Tag: Brisbane

  • gardening clothes

    We went out to a swanky bar without getting out of our gardening clothes. It was quiet til a busload of people staggered in in some serious clobber. One of them came up to us and said, “How cool is it possible for two people to look as they drink their beers?” She was drunk. She looked me up and down and then told my companion, “Only five people in the world can wear dungarees – and she’s one of them.” I said, “Did you all just get off a bus or something? Did the cinema empty? Where did you all come from?” She pointed with her handbag. “Her – and her – they’re twins – it’s their 33rd birthday, we’ve been drinking in the park.” “66!” I said, because I am mathematical like that.

    Afterwards we watched them taking turns to take selfies of each other. Can you take a selfie of someone else, can you even take a selfie at all when you’re not actually in it? Turns out you can. You just point any device at a group of made-up people and then watch as they instantly assemble themselves into sunny, close-headed groups. Everyone has a smile they can keep for ten minutes at a time. All the girls have long, straight glossy hair. They fall into varying heights, so that every face is seen, and it doesn’t matter how long the papparassist has to fiddle with his device, they’ll wait unmoving. “Australian women,” said my companion, dourly. “Somehow they all look like Jennifer Aniston.”

  • the pickling palace

    The people across the road are drunk and two of them are planning to have sex together tonight for the first time. That’s at this stage, it’s not even dark yet, we’ve still got the Fight that Blows Up Out of Nowhere and Falling Asleep in the Pizza up our sleeves. Their voices carry and then the Friday afternoon traffic will surge up the hill again to carry them away. He says something and she says, “You are fucking kidding me.” “No,” he says, something something. “You’re just making that up!” Her incredulity is a dare. Climb this tree for me and bring that fruit. He says, “No, I’m deadset serious. Anything you like.” One of the other blokes says something and then the girl begins to sing, or chant, like she was at a football game: “Je-sus, Je-sus, Je-sus, Je-sus.” The positive guy sings something over the top of her, harmonizing. He’s making it up. He’s fucking-kidding her. Their verandah falls apart in a seething heap of laughs just as a truck roars down the road. When the noise clears he is saying, aggrieved, “…been doing it all my life.” I know that feeling, I have too. I have just got home from a delicate day of negotiations in my unconscious and as we swept over the bridge with its hanging-lantern streetlights and banners I felt a song unbrew in me. I sang it out the window in handfuls of confetti and as we pulled away from under the biggest fig tree, that the road goes around (the greatest kind of road), I said, to my long-legged companion who was driving, “Did you see that girl on the corner, the beautiful girl, with the guy who’s just so in love with her?” “Yes,” he said, his voice warm as if fond of them. “How she was just standing there in her little purple dress,” I said, “holding the orange flowers he brought her. He’s looking at her so carefully, he’s in love with her every little gesture. She’s not even noticing, telling him something, he’s in love with the way that she says it.” “So is she in love?” he wanted to know. I said, “Could be. But she’s not thinking about it, she is remembering something that happened and telling him. So it was hard to tell.”

    We drove round a sweeping corner prickly with pedestrians. We had watched a giant ibis as it took off from a street sign and flew the length of Charlotte Street, its white wings insignia. The prosperous tropical colonialism and sandstone and big bunches of trees made me feel at home. I wound my seat back and propped my foot out the side window. I said, sentimentally, “Both of them standing there with their bicycles.”

  • exactly right like Goldilocks

    I was working in a cafe today for the first time in a while and the woman behind me had an extremely carrying voice. I had sought out a quiet corner by the fountain to write and she came along borne on her throaty rolling laugh, which she brought out every time the good-looking, shaven-headed maitre d’ came past, and sat down to wait for her friend. The friend arrived. The coffees were brought by a Japanese waitress who spoke in a very high, girlish voice, anxious to please. The throaty lady responded to this waitress in her own high pitch, the kind of friendliness that lacks warmth and is in fact sharply dismissive, “Ok great! Thank you!” Then they settled down to conversation and I was reaching the end of my narrative by now and her voice interrupted my thoughts, lazy me, I couldn’t help it.

