Tag: communion

  • what ate New York

    The film poster that has Godzilla tearing up great chunks of the city and eating alive New York City should have been a giant Pacman, I think. For technology has eaten New York. And not only New York: Copenhagen, Madrid, Berlin: these are cities where I have witnessed this carnage, sinister and almost silent. We noticed it on the plane, a ride through the sky which has transformed from what was a quiet space, a time of dreaming and half-sleep, into a wilderness of seatback screens. Everything flickers. People feed themselves perpetual stimulation by the handful, like a supersized bucket of chips. As soon as we land out come the phones. Soon the aisles are crammed with people stooping under the bulkhead and standing over each other, so intense is their desire to be free of the traveling life and meet with the destination city, yet all have pulled out small devices and are keenly, yet dutifully scrolling. Oh, the dullness, pervasive and wee. Why travel five thousand miles through the ferocious universe only to read up on what’s happening at home? Instantly to rejoin the same long conversations we were wrapped in on our own soft couch.

    We drag our cases to the A Train. My heart is pounding. This line is the subject of so much damn jazz. But when we get inside and the familiar orange seats are filled with black folks, every one of them inimicable, cool, and beautiful, the place proves to have changed somewhat since 2011. The suddenness of these changes and that nobody notices sometimes makes me despair and grieve. I miss my community, who have turned away from each other. Now even in the most exciting city anywhere, every third person is staring down into their lap, hung over the miniature news from elsewhere.

    Used to be I was the annoying or crazy one, preoccupied and dreaming in a hyperalerted world, clogging up the pavement as I stopped short to stare upwards, to notice detail or jot things down, writing as I walked, holding my breath, my train of thought, my pen. Now I’m the passenger in everybody else’s aquarium world. In the street, people scroll as they stroll. City that never sleeps seems halfawake. And it’s all so iconic. The subway car that looks like every movie scene, the puddles and paddocks of outermost Thingie Island where the airport lies marshily. The Rockaways, Blvd and Ave. “We are passing under the East River,” I report. “We are passing under the World Trade Center. A lot of people died here,” reading the map, my eyes filling with sentimental tears. “True,” says my companion, “and then their friends went out and slaughtered many, many, many times more around the world.” After an hour of train travel, after nine hours of airplane travel, after an hour of bus travel in Berlin we come up out of the subway station at last, at 42nd Street, and the noise – the smell of French fries and traffic and metallic dust – the people and the way they pass, the hoardings, the sidewalks, the way they hold themselves – both of us standing their marooned by suitcases, we each burst into tears separately and hug across our baggage.

    The lights, cameras, action are all around. We drift through the traffic of souls, uncounting. This explicit town, alive in all our dreams, overwhelms with its gross drama and chaotic splendour and decay, while at the same time it speaks to everyone individually. We find the New York Times, Dean and Delucas, the cafe. We find my friend, her black hair everywhere and her familiarity so moving. Even she, an artist, a true lifelong artist, ravels her phone at every opportunity. We buy burgers and a jar of beer, at the counter I worry we are taking too long to order and look up. There she is, hunched over her phone, as thought it were a knot in her hair she is unable to stop from worrying and untangling. Oh New York! Oh humanity! Come back to me! I miss the dreaming, the uncertainty, the hesitation and lostness. This striving, blaring, rushing, overstimulated community premium among the anthills we have built over the world is a place I experience through the dreaming comb, the honeycomb, of sweet nature, and the wild. Within eight stops of the Howard Beach station where the airport train meets the A train I have given up my seat to a pregnant lady and he’s given up his to an elder woman who rewards him with a sweet seamed smile, we’ve admired the pretty girl with green-tinged hair who has filed her front teeth into sharp vampiric points, I’ve passed on the name of an excellent book to a women who accepted my scribbled note and stashed it in her pocket, have told four people how beautiful they are, the tiny lady whose friend took his seat has paused at her stop, the stop before ours, to say, You have a nice day, now, and the beautiful man whose face was so somber and cold has smiled, shyly and ironically, when I said as he got off, You are a really beautiful man and I hope you have a really beautiful life. He said, drawlingly, Thank you. I love him.

