Tag: Brisbane

  • daintily, handily

    daintily, handily

    All the noisiness of sun. To a German, the crashing in the bamboo at 3am sounds like a housebreaker festooned with plastic bags. How could a little possum make so much noise? Why must the birds all shriek? When you lift a painting off the wall, exposing a transparent lizard, who exposes his heart lungs and liver to the world but will dart away into hiding when his cover’s lifted, that’s a shock. A person with no fear of local pushers, addicts, drunken punk louts, untethered giant dogs and bad buskers can be remarkably unsettled by the rustling and crashing that midnight brings when it’s hot tagsüber. “During the day,” I say, “everyone’s sleeping. Then at night when it cools down, they all come out to live their lives.” Handily our small grey cat has arranged herself across his extended hand to illustrate this point. She yawns her pink yawn.

  • brandy barter

    brandy barter

    I must have lived in Berlin too long because it’s screeching hot on a Sunday afternoon, I am exhausted, and somehow the idea has crept into my head that I would like to drink a martini. It won’t dislodge. Opening my parents’ liquor cabinet is a dispiriting experience. It is a small, oval, glass-panelled thing on turned legs and inside, it resembles a brown mouth half-filled with decayed molars. An uneven semi-circle of discoloured flasks: these are the bottles of something your old workmates gave you for Christmas and that no one enjoys enough to actually drink. Plus a bottle of cheap brandy from which I made the pudding butter five days ago. Outside, Brisbane sprawls on all sides, as far as the sea and the hills, suburban and stupefied by shimmering heat. I cannot accept that there isn’t some strange punk bar or pirate bar within a block’s walk, opening late and staying open even later, candles on the tables, dogs under them, where a charmingly incompetent twenty-five-year-old bartender will make me a martini that begins with him holding up a Cinzano bottle that is actually labelled ‘Martini’ and showing me, “It’s empty.” After that I will explain that you don’t need a bottle marked ‘Martini,’ you need gin. I wish I could buy a vile martini for three euros, or a sublime martini for four, and have the bartender bring his black leather wallet to my table afterwards and have to remember that when you pay, it is customary to tip, but advisable not to say “Danke” when you hand over a twenty-euro note: this means, in the German sense, “Nein, danke,” which means “keep the change,” and it took me almost all of an eighteen-month stint there to learn this.

    On Christmas Day I met for the first time in three years my uncle, with whom I had been having a feud. He lives across the road and is stubborn, a unhelpful family trait shared by us all. Our feud arose because three years ago I was staying with my folks a few months before moving to Melbourne. During that time I had set up a writing room in their dining room and pinned out the manuscript for my poetry book along the tongue and groove walls. It was a quiet, dim, and sacred space. The first song in my album was recorded there, on a single microphone propped by the couch. But for now it was just me in there every day, working, working. The walls were lined with shelves and high up above the rows of books lay three ugly old clocks, stained wood, with various pieces missing. I made a joke, apparently: we should sell these on Ebay. My uncle, who spent his childhood immersed in the story of these clocks, one of which had belonged to a great-uncle who died in the Great War, took me seriously. It had not occurred to me that such hideous objects might be of value to anyone. I was at my desk one afternoon when the door opened without a knock and my uncle strode in. He is a train driver. He was wearing hubcap shorts and a huge pair of dusty boots. Without a word he climbed onto my desk and started reaching down the clocks. I was milling at his feet, wringing my hands, saying Please get off my desk! Don’t stand on my stuff! That’s my work! If you want the clocks I will get them for you! My uncle took all three clocks in his arms and climbed down, grunting. He set off down the hall with the clocks anchored under his chin and me beside him being flicked aside like a fly. He confiscated the clocks and later told Mum it was in order to protect family heirlooms from being sold online. The idea that I could live in my parents’ house whilst secretly selling family treasures online was disgusting to me. I marched over to his house to demand he apologize. I could not accept that anyone could know me all my life and believe me capable of such selfishness. We had been mates since I was three or four – how could he not know that hey, she’s a royal pain but at least she is painfully, irritatingly honest? The feud simmered slowly for all the years I was away. No one had been sure whether to invite this lonely uncle to Christmas lunch or whether to leave well enough alone. Christmas morning everybody cooked. My sister-out-law made a magnificent salmon and wrapped it in foil, my brother cut up foothills of potatoes, we worked out that we had almost one whole joint of meat or fish for every adult at the table. I made a pavlova and a Christmas pudding and followed the most labour-intensive recipe for custard I had ever seen. It required the milk to be slowly heated to a simmer and then allowed to cool. Halfway through it said, “Now transfer custard to a clean saucepan.” I made the brandy butter. Then I went to the phone. I rang my uncle. “It’s Cathoel. Are you coming over soon? Because I have a problem and I need your help.