    Her favourite word was “Exactly!” She used it twenty-three times. With emphasis, and pronounced “Igg-ZAK-ly.” I pronounce it rather that way too, more of an “egg.” Exactly, she would say when her friend finally got to talk, exactly. ExACTly. Her second-favourite was “Ab…so….LUTEly,” drawn out in a way that seems sexy in a tired way to me, almost mechanical. So much affirmation, so much praise. She was like the world’s best world-champion good listener, only louder. Her voice was still ringing in my ears as I walked away. Under a fig tree I ducked into a shoe shop to turn over some suede pair of green things for men, and the sales guy came up and we chatted. We were telling each other how hot it’s been. I told him how the Berliner I brought with me couldn’t grasp it, how he said, I’ll just wear my jeans. “We arrived in December.” “Oh, no.” “I told him, you will NOT want to wear denim, in Brisbane in the summer.”

    He told me his bedroom has no windows. “Wow,” I said, “that’s hardcore.” “I know,” he said. “But then – you couldn’t open a window anyway! Because of the mosquitoes.” “Iggsackly,” I told him, “iggsackly.”

     

  • riverfeier

    Saturday night festival of explosions, fireworks and low-flying fighter jets scamming the river. I was standing behind five dark rows of people. Festive. Restive. Everybody chatting. The city stood lit up behind its bridge, then the fireworks started. Without hesitation the crowd bloomed like a field of poppies, dozens of tiny, high-held screens. Disbelieving, I looked around. Everywhere people were holding up their phones at arm’s length like you would hold a small child to show them a marching band. It was impossible to watch the world without seeing it onscreen and multiplied, as though we were standing in a broadcast instead of our lives. A girl near me held up her phone for so long that when the fireworks died the blokes behind her asked, “Aren’t your arms getting tired?” She tucked the screen in to her chest and began seamlessly typing and scrolling. No pause. “Imagine there’s no heaven,” I thought. “There was, and there still is, but who cares.” Watching her mouth tuck itself in at the corner I translated, out of the dim bitterness of my heart: At Riverfire. Amazeballs, you shd see it. Luv u Brisbane.

  • supermantra

    We were on the markets when a tiny, white-haired lady came up to my partner and offered him a brochure. “Save Victoria Park!” she said. He is two metres tall. He looked down at her with his arms full of leafy vegetables and said, very gently, in a deep voice, “I will.” “Oh, thank you!” As I watched, her whole body relaxed. She believed him. She laid her hand trustingly on his upper arm. From the juice stall behind us Bob Marley was still singing, One love… One heart, a song he started singing forty-odd years ago and he has not given it up yet. As we drove home we both had that song caught in our heads. I said, “That lady! She looked up at you so sweetly. ‘Oh! It’s Superman!’” He laughed, singing, filling in the lyrics he didn’t know with only a slight hesitation: “One love, one soul…” “One love, one groove…” All the vegetables nodded on the back seat whenever we went over a bump, frondy and inviting and waiting to be sliced for German soup.

  • a doll, soused

    In my pajamas at 6pm: pajamas are my favourite clothes. The phone rings. It’s a woman I spent a recent evening immersed in, such kinship, a friend who’s an acquaintance, we hadn’t seen each other for fifteen years. We used once to live in the same tiny village, an island in the centre of town. “I’ve just scored free tickets for A Doll’s House, it starts at 6.30, I can pick you up on my way.” “I’m in my pajamas.” “Or you could meet me there.” So I dive through the shower and go.

    La Boite is in a playground of festival furniture, large swings built from slabs of ply painted black, projections onto a huge white screen, an outdoors bar. Under the stars. Too late arriving to be let in for the first act I take my ticket and wander. “Go up the back and read the secrets people have posted,” the lovely usher tells me in a whisper, “you can write your own secrets on a typewriter, get your nails done, get your palm read.” My friend has disappeared and gone inside. I buy a glass of wine in the pallet bar and carry it over to the palm-reading shed and read the wall. Some of the secrets are so lurid surely they must have been confected for the occasion – I can’t believe such a dark confluence of dramas has wandered past this tent, during the week of this festival. It’s my turn to get my palm read. I hold my hand out. “My name,” says the beautiful man in a top hat, “is Tawdry Heartburn.”

    The greatest drag name in all the world. He flexes his fingers round mine and asks questions. Strong, long thumb: do you like standing alone? Emotion line is deep in your palm – Oh, I know, I say – and it runs straight up this finger, the seam of intuition. Broad-handed people are across lots of areas of life. “It may be hard to finesse so many skills.” He drops his voice and confides something of his own. All the stars pricking their way across the roof of this white vinyl tent stand to attention like satellite dishes, I imagine, flowers in the dark sea of night. Salt sea polyps.

