashing. And no matter how far you look, you’ll never find one like it. Ooh la la!

    * Probably made for a man but it looks ravishing on cool girls, this suede jacket in rich cinnamon was styled by the then no doubt famous Simon Kessel Australian Design Collection. Gorgeous labels in good condition still stitched into the nutmeg satin lining. Handstitched pockets with a faintly cowboy feel are perfect for slouching about it. This baby will take you places. Grab your fedora and shine up your Cuban heels: when you slip this on it’s gonna feel like you’ve worn it forever.

    I had put off dealing with this pile of clothes for I dunno, maybe two months. To have done them, and to feel I have done right by them, gives me the most luminescent feeling.

  • bicycling on

    Finally my bike! There have been various substitute treadlies in between but my own blue bike, bought in Alice Springs a decade back, is now out of storage and dusted and greased and today for the first time we hit the black road. Wahoo! The freedom and terror. Raced down the tumult of traffic to a sleepy golden markets, where under the trees people had laid out vegetables, sprouting herbs, tempting red circles of handmade saucisson. After a coffee and waxy croissant we sauntered out as the stallholders packed up. One was a big bloke with black beard and a huge smile who stopped packing, and straightened, when I said, “Can I take a photo of your red stuff and the red stuff behind? Would that bother you?”

    He grinned. He looked at the bunch of marigolds and bouquet of red rubber gloves and turned to see that behind him, now that the intervening stalls had folded away, the scarlet florals of a fashion stall made another layer of colour. “The red stuff, and the red stuff behind,” he said. “Spoken like a true photographer.”

    I was rummaging in my bag. “Yeah the professional terminology, eh?” I made a dozen photographs with people swiping by obligingly as my coloured-cotton, human scenery. Showed him the last and most successful shot. We wished each other a good week with enormous cordiality and I had the feeling we both would have liked to have given up a hug. On the narrow, shaded road outside the markets I wobbled and nearly fell as a car overtook me within an arm’s length. He accelerated to pass me, even though the standing traffic was banked at the traffic lights metres ahead. When he stopped I swooped round onto his driver’s side and stopped, and spoke to the guy through his unwound window. “Excuse me, Sir. There’s a new law, you have to stay a metre and a half away from the nearest bike, because it’s much safer. Thanks!” And I patted his windowsill familiarly, patronisingly, and pedalled off. It feels good to be back on the bike. But it wouldn’t feel good to be forever extinguished and flattened like a pizza on asphalt because some guy with “fat eggs” as they call it in German wanted to prove he could escape my hand-built speed.

  • tyre me down, sport

    .
    today the way
    the world is run and the
    people who run it making me tired
    tired of not saying “you make me feel”
    tired of I instead of you statements. You
    make me feel tired, I’m tired of you
    all and your folly
    footed in the mountainous earth on such
    a very large scale. You make everything
    small you make
    everybody suffer. You don’t suffer. Everybody
    does but I can’t see you can because
    if you did I would be
    living in a loving world
    like the world I live in in my home
    of my own head,
    if you did I would be
    heard and you’d be quiet
    all of us herd who graze here
    quietly among the grasses, writing
    poetry, well that’s what we call it, on our silent screens
    this is written as I type and won’t take ten minutes over it
    because it’s all going to flow away downstream
    the feed, and the feed-lots, the haverers & have-nots
    gone in an instant gratitude journal heart-shaped
    dotted i….. dotty, I, myPad
    cluttered with unwashed thoughts and all
    I have is caller ID for privacy and cyberspace
    where no one hears you screen.

    4.35-4.41pm, 5 july