Wild Sovereign Development Site

Tag: Australian in Europe

  • cherry tree, wait for me

    Today I would give anything to run outside into this suddenly warm sunshine. I woke to birdsong and discovered I had left my window open all night. This is the first night since October that’s even been possible. I don’t feel the icy breezes snaking round my feet in the chilly living room, I can’t hear the ticking of the heaters. When I stood in front of the glass and gazed out I could feel the sun’s mighty warmth on my face. My eyes sting with tears thinking about it. It’s reached us.

    This winter staining gradually into pink blue yellow spring is now extended indefinitely, perhaps eighteen months, perhaps twelve, perhaps three, as if by a bad council order. Such a long winter under such low grey sunless skies.I miss cafes, I miss walking past people and feeling the foreign-communal energy of their own brisk, or vague preoccupations. The feeling of their thoughts and breathing fringing and wrinkling my air. I just miss them being there. I miss the little coughs and the unconscious throat clearings and sighs and the faint breeze as my neighbour in some plinking humming bistro turns a large page in his sagging newspaper. 

    That’s how we sit, that’s how I spend time with people. Cafes are my communion. I love the delicacy of their shared but parceled space. All along the old wall strip, the dead zone through Berlin that divided families like a terrible quarantine, the decades of no mans land that now is all overgrown with trees and nested with sweet birds, torn down one by one for new apartments as the city swells, one Japanese cherry tree after another will be touched by the sun and burst into its perfect ineffable colour, its blossoms fluttering and the sky a web of blue trapped in its branches. I want to lie there dazedly noticing the comings and workings of ants for whom springtime is an unending toil. I want to hear the punks on their houseboat creaking and clinking at beers in their foldout chairs. I want to feel a fast bicycle zip past me. Lie under the trees and feel their placid embrace, like two hands turned slowly outward to show me something.

  • bicycle fascist

    I was overtaken on the bike path today by a puzzlingly hostile man. He seemed to have a store of labels and insults saved up and was eager to put them to use. The sun had finally come out. I had ridden clear across town to collect my Ghanaian visa. I was thinking as I rode: honestly there’s nothing like crossing the first bridge to open between East and West Germany in 1989 in a sudden sharp hailstorm to make you want to leave the country for a while.

    Later on all the errands and grocery shopping were finally done and as I was cycling home – the clouds broke apart and a glorious sunshine lit the local world. I slowed down and looked about me, enjoying the pretty sky. Indescribable light at this time of year, sometimes. A pinging from behind warned of another, faster cyclist. I veered wobbling to the left, defaulting by accident to my Australian road rules, and the other rider pinged his bell furiously, with small intermissions, four or five times over. He called out to me. “Can you pull over to the right to let a person pass?”

    “I have pulled over to the left,” I said, “to let you past.”

    He pinged his bell again though he already had my attention. “Are you deaf?”

    I said, “What? Are you German?”

    “No,” he said, primly, as he passed me. “I am a Swiss. Keep your German fascism to yourself!”

    Fuck you, I said, reverting to English, and then the tail of my skirt jammed in the spokes and I shuddered to a stop. As I disentangled myself and set off home I was thinking how quickly we had skipped through the steps to the full apparatus: accusations of physical handicap, warning sirens, curt instructions, national identity and then – within a mere moment, it seemed – we were already arrived at the most unimaginative form of terrorism there is: Fascism.

  • equinocturnal

    Today is the Autumn Equinox. As a southern hemispherian I decided to finally find out what that means. In the subtropics we barely notice a difference in the lengths of any days. Turns out ‘equinox’ is, of course, Latin for ‘equal night.’ Today (in the North) is the start of Autumn, when the days will start getting shorter and the nights, god damn it, longer.

    All too soon it will be barely getting light in Berlin due to cloud cover and then never really dark as there are so many cities nearby. All panning their European lights up into the sky.

    I found this nervous professor explaining to an eager interviewer, with his voice trembling as he is on TV, how it works. The sun appears to wobble slowly up and down in the sky across the year, as Earth’s axis is tilted. So for half the year the southern hemisphere is facing closer, for half the year it’s the north. He explains how this was important in pagan times as it is connected with fruitfulness and harvest. Her voice lights up. For Londoners, where can we go, what can we do, to be a part of this, to find out more?

    Obviously she means with people. She wants to gather by moonlight at some standing stone with a bunch of arcane knowledge holders chanting incantations. She wants some insight into the mystery of long human endeavour, wants to be admitted to the meanings we have shut out, with our forever lit smartphones and our tube trains which run until three in the morning. Our eternal false daylight. I feel my heart quickening, too.

    But the scientist misunderstands her. His voice quickens, too. He starts to offer his own secret gatherings – here is where the London Irregular Astronomers Society meets of a nighttime to study the far distant sky. Here is the observatory where you can see these mighty bodies through a telescope. The woman’s responses are cut off but I feel you can feel her dismay, palpable, almost palpating, through the screen. Their misunderstanding is absolutely beautiful and hilarious, and by it we see two approaches to understanding our lives on earth fall away, the one from the other, like the outermost hemisphere tilting from the sun. She doesn’t want to drink thermos tea with a bunch of boffins and discuss distance. She wants to get up close. She wants the wisdom and herbal knowledge of all the old women who are gone. She wants to be in the presence of wise men who can interpret the stars’ implications in our lives. She wants to get closer to the earth. She wants what’s human.