    Afterwards he draws out of his holster round the forearm, black leather, a brand-new fresh emery board. On the back is stamped his website name: this is his card. I go over to the theatre and go in. The stage is made from pallets and the second act is starting. My friend and I take seats right in front, where we can see, and be shouted over by the five actors who have each dyed their hair some lambent colour, as Ibsen insisted.

    Did Ibsen really write this way, a string of almost uninterrupted, seamlessly joined cliche? “They’ve rewritten it a bit,” my friend confides, in a whisper, and I whisper back, “Lord, I hate the theatre.” But the game comes down darkly upon us and snatches us away. At the high point where the spare actors rush out of the wings and turn the stage round like a carousel, breath is caught, time is hung. Then in the interval, climbing our way out of the palace of dark attention, I look back and see the immediate blue glow of a dozen screens. Something has happened on facebook, on twitter, on email while I’ve been gone. I’ll stand and suck my thumb, smallest and dearest of my own limbs. I will, I do.

    The music at the end is dense and scoring. It has a three/four beat behind four/four that drives it like a wagon. I stand up with everybody, groping our way back to our feet. Behind me is a face I’ve not seen since New York, a pianist who played on my album. We stand exclaiming, his date is impatient, I turn away and go over to the swing. My friend has gone to have her palm read, she says: I must go meet Tawdry. You will love her, I predict, fearlessly psychic now my palm is read. I lie full-length on the biggest swing under the scaffolding and let my heart hum its own earworm melody, unable to predict the night, sweet and buoyant waiting for the drive home, ready to greet myself, itching for paper, for a typewriter, a studio, for all New York. And Brisbane shines at night, that’s when it’s best and beautiful. Thanks Ibsen for the enduring ideas. Thanks West End for the villagers. I am tired and I drive carefully, the lion on my steering wheel yawns at me all the way home.

     

  • the bouncer in his castle

    Sat for half an hour watching this bouncer refusing entry to a drunken girl who had evidently no ID. She tried to show him all her tattoos, including one on the base of her ankle, talking earnestly, presumably explaining how could I possibly have so many tatts, and not new tatts, if I was underage? She pulled out a limp, folded ten-dollar note and tried to hand it to him. She leaned on him and cried. The bouncer was an Islander man with beautiful soul in his face. He held her upright and pretended not to see the ten-dollar note she waved at him. Every time she showed him a tattoo or pulled out her purse to try him with her ATM card he attended, patiently, to what she was saying, refusing to let her drag him into an embrace, smiled, seeming amused but not at her expense. A student of humanity. How I loved him. It was a solid half-hour before she gave up and wove off down the street on her patent white heels, and by that time the flaccid ten-dollar note had made several more appearances. Inside the club two rival brides were dancing with their bridal parties, not actual brides but brides-to-be, each wearing a white veil over a stripper dress and one of them dancing with an inflatable, naked, anatomically correct groom who gradually deflated as the night wore on. When we left I saw one of her bridesmaids clutching him, just half a man now, sitting dispiritedly in a corner nursing her umpteenth umbrella drink. I stopped on the way out to thank the bouncer. “Man, you and your colleague, you are really generous, kind, patient people. I saw how you dealt with that little girl who wanted to come in and was crying. You were really good to her. I was watching you.” His eyes were bright and he smiled hugely. He said, “You know, I was just talking today to Lifeline and I realised, my sister died four months ago today.” “Oh!” I said, touching his arm, “I’m so sorry.” “It’s ok,” he said, “she’s in a better place now, she was a heroin addict.” “Oh, god,” I said. “That’s really sad.” He kept smiling, his eyes liquid. He gestured up and down the street. “You love the people, you love the life…”

  • a bit too helpful

    I went to my parents’ place to bring them a copy of my new book. Afterwards I left the house and drove uphill, as though I were coming up out of a valley, though my parents do in fact live on a hilltop. During the 2009 floods theirs was almost an island, floodwaters drowned the houses all round. Armies of volunteers descended afterwards with mops and brooms and buckets. My mother’s neighbour said, “They were a bit too helpful” ~ the Mud Army had thrown out some of her favourite possessions, things that though drowned in river sludge had essentially survived the flood: washable things, like the pyrex baking dish her own mother had given her on her wedding day. The feeling of having to guard oneself against the ill-spilling goodwill of people who don’t seem to mean to cause pain is one I felt familiar with.