  • people’s republic of woodford

    Woodford. What I forgot is that it is less of a festival, more of a place. Wherever you go and whomever you see, the valley grounds hold everyone up to the sky and in the natural amphitheatre right up back the venerable trees stand watch. It must be ten years since I was there, the farm is becoming a forest. I looked for the three trees I have planted and could not, as ever, recognize them though I know which creek they bed. People streamed past dressed as butterflies, faeries, warlocks, saggy pyjama case bears, acrobats. A girl in a hammock turned her head and smiled the slowest smile. Children who had just learned a skill in a workshop busked it. Last time I was on this land was for the Dreaming, a festival of indigenous cultures from around the world. That was in winter and only lasted a few seasons of massive fire pits attended by volunteers. My MCing friend said It’s a good day to come, the dust has settled yet it’s not actually raining. At the gate I was nervous, a reflex response from the old days when I always had to perform. This was my first festival as a punter. The ease! We saw in the year on a hillside opposite a booming stage spilling execrable local dub (“all the people are here & the people are grooving, we got the music and the music is soothing”) and then, because someone had decided they would book a Hogmanay theme, blithering Scottish dance music. I have inherited Scottish blood but musically, no Scottish soul. It struck me as comical: imagine the Scottish composers composing this music: they’d have been saying to themselves, Well, we’ve got the solid wall of screeching bagpipes. But it’s just not screechy enough. I know! Let’s add in a screechy fiddle or two! And wait, we can also have screeching penny whistles. It’ll be magic!

    Quiet on the hillside soaking in the presence of the large, grave, lit trees I was glad when a girl came on and announced, “I’m here to calm you down.” She sang a lovely slow ballad and then everybody across the whole site lit candles and stood or sat together in a three minutes’ silence. I stared into my candle and cried, in silence. The wax burned down leaving little fiery blobs on my palm and I peeled them off, in silence. The flickering silence swept all down the hill and you could hear and more, feel it extended over everybody, not one person broke trust to bellow Happy New Year, everybody “set their intention” as the girl handing out tiny turreted birthday candles had advised and I could feel the piety, the wishes of a dozen thousand all resembling one another. Afterwards the band invited yet more people on stage and in front everybody danced. The set-up between the acts was filled with tap-dancers. Body percussionists led the crowd: “Peace and rhythms!” A bare-chested boy tumbled down the hill turning somersault after somersault. A man climbed up past us, almost bent double from the gradient, dressed in a suit made of light bulbs. Five girls stripped off their clothes and danced naked under the new moon, repelling with raised hands the lit LED necklaces with which an infatuated boy wanted to garland them. The grass was filled with tiny creatures biting and climbing, we were barefoot like the moon. The t-shirt I coveted on a bamboo stall had a tiny figure in silhouette standing with a walking stock, head thrown back, among the giant trees that here surrounded us like immense quiet candles and its legend ran along the ground, legend like a snake, Respect Your Elders. Coming down from a noisy dawn in a noisy trail of irreverent pilgrims we rounded a corner and a really drunk man coming uphill said, beholding our two great heights (“Oh look! A giant!”), “Oh. Wow.” Then he folded us into a big drunken hug, a kind of Come here, you, and the three of us murmured into each other’s shoulders “Happy New Year. Yes, You too. Have a good one. Have a great one.”

     