  • for the ages

    I went to see Paul Kelly play Berlin. I was going with my girlfriend and the evening of, she rang to say: I don’t feel well. I feel so tired and I just need to stay at home and curl on my couch. Can you go on your own?

    I went. Since I left my boyfriend I have been going to a lot of events on my own. I sat with a German couple and the man said to me, “Do you know him?” “Oh,” I said, awkwardly. “I once sat in the same cafe with him in Richmond, in Melbourne. Australia’s not quite that small.”

    This was in the Richmond Hill Cellar and Larder and Paul Kelly was sitting quietly with his friends and I was nutting out the playlist for my album, listening over and over through what we had made with cat-callers and buskers and students of jazz in New York and I looked round the room with my own music in my ears and saw the love: how everyone tried so hard to be courteous and pretend we had not noticed him there.

    “But you know his songs,” this man elucidated now. “I am the same year as him: 1955.”

    He patted himself on the chest, approvingly.

    The audience was filled with Australians. You can tell by the facial expression. A certain kind of friendly lazy openness that lends itself to generalisation. I looked around. You looking at me? asked an older, Australian man behind me when I glanced round. Oh no, I said, I was just… gazing in your direction. He had hopped up. Held his beer up in his hand. Can I come sit with you? Ok, I said, and so he bought me some beers and talked in my ear between the songs. But I hardly heard. I was transported. Someone brought on a bottle of water and stood it next to the central mic. The musicians came onstage and among them were Vika and Linda, the glorious Islander Bulls, it had not occurred to me they’d travel with him. I know they sing backing vocals on his albums. They were radiant and they owned the stage, from its wing. Paul Kelly introduced the new album he had written and they launched it like a ball of flame. These people, and their music.

    Linda sang one song and Vika sang another. In their salty, knowing womanhood they swayed side by side like palms. The beautiful affinity between them bespeaks sisterhood. The rest of the stage was occupied by men. They know each other. They can communicate with a bare glance. I was almost crying. There came a moment when the crowd threw back their heads and yawped, bawling along with the lyrics in our Australian accents: he took it pretty badly: she took both the kids.

    Then they sang How To Make Gravy and I was crying. Surrounded by beautiful, healthy, young Australian men in their t shirts I flung my arms open and one of them snatched me up and hugged me harder than I have ever been held. I emerged from his embrace and his face was wet with my tears. Every time I smiled he smiled back at me. The music finished and they all walked offstage and we weren’t having it, we hammered our feet on the ground and yelled and hollered. Paul Kelly broke the glittering curtains open by himself. The closing song had been a quiet one, “Darling, you’re one for the ages,” and he had spoken the lyrics, shyly, in bad German: mein Liebling, du bist zeitlos. It seemed like he had half the crew of Rockwiz on stage with him and half of those were my Facebook friends. Australia really is that small. Now he took up his guitar in silence and the crowd began to sing to him, irresistible, a capella, “Darling – you’re one for the ages. Darling… you’re one for the ages.”

    A grin tugged at Paul Kelly’s face. He is not a good actor, he is too authentic and sincere, as I had ascertained this evening by watching the film clip for Love is the Law, in which he looks uncomfortable and the film maker’s directions are almost visible on the screen. “Well this is probably my second favourite moment of tonight,” he said. “My favourite was when someone yelled out, ‘En-fucking-core!’” We laughed, proud of ourselves. He started to encore. We all stood still and listened. To awaken stillness in a big crowd is a consecrated kind of gift. Sweat was rolling down my spine and darling, I was one for the angels. When I got home I would hand wash every one of my garments in a trance of caretaking meditation and the beautiful young man had given me his number and so had the older Sydney guy, who sells Blundstones. But for now the rest of the band came back on and played like emperors. Much later, as I stood collecting my warm wrappings for the long bike ride home, a roadie opened the curtain and out the back I could see their white tour bus, Vika Bull standing beside it waiting for the gear to be boxed up and wheeled out, she was smoking a cigarette and our eyes met, and I felt a bolt of womanhood arc out of me and into the vast cold sweet dark Berlin sky which chuckled with the autumn wind, all the way home.

  • Jazzpenhagen

    I’ve cycled past this jazz club in town maybe half a dozen times & never had the nerve to go in. Today in the afternoon sunlight both the doors were standing open and, oddly, two tables with bottles of soft drink stood at the entrance guarded by ribbed plastic cups. A handsome-looking man was pouring. I got off my bike. “Is this – open? I mean,” looking at the people in coats milling around inside, “are you… rehearsing?”

    He flashed me with his blinding Amway grin. “It’s a church. You’re very welcome.” I stepped back. Looked up at the sign. “It’s not a… jazz club?” “It is a jazz club, just not today. But we have lots of music!!”

    Who could rest their faith in a church that’s willing to use disposable cups? Looking back, I could have given him many better responses, the least of which might have been, “My only religion is jazz” (a lie). Instead I had that protective feeling one has around people who seem to look out wistfully from inside their own club and wonder why more don’t join. “Jazz,” I said, “godliness…. they’re related.” And we waved each other off, a pair of heathens, neither one willing to convert.