I rode home after writing in a large dim room in silence with four other people. The evening blue was ripening to black, like a terrible bruise. In the dark other, unlighted bicycles hurtled past, people were strolling. The cars make way for bicycles and the cyclists make way for pedestrians and dogs. It is warm still and all the bars spill into the street. At a local bar the owner has a shaggy Alsation who was lounging out front, his paws sprawling forward, his orange ball lying some distance away. People walked around him without question. His head was tilted and he gazed into the sky abstractedly, as if he was looking at the moon.
Today a boat went by under a bridge I was crossing on foot, just a little motor boat. Maybe the length of two bath tubs. Three people were sat in it, two wearing hats and two with dogs on their laps. They made a wide round and turned to the old rusted pontoon which may perhaps be where the bridge was once footed. The pontoon protrudes into the stream and is painted bright yellow, like an inflatable dinghy, for safety. The man with the doggie on his lap cut the engine and the three of them floated, inspecting the guerrilla garden of bright flowers someone has planted in the rusted out hollows.
To carry the soil there and fill the rusted holes with fertility, to scramble down the bank every couple of days to water the plants: this seemed to me a beautiful enterprise. I showed the photos I made to a friend who said, Yes: I heard the guy who made that garden painted the outer rims black, because it was lovelier. Then he was fined because it was unsafe; and now all the old metal is yellow again. After our conversation I came out again onto the tree-lined street and rode home, following the moon all the way, more white than yellow, and hiding ineffectually in a tangle of treetops, in obscuring golden street lights, and behind partial cloud.