  • new year’s stain

    I was uncomfortable at Woodford to hear the Tibetan monks who had been hired to chant the festival’s “Dawn Ceremony”, alongside the thrilling singing of Tenzin Choegyal, being largely ignored or at best treated as background muzak while many people chatted and caught up, hugged loudly and with much syrupy performance, anointed one another with detergent bubbles and photographed one another. As the sun slowly rose and Tibrogargan was revealed giving the eternal thumb to the sky I wondered whether any other performers of the 2000 who comprised this six-day event would have been treated so rudely. Drunken revellers walked and stood in front of seated and even meditating patrons just in time to catch the peak moment – the sun’s disk coming up over the horizon – and with no sense of quietude or of having intruded on a gathering that had formed hours earlier. The main aim seemed to be to get a good seat. I kept thinking, people have no sense of the sacred. Then after a while I began to marvel that even the most oblivious people, even people who will ensconce themselves right next door to non-smokers and then light up, even those who call across a quiet crowd to their friends and then unfold crackling groundsheets right in the “front row”, really do have some sense of the sacred, however deteriorated – otherwise why would they be there? why not stay on at the Pineapple and dance some more? why not go home to their tent and fill the campground with dubstep? We were all drawn to that hillside to see in the year. We were all there to observe something – but I had a feeling that something was more observant than us.

     

     

  • horsegrass

    horsegrass

    I met a horse. This horse had several large brown friends, in white socks, a kind of uniform they wore with insouciance, all of them living apparently in a big barn with straw trodden into its stained concrete. Horse life is boring, I suppose, when it’s under a roof. The horse fixed me with his eye as I was rambling by the river and compelled me by a kind of horsenosis to climb the hill and face him. We stood and stared at one another. I thought of the apple core I had thrown away in the brush. I told him, I haven’t brought you anything because… I didn’t know you were here. Somehow the horse or the grass itself put in my mind the idea that there was fresh green grass spurting everywhere plentifully out of the ground, only – he demonstrated with his head, ducking under the rails, and he had to do it twice before I got it – in a ring around the fenced enclosure all the grass was eaten to the nub. Poor horse. I said, “Would you like some grass? You can have some,” and bent to rip it. Laid my hand flat and offered it to his big lips and teeth. He showed me by knocking the stalks on the rail it is preferable to tear off the woody stems and clots of dirt. I should have thought of that. Next clump I harvested, I tore the stems across so he could eat the whole bundle, which he did. The other horses pawed impatiently at the rails. What stops them from jumping the fence? Only politeness, I imagine. I’m home now, hearing people moving about upstairs and the surprising bleat of sheep and throaty clong of sheep’s bells from a garden with no house in it, two houses away. I can see an Ikea stool belonging to the next-door children and the blooming wild plums on the far side of the river that grow in clumps and look like smoke. It’s growing dark now and the Indonesian lamps inside the house make yellow splashes on the scenery.

  • only Kneipes

    Went out to a bar with a new friend who is musical, Tuesday nights is quiet night in Berlin so we walked and walked, trampling snow that had reached that pearly soiled colour that is not grey nor is it brown… so beautiful, it’s my new favourite colour, most of the restaurants were closed and only Kneipes and bars left trading and we walked into bar after bar to be beaten back by the solid wall of smoke. The one we loved I had been past many times, a sign in the window says Street Musicians Welcome and after we had fetched our beers to the bar’s corner couch and made friends with the shy, elderly bar dog who curled up under my friend’s musical hand two fellows walked in, festooned with instruments though – when I focused again – they were carrying only one party apiece. Dude with a beaten-up double bass, dude with a steel-strung guitar. They had a beer then they sat at the corner of the bar on stools and set up this most wonderful racquet, a quiet riot of music like water that runs underground. The bass player was fearless and gentle and had this fuck-it air, I don’t mean he don’t care, I mean he would do whatever it takes to get the sound. Would slap, would percuss, would pluctern, would bowie. The guitar player almost honed himself to one note. We were entranced. The dog fell asleep. The girl who had served the beers came to perch on the end of the couch and lit a cigarette and curled her legs. Walking home the streets were the streets of the quietest sleeping city in all the world.

    When they finally brought their first song to a close, it was wordless and almost twenty minutes long, compelling, the guy playing bass held his hand out and announced clearly, “My friend So-and-So is playing guitar with me this evening.” The guitar player shook dreadlocks off his face and held his hand open, like a limp version of one of those guns that says, >bang<. “My friend Charles is playing bass this evening.” But before that the two of them clasped their curled fingers together for a tight moment and then each picked up his beer and they clinked.