    “My problem is that I made the brandy butter and it’s got so much brandy in it that it literally won’t absorb any more. There’s actually a puddle of brandy sitting in the top of the butter. Everyone’s telling me I’ve wrecked it and I need you because you are the only person in the world who can come over and tell me ‘this needs more brandy.’” My uncle said, “You need back-up.” “Exactly,” I said. “I’ll need to make myself beautiful,” he said. “I’ll need to have a bath.” I said, “Don’t get too beautiful. The rest of us have settled for only moderately attractive, so don’t be too long.” When he came in the door half an hour later he handed me a drinking straw. “Is this for slurping up the excess brandy off the top?” I asked. “Yes,” he said. Then he took a spoonful of my brandy butter and said, wonderfully, “It’s perfect.”

     

  • ice cream man

    ice cream man

    Something I dig about the guy I’m travelling with. We are staying with my folks and Mum, fielding a houseful of hungry guests, sent us down to the supermarket with her credit card, and her pin number written on my wrist. We did the shopping and then looked at one another. I said, “Hey! We’ve got Mum and Dad’s credit card! And access to everything they own! Mwahahah!” I was just about to make a joke like, “Wanna go buy a car?” when my Berlin companion opened his mouth. He said, “Wanna buy an ice cream?”

     

  • peeling

    I’m peeling. Last time this happened I was about 14. Went for a long long walk and it was early in the morning and I just forgot about the sun. ‘Hey there, zombie girl,’ says my favourite person. He doesn’t, to his credit, reach out to tug shreds of skin off my nose. The lozenge of bright red skin at the base of my neck resembles the neckline of some elegant 1940s bathing costume. I’m just sure it does.

  • brisbylvania

    brisbylvania

    Brisbane screams and Berlin roars. Can that be what it is. I ask what do you notice and he says, It’s noisy. Brisbane is noisy and Berlin is loud. My anxiety for formulations. Can there be two towns more unlike. We can hear the freight trains on the opposite hill, buildings are no barrier. Everything is liquid, the hills, my heart, the air, my fears. So many new buildings on the way home from the airport. The tender awfulness of long haul travel, the heart that stays a leg behind. The Inuit woman who said to my writer friend at a first nations’ conference in Canada, Stand on the tarmac and holler out your name so that your soul can find you. The sense that my soul cannot find me. The walk in the dark at eight a.m., which is midnight, down along the river between high screaming trees. The frantic squealing purr of fruit bats. They are huge. The slinky broad river in no hurry to get anywhere. The long roads of hideous Eighties buildings, the tradition of tearing things down. And the empty lonely streets. The lava of cars. The shimmering stench of fuel. The yowling thin cat who purrs as soon as I put my hand on her but keeps her neck high and her ears laid back. The overgrown undergrowth. Of nature and of business. The ruthless wretched finds. The mud and mangrove flats, the sense of things nesting and hidden. The screaming air. The shaft of sun through 6a.m.’s window that is too strong and heats me unbearably, heats into me, the stickiness of me from sleep, I have to shelter from myself in the walls.

    The flimsiness of buildings, walls are no shelter at all.

    “What do you notice?” “It’s so alive.” Not for me. Ghosts of everything, everywhere I look. Ants on the jar of ironbark honey unopened. Everything is teeming with the sense that life is brief, unasked for, lacks deliberation, rots from birth. The blood under the river. The lingering spirits in the trees. The desire to climb and to recline, the rough bark on my dry-skinned face. The passport officer who says, “Thanks, guys.” Peaceable, welcoming, stolen, so laid back. Noisy, rampant, tangling up towards the money. Mining town, rainforest trading camp three days’ journey up the river, flimsy stadium, boat. Leaking boat. Oyster shell. Sharp, sour, over-sweet, festering growth spurt. The few people, who don’t respond when I greet them. Pedestrian place of real estate dreams. This awful, deep, disorienting fatigue. Lost world of flowers, big, as scentless as fabric. Put up adventure and find some shade. Where is art. I mean the sap extruding from the living blood. Not what the anxious local government says is art. The money and the festivals, arranged rather than brewed. The thrumming art of things, the compost heat of ever regeneration, the shelter of the water, the tireless tides. Down among the mudflats. The 1950s. Motor city.