    My parents bought their copy of the new book online, which was sweet of them and supportive I think. I rang and said, I would have given you a copy. O, my mother said, well I wanted to go through the motions and just make sure everything was working ok. Everything worked ok. Her book was #43, I numbered it and signed it and set it aside. I slid it into a paper bag and wrote in pencil on the outside, From Tochter: from daughter. We arranged I would go round on Thursday morning when they would both be home and bring them their book. She said, Bring it, but I was thinking, Show it to them. This was unwise, and not in an unpredictable way.

    My father was sitting at the computer when I came in. He turned his head to say hello. My mother advanced on me like a real estate agent ready to show the house, she looked immaculate, she was wearing a fringey necklace I’d not seen before. We hugged with the uppermost parts of our bodies like two woman at a premiere wearing the exact same dress. She made tea and set out the sticky gingerbread I’d brought, in a clockface on a large flowered plate. “It’s Nigella Lawson’s recipe,” I said, “only I put in twelve times the ginger and six times the cinnamon and also some black pepper.” “So,” said my mother. “Show me your book.”

    I drew it out of its paper bag and handed it to her. Changing my mind about the bag’s inscription I folded the brown paper and stashed it in the upper pocket of my overalls. My mother took the book and opened it. Prominently on the end table lay another book, written by an ex lover of mine who treated me with breathtaking perfidy. I lifted the cover with the back of my thumbnail and read the inscription: To dearest Cathoel, love from. I let the cover drop. It wasn’t clear why this book, which must have been somewhere on their shelves for the last seven or eight years, suddenly had appeared next to the couch the day I was to visit.

    I watched my mother encountering my new book. This book is only five days old, we found for it a sumptuous eggshell paper, it has all the decent poems I have written in the last fifteen years, since my first book, it has been a labour of decades and in the final drafts I found early copies of the illustrated layout, on my computer, going back to 2008. The poetry is as round and whole and nutty as I could make it. I had the sense, seeing it go into the press last week, of this work no longer belonging to me, as though the poems are intact worlds of their own in which I am only a familiar visitor. That’s how I know it’s done. The title, the yearning, the courage, the brimming pages: to me it is still the most beautiful book in the world, just as every baby once born is, however briefly, perhaps only for microseconds, momentarily the youngest person on earth.

    My mother looked through the book for thirty seconds. She liked the colour of the cover (bright yellow). She remarked on a couple of photographs, neutrally, incidentally: “Oh there’s that photo of the beach that you took.” She didn’t read one word. The kettle boiled and she set the book down on the couch beside her and got up to make the tea. “Are there coffee shops round where you’re living now?” she wanted to know, “are there any that you like?”

    My father left his enticing, absorbing online universe. He came struggling over to the couch, on his stick. He has a new hearing aid, his first. “I don’t notice the difference,” he was saying, as he reached me, and I said, “Perhaps it’s the other way round. Perhaps you weren’t noticing the difference beforehand, and we all were, because you just didn’t hear what you weren’t hearing.” His eyes gleamed suddenly, a kind of sleeping awakeness. “Yes,” he said, “that is probably true.”

    He moved my book aside so he could sit down. He asked if there were any coffee shops round our new place for me to hang out in, any I liked. My throat filled with a hot, tight, swollen feeling like heated rocks. I was crying, but I wasn’t going to let them know that. My mother came over with the tea, a single mug for me alone, and we all sat down and gazed at the low polished table between the couches.

