Woodford. What I forgot is that it is less of a festival, more of a place. Wherever you go and whomever you see, the valley grounds hold everyone up to the sky and in the natural amphitheatre right up back the venerable trees stand watch. It must be ten years since I was there, the farm is becoming a forest. I looked for the three trees I have planted and could not, as ever, recognize them though I know which creek they bed. People streamed past dressed as butterflies, faeries, warlocks, saggy pyjama case bears, acrobats. A girl in a hammock turned her head and smiled the slowest smile. Children who had just learned a skill in a workshop busked it. Last time I was on this land was for the Dreaming, a festival of indigenous cultures from around the world. That was in winter and only lasted a few seasons of massive fire pits attended by volunteers. My MCing friend said It’s a good day to come, the dust has settled yet it’s not actually raining. At the gate I was nervous, a reflex response from the old days when I always had to perform. This was my first festival as a punter. The ease! We saw in the year on a hillside opposite a booming stage spilling execrable local dub (“all the people are here & the people are grooving, we got the music and the music is soothing”) and then, because someone had decided they would book a Hogmanay theme, blithering Scottish dance music. I have inherited Scottish blood but musically, no Scottish soul. It struck me as comical: imagine the Scottish composers composing this music: they’d have been saying to themselves, Well, we’ve got the solid wall of screeching bagpipes. But it’s just not screechy enough. I know! Let’s add in a screechy fiddle or two! And wait, we can also have screeching penny whistles. It’ll be magic!
Quiet on the hillside soaking in the presence of the large, grave, lit trees I was glad when a girl came on and announced, “I’m here to calm you down.” She sang a lovely slow ballad and then everybody across the whole site lit candles and stood or sat together in a three minutes’ silence. I stared into my candle and cried, in silence. The wax burned down leaving little fiery blobs on my palm and I peeled them off, in silence. The flickering silence swept all down the hill and you could hear and more, feel it extended over everybody, not one person broke trust to bellow Happy New Year, everybody “set their intention” as the girl handing out tiny turreted birthday candles had advised and I could feel the piety, the wishes of a dozen thousand all resembling one another. Afterwards the band invited yet more people on stage and in front everybody danced. The set-up between the acts was filled with tap-dancers. Body percussionists led the crowd: “Peace and rhythms!” A bare-chested boy tumbled down the hill turning somersault after somersault. A man climbed up past us, almost bent double from the gradient, dressed in a suit made of light bulbs. Five girls stripped off their clothes and danced naked under the new moon, repelling with raised hands the lit LED necklaces with which an infatuated boy wanted to garland them. The grass was filled with tiny creatures biting and climbing, we were barefoot like the moon. The t-shirt I coveted on a bamboo stall had a tiny figure in silhouette standing with a walking stock, head thrown back, among the giant trees that here surrounded us like immense quiet candles and its legend ran along the ground, legend like a snake, Respect Your Elders. Coming down from a noisy dawn in a noisy trail of irreverent pilgrims we rounded a corner and a really drunk man coming uphill said, beholding our two great heights (“Oh look! A giant!”), “Oh. Wow.” Then he folded us into a big drunken hug, a kind of Come here, you, and the three of us murmured into each other’s shoulders “Happy New Year. Yes, You too. Have a good one. Have a great one.”