  • between the fingers of Fidel Castro

    between the fingers of Fidel Castro

    I know an eighty-year-old cafe where the day passes smooth and coiling as molasses poured out of a dented tin. I sit in the smokers’ room, not because I smoke but because of the candlelight and conversation. Today I stopped at an antiquarian bookshop that has trestle tables out front. A recent conversation reminded me I had never yet read Machiavelli’s The Prince. The bookseller had two copies, an Everyman and a Penguin; two different translators; a quick skim decided me I would buy both, and I carried them to my favourite table and curled up there, thinking if I read these two versions both at once, maybe I’ll be able to triangulate.

    I read very slowly, laying each book face down at the end of a chapter and taking up its companion. Three tall, lanky, and very good-looking men came through in waterproof jackets, carrying boxes and boxes of lettuce and potatoes. Afterwards they sat down at a small table under the pastel portrait of Fidel Castro (cigar) and drank coffee and argued for over an hour. I tried something new off the menu: it’s German food, everything is new. Fidel Castro’s fingers resembled an abstract of a human hand carved from potato. Everything carved from potato. After the War Berliners relied on an American Rosinenbomber (the “raisin bomber”) dropping boxes of foodstuffs and dug up the forest called Tiergarten in order to sow vegetables. I thought of the various cafes I know in Brisbane and wondered how it will feel to adjust. The temperature has plummeted, and isn’t that a most marvellous word: like a fruit yet unripened on the branch, that finally gives in and plunges to the ground. Last night returning from a long forest hike it was perishing, four degrees. I ate my Weisswurst and Brezel and thought about the differences between reading in a cafe full of other people reading, and the dinner experience of last night, in an unreconstituted jazz and blues pub, where the cute barkeep turned down his infestation of immemorial blues and turned on a large white roped-up screen. Oh, God: Tatort. The awful detective show Germans watch as Sunday religion. Somehow the roomful of unstirring people watching a fourteen-year-old girl’s character get raped – the oldest man put his head into his hand, others watched unmoved – was so blinding and so effing awful, we got up and left. That household full of habitual viewers sharing the dirty hot tub of popular TV had somehow less in common than the people crouched in corners at my newly beloved red checked clothed cafe: reading newspapers or, in three cases, books, we were each of us turned away from our commonality but yet reminded me of swimmers foraging deep in the saltiest water, where the sunshine is sweet, where the strands of warmer and colder waters pass over one’s legs caressingly and there is always something further to be discovered. In only the one ocean, in always the one sea.

     

  • a bush tissue

    a bush tissue

    Almost a year ago I left Brisbane, on three days’ notice, to come to Berlin. I had looked up the weather map and packed a small suitcase and figured I would stay about a week. A very dear friend was in town and we wanted to meet up before he set off on his bicycling tour across Europe.

    That came and went and the strange, metallic, leafy feeling of being back in Europe set upon me like moss. I decided to stay on and see what became of me. I met a gorgeous guy with a beautiful heart. Some weeks later the intrepidity or foolishness of what I had done came over me one afternoon in a storm of tears, and I just started crying and couldn’t stop.

    We were sitting on a bench not far from here, under the trees, overlooking the murky canal. Swans then and now. My companion was alarmed by all this emotion but he was super-generous and sweet. It waxed into a burbling froth of mucus and salt water and he offered wouldn’t I like to blow my nose between his pinched fingers. Well, no: certainly not. I covered my face with one hand and kept crying, as quietly as I could. Sometimes it takes a man some time to notice that I laugh as easily as I cry and I guess this was one of the things on my mind as I sat there and people walked past smoking pot. Several benches down an Italian guy was playing guitar and crooning, three girls with long hair sat around him like groupies from the Sixties. One was perched on the back of the bench like a sweet bird. I looked up and there was my friend with a little wad of leaves in his hand. He had picked for me the softest, greenest, most tissue-like leaves, heart-shaped from a tree I don’t know, and had stacked them from biggest to smallest so I could mop myself up in stages. I remember the softness of the leaves on my skin and I wish now that I could remember the song that Italian bench star was playing.

    H2O HoL italian buskers san pellegrino