Tag: drawing

  • jarred honey

    A friend of mine took her own life, from herself and from the rest of us, a little while back, perhaps eighteen months. After a long time another of her friends whom I didn’t know wrote to me in Berlin saying she had left behind a painting for me. We met when he was in town and he handed me a plastic bag with her rolled picture. Today in Ghana I got an email from another of her friends. She was a wonderful person and most beloved. This friend says she left a letter behind for me. Would I like it posted. I am so sorry my darling friend cannot know what she meant to us and did not survive long enough to have meant everything she was and had, to herself.

    We met dancing. And at a certain point in the dance we sat down in pairs and she and I told each other the innermost stories of our lives and we both cried. That communion, when two foreign souls can grasp each other. When the self of this new person feels like paper or crumpled cloth or scatterings of cut grass on fine sand. I live for those times. She died, perhaps, for want of them. I will never forgive myself for having been too sad to reach back to her when she called out to me. I’ll never forget.

  • late night lemons

    Late night supermarket in Berlin’s wild west. Two pretty girls in their pretty outfits are queuing ahead of me, they have high arses and high heels and high ponies, their hair spilling from the crowns of their heads. The blonde one rolls her three bottles away slightly from my lumpy ginger root and my mesh bag of greenish lemons.

    A cheap, everyday discounter supermarket. They had organic lemons cheaper than the poisoned. Yay, Germany.

    “We’re just buying these three bottles of wine,” she tells the cashier.

    “I wouldn’t have assumed anything different,” he says, primly, and shoots her a mischievous look. He is round as a pumpkin and his face splits into creases when he smiles. I suck in my breath, exaggerating, and start waving my stiff-legged fingers in front of my face. I am blowing on them to convey this is a bad burn. “Oh,” I say, “das tut weh.”

    That hurts. The girls are laughing. The cashier’s laughing. I’m laughing. We are laughing. They’re on their way out, I’ve been drawing and I’m on my way home, he’s just finishing his shift, and there’s room for us all in this sudden identically contagious grace of soft exhilaration. The brown-haired girl pretends to protest her complexity. “Or,” she says, rolling her hand over the lemons in their bright yellow mesh – “this could be all ours. Wine for tonight. And all this – is for the hangover.”

    “The hangover,” he chortles. ‘Hangover’ in German is Kater: tomcat. “You’ve thought of everything!” His hands are suspended like kangaroo paws above the till keys.

    We are partly laughing from love, partly laughing out of mirth. It occurred to me today as I was cycling to wonder why we burst out laughing yet burst into tears. Like the laughter is that which results from perspective, which puts us in touch with the wider greater world. The grief comes with acknowledging and unbarriering what is within.

    “Just come to me in the morning,” I tell the two girls, “and I’ll sort you out. I’ve got the ingredients.”

    They are smiling at me and their smiles are full of love. I’m smiling, too. “Where do you live?” It is hard to say why every sentence seems funnier than the last. When they’ve gone, intact in their miasma of beauty, the cashier and I face each other. You can buy a tiny bottle of schnapps at this checkout for fifty cents. We part, laughing a little still, and I carry my sack of citrus and my club-footed creature of ginger, the fruits and the root, and stash them in the bicycle basket and fling my leg over in its short flared woollen skirt. The nights are colder now but still fresh and all the dark roadside trees along the park seem to be reaching for me all the way home. Around me and above me the soft cold Berlin night. The passage of other bicycles, whose lights are not kaput like mine. The leaves which hurtle down between us without a sound and the wordless veering we make to give each other room.

  • pure new cold all over

    It’s snowing! It’s snowing! It’s snowing! I came into a cafe going, It’s snowing, and she said, I know, and I said, But – it’s snowing! and then hours later walked out into the dark and under the golden lights every car wore a fresh crisp white bonnet, my old tears burst its banks, oh – snow.

    In my cafe two fellows in black beards were drawing at a big round table and as the cafe closed two girls in long tresses came up to say, So? Are you drawing? They looked up, patiently. The girls were pretty and the boys kind. “So do you do this professionally? Or…”

    Ah, yes. That tasteful first question, also asked of every dentist and every builder’s labourer – so how much do you get paid for that? The taller girl plumped her bag down on top of the nearer guy’s paints. She got out her phone. “May I?” Yes, he said, standing back so that she could take a picture of his work. Her friend said, Doesn’t it bother you, working in a cafe? Behind her packing up my laptop and my notebooks I answered for him, only quietly – the only thing that bothers me about working in a cafe is that people come up and interrupt, this has happened to me many times, someone actually waving their hand under my nose to get my attention so that they can say, Doesn’t it bother you working in a place like this, how can you concentrate?

    Coming out into the fresh snow, unexpected and perfectly flawless just yet, I saw a man – let’s say a man – had drawn a huge erect penis on the rump of one of those anointed cars, cos some people don’t understand perfection. I could hear children cluttered round the corner shrieking in their snowsuits, that time of year! is here! so I put down the palm of my hand on someone’s bonnet to make a snow angel of five long fingers, marking: I too see this snowing time of year. This indoor landscape. Domain of families and gold. I too am here.

  • shaped like a fish

    Pouring out dry biscuits for the cat I wonder: why are they fish-shaped?  It can’t be for her sake.  She’s not thinking, Hey, this reminds me of a fish!  Cats don’t abstract.  So though she is attached to me, and will follow when I move to another room waiting to climb back onto my lap, what she feels for me is not actually love.  If I were tiny enough, she would eat me.

    On the first day of life-drawing class the teacher said, the mistake you all keep making is, you are trying to draw the outline.  ‘The outline is an abstraction,’ he pointed out: ‘it doesn’t exist.’  If you glance down at the page & look up again with your head on a different angle, the outline you have started to draw no longer makes sense.  As the model tires and her hand begins to droop, everything looks different.  Now the lines you have made are unhelpful; are, in fact, an obstacle.  Abstraction becomes an obstruction.

    One of the challenges in learning to draw for the first time, as an adult, is to see past your own expectation of what ‘a face’ looks like.  Two eyes, and they lie parallel.  What ‘a body’ looks like: breasts are round.  Deftly the drawing teacher made sketches as the model stood patiently naked.  ‘Abstraction,’ he said, ‘actually interrupts us from learning to really see what we are seeing – and draw from that.’

    A 14-month-old child visited this week, the day he had just said his first word.  ‘Dog,’ he said.  Now the cat, crunching her fish-shaped biscuits, was ‘dog’, the birds in the flowering gum were ‘dog’ – he had learned that there exists a class of creatures who are warm and independently mobile, but are not humans.  His first steps into the abstract: now he can invent and worship gods, make art, fall in love.  There were three little stuffed toys in a row on the windowsill which we gave him to play with.

    They are three pigs, collected from op shops, each one different entirely to the others.  One is of pink plush and sits upright, with long puppet arms and a curling tail made of felt. Another is stout, almost legless, and looks more like a piggy-bank.  As sketches they appear almost unrelated, yet the mysterious principle of pigliness unmistakably joins them.  The cat will never be hungry for biscuits just because they resemble fish.  But in a few more years little Harlo will look at this array of furry inanimates and say, ‘three pigs.’