     

  • Neil Young’s baby

    Neil Young’s baby

    This cafe has changed its muserly, miserly, whispery music for Neil Young. He owns the business. His voice is quiet but sure and it penetrates. People gain confidence in such good musical hands, or seem to, and soon the hushed conversation level has risen like water roaring and the blond baby sitting on his mamma’s lap inside the window has piped up too, being part of things. “Ahb!” he says, dancing his feet: “Ah, ahb!”

    H2O HoL breakfast candle

  • shop of owls

    shop of owls

    Went into my favourite bookshop today, which has owls carved of different woods stashed in all its corners. For the first time I noticed the sign on the back of the door: Antiquarian shops are places of inner peace. There followed a series of red circles crossed by red lines, like no-through-road signs for traffic: no headphones. No mobile calls. No shouting.

    However I was so delighted I broke the rules immediately, by shouting. The proprietor, who is always barefoot or wearing a pair of rubber thongs & who drinks at one of the cafes I love, had got up from his desk at the back of the shop to say hello. “Inner peace!” I called over, beaming. “No mobile phones! I love this!”

    He came down between the stacks of books which seem both wobbly and solid. “Most people like the hectic,” he suggested (it makes more sense in German). “Never stopping for a minute.”

    “To never need to think!” I said. “To never… never die, right?” He nodded his head and we gazed at each other with a feeling, or so it seemed to me, on this one subject of utter likemindedness. Us & the owls. Hoo hoo.

    H2O HoL shop of owls

  • we were dancing

    we were dancing

    On the Weihnachtsmarkt before it closed I had this most marvellous adventure. Rounding the corner my friend & I following the thread of sound came on these two solemn, courtly black American musicians, not young, setting forth the Gospel According to Lionel Richie. I have never been a convert but somehow the lissom groove of All Night Long got underneath my skin. I started to wiggle, stepping tentatively, dancing. My friend went rigid with embarrassment: Cathoel don’t! My arms were full of parcels and my boots were caked in snow but I danced. The dudes onstage picked up their feet, the groove came issuing from them, I love it when music is hired but you feel the mastery and its freedom. You can’t buy me!

    Now, I was shy! this took some effort! but I had to, the sinew of the tune was irresistible: the thread. Within a few bars this strange miracle had started to happen. A lady near me raised her beaker of Glühwein and danced a little shimmy for her stolid male partner, jokingly. Our eyes met and she kept dancing. Within moments it seemed all the crowd was moving. We were dancing! We were dancing. At the end of the song another came and we all danced to that too. Then I shimmied away up the alleyway between the lighted stalls, night was coming on and it was so cold, women and men were laughing and showing one another their moves and applauding in little local circles and the sense of a shared joy gave everything this golden warmth; everything but the sky, the snow, the cobblestones. As the strains of sound fell back behind us we came round another corner and there people were skating, silent and as if motionless, around and around in a spellbound circle. Because I constantly battle my shyness I have started groups of people dancing before, but never with such universality. And this seemed a middle-aged, cold-stamping crowd. Maybe that’s why, in fact. Nothing to lose.

    deutsch iii

     

     

  • like lamps

    like lamps

    Just now walking down the street the most miraculous small experience. It’s growing dark and the shop windows glow like lamps. I came out of a side street full of bars and cafes onto a shopping strip thronged with parcels. Among the clots and clumps of other people approaching from the opposite direction I met eyes with 10, 12, fifteen, twenty strangers: we each of us looked into each other seriously, momentarily: and it felt like we exchanged between us something palpable. Sometimes the early dark and gloomy days here crush me unbearably. Other times it feels like the civilisation that has built itself here and endured and spawned so many writers, so much beauty, so much music and art, says: we have woven something here. We light our lanterns as the cold closes in. We endure and turn our endurance into a survival and our survival into a flourishing life. We defy you, winter! We defy you, death! We defy you, lack of meaning!

    Even as I think this I am wondering, too: is it not in fact death, and decay, and winter, that give meaning to life, and evolution, and spring? Seems like it is and I am only too frightened within my own mortal mind to see it.

    h20 HoL cobbles puddle copper