    We talked about my father’s hearing aid and the new fabric on the chairs outside, their wide verandah. I admired some shelves my brother and father had built together. My mother picked up the book and set it on the low table. She must have felt she hadn’t somehow paid it enough attention because she started asking, Is it selling well? And Now that you’ve got the book out of the way, are you working on the CD? I brought forward by an imaginary hour the appointment I had made in the next suburb. When my mother got up to carry the tray of tea away I pilfered the book written by the ex lover and slid it into my bag. I left behind my parents in their house which is so strongly scented with cleaning products that I’d had to get up and open the outside door casually, which is how we came to be talking about the pretty covers on the lounge chairs overlooking the pool. The silverbeet fronds I had planted in January when I came back from Berlin stood proudly greenish yellow with their scarlet and purple spines, a border to the flowerbeds as I had intended them to be. I carried away the rocks in the throat, determined they would not come all the way home with me. I knew a comforting local coffee shop where I could leave them, had left them before, could leave them. I drove away from my uncle’s house, that is opposite theirs and where my uncle who has never married hoards all the china and silver intricacies once belonging to our grandmother and pets, presumably, his conviction now three years old and formed on a strange circumstance that I had been stealing from my own family ‘heirlooms’ (some old clocks, taken to pieces by our other uncle who never repaired them) and selling them, on eBay, for a profit. He will not back down from this insulting character assessment and I will not accept it, we no longer speak. My parents have him round for dinner but not when I am there. I left all that behind under the trees including the one with the spine of our old treehouse embedded in it like an ingrown tooth and the one that sweeps its skirts along the ground, dropping seedpods like earrings, the new house that stands next to the old house now sold, and took myself up to the coffee strip and into a dingy local bookshop playing, comfortingly, the plaintive tales of local boys the Bee Gees, and browsing along the racks I found several books I wanted to read including one written by a friend of mine whose work I’ve not yet explored, and I noticed the bad feeling ebbing away and this pleased me, I felt proud of myself, and I told myself paying for the books that this was an achievement, an improvement on the other times when pain arising from this household had lasted me all day, all year.

    The pain lasted only an hour or so. Maybe a little nervousness beforehand and some despondency residual afterwards, but most of the negative part of the experience was confined to that one hour: the half hour in their house and then, in ebbing increments, the browsing half-hour afterwards, a dim fish nosing round a quiet tank. Later that afternoon I met up with a poet from Melbourne who is cycling in small sections round Australia as a fundraiser, he bought my book and cooed over it, loving the papers, loving the photographs, stroking his cyclist’s hand down the poem pages. He told me how awesome it was. I told him how awesome it was that he is making this huge trip, his own books sent on to the next town care of a performance poet friend, and I thought about how he will cycle home over the Nullarbor, west to east, planning his route so that every hundred kilometres or so he can fill up with water. You can’t bring enough water for your own journey, it’s too hard to carry. You have to rely on other people, strangers, sometimes, en route to fill you up with their water, because really all water is shared water anyway.

  • this wind

    Brisbane is in the grip of its Spring gales and of a morning I wake up to a back deck strewn with leaves and towels blown off the line. Yesterday sharp seed pods rained down on my head as I crossed the street. Posted out another 20 poetry books yesterday and I had the feeling if I just held them up high on a hilltop and then released them, they would fly off in all directions like rain-beaten pigeons, saving the postage.

    A hippie friend used to warn me never to try to conduct difficult conversations when it’s windy: “Too much friction.” This same person always intoned one must beware of anger because “think about it, that’s just Danger without the D.” But as songwriters point out, “Take the L out of Llama, and it’s… Lama.” I shall try agreeing with everybody about everything because: new experiences are broadening.

  • wizened neighbour from the woods

    I have here this neighbour whose skin is dark and seamy and white hairs sprout from him like surprise. He is beautiful, he sits quietly, often under a tree in his back yard on the besser block low wall with sometimes a friend sitting by him, sometimes a fat swollen silver bladder of wine from a box of wine lying between them quietly. They are talking and their voices rumble and I had an operation recently, quite recently, which involved a scary general anaesthetic and I remember thinking, when I woke up that morning and the light had sliced the curtains open: if I could do this procedure just lying on his chest, I would feel safe, I would be sure I would survive it.

    I survived it. The man who is my neighbour downhill has survived much more, maybe forty years more than I. He likes his tree. He likes the day. He accepts it I think. I like when his eyes rest on me and he lets me rest his eyes on him and as I pass, trotting down the hill carrying my milk can or that is, my empty coffee mug with curling horns of handles, he says always the same thing every day, slowly: “You should be running down that hill!” When I come back leaning into the slope my coffee steaming in one hand and face gazing down into the asphalt of our very steep hill he says, squeezing a wheezing laugh, “It’s all very well coming down the hill…” Every time I answer him the same. “I should be somersaulting!” “Yeah, it’s the climbing that’s hard.” He said to me one morning, “Girl, what you eating there?” and I opened my hand to show him, crossing the road, holding them out pink and stainy: “Lillypilly. Would you like some?” But the little fruits are gone now, partly because season and partly because greedy girl moved in to the house on the high hill and has had a feed of them, every morning, on her way to buy caffeine.