Tag: flirting

  • morning inglorious

    Standing on the street in my Dad’s old pyjamas taping a sign “GORSS” next to the labelled doorbell. The man who works next door is waiting with his hands in his pockets, wearing a paint stained smock. He is very good looking. We are laughing. “Always misspelt,” I explain, in German, jabbing at the tape with my finger. I am barely awake and people are walking past with their kids in little kid wagons, pushing their bicycles, walking their dogs. I’ve been away from Berlin a long time and clearly am eager to make a good impression.

  • for the ages

    I went to see Paul Kelly play Berlin. I was going with my girlfriend and the evening of, she rang to say: I don’t feel well. I feel so tired and I just need to stay at home and curl on my couch. Can you go on your own?

    I went. Since I left my boyfriend I have been going to a lot of events on my own. I sat with a German couple and the man said to me, “Do you know him?” “Oh,” I said, awkwardly. “I once sat in the same cafe with him in Richmond, in Melbourne. Australia’s not quite that small.”

    This was in the Richmond Hill Cellar and Larder and Paul Kelly was sitting quietly with his friends and I was nutting out the playlist for my album, listening over and over through what we had made with cat-callers and buskers and students of jazz in New York and I looked round the room with my own music in my ears and saw the love: how everyone tried so hard to be courteous and pretend we had not noticed him there.

    “But you know his songs,” this man elucidated now. “I am the same year as him: 1955.”

    He patted himself on the chest, approvingly.

    The audience was filled with Australians. You can tell by the facial expression. A certain kind of friendly lazy openness that lends itself to generalisation. I looked around. You looking at me? asked an older, Australian man behind me when I glanced round. Oh no, I said, I was just… gazing in your direction. He had hopped up. Held his beer up in his hand. Can I come sit with you? Ok, I said, and so he bought me some beers and talked in my ear between the songs. But I hardly heard. I was transported. Someone brought on a bottle of water and stood it next to the central mic. The musicians came onstage and among them were Vika and Linda, the glorious Islander Bulls, it had not occurred to me they’d travel with him. I know they sing backing vocals on his albums. They were radiant and they owned the stage, from its wing. Paul Kelly introduced the new album he had written and they launched it like a ball of flame. These people, and their music.

    Linda sang one song and Vika sang another. In their salty, knowing womanhood they swayed side by side like palms. The beautiful affinity between them bespeaks sisterhood. The rest of the stage was occupied by men. They know each other. They can communicate with a bare glance. I was almost crying. There came a moment when the crowd threw back their heads and yawped, bawling along with the lyrics in our Australian accents: he took it pretty badly: she took both the kids.

    Then they sang How To Make Gravy and I was crying. Surrounded by beautiful, healthy, young Australian men in their t shirts I flung my arms open and one of them snatched me up and hugged me harder than I have ever been held. I emerged from his embrace and his face was wet with my tears. Every time I smiled he smiled back at me. The music finished and they all walked offstage and we weren’t having it, we hammered our feet on the ground and yelled and hollered. Paul Kelly broke the glittering curtains open by himself. The closing song had been a quiet one, “Darling, you’re one for the ages,” and he had spoken the lyrics, shyly, in bad German: mein Liebling, du bist zeitlos. It seemed like he had half the crew of Rockwiz on stage with him and half of those were my Facebook friends. Australia really is that small. Now he took up his guitar in silence and the crowd began to sing to him, irresistible, a capella, “Darling – you’re one for the ages. Darling… you’re one for the ages.”

    A grin tugged at Paul Kelly’s face. He is not a good actor, he is too authentic and sincere, as I had ascertained this evening by watching the film clip for Love is the Law, in which he looks uncomfortable and the film maker’s directions are almost visible on the screen. “Well this is probably my second favourite moment of tonight,” he said. “My favourite was when someone yelled out, ‘En-fucking-core!’” We laughed, proud of ourselves. He started to encore. We all stood still and listened. To awaken stillness in a big crowd is a consecrated kind of gift. Sweat was rolling down my spine and darling, I was one for the angels. When I got home I would hand wash every one of my garments in a trance of caretaking meditation and the beautiful young man had given me his number and so had the older Sydney guy, who sells Blundstones. But for now the rest of the band came back on and played like emperors. Much later, as I stood collecting my warm wrappings for the long bike ride home, a roadie opened the curtain and out the back I could see their white tour bus, Vika Bull standing beside it waiting for the gear to be boxed up and wheeled out, she was smoking a cigarette and our eyes met, and I felt a bolt of womanhood arc out of me and into the vast cold sweet dark Berlin sky which chuckled with the autumn wind, all the way home.

  • don’t stand so far from me

    Och, my heart’s pounding! I just queued in the supermarket next to a man taller than me (rare) with whom I conceived one of those fleeting yet it stains your day – your weekend! – mutual desire curves founded in, apparently, mutual liking as well as pheromonal drift. Oh, I stood next to him and he stood next to me. He came up behind me and I cleared my stuff out of the way, as Berliners often do for one another, so that he could lay his heavy armfuls of groceries on the band. “Danke schön,” he said, in just this irresistible voice, and I glanced up and met the most beautiful eyes and a shock went through me and my face lit up and I said, “Bitte!” A pleasure!

    After that we both crowded up close to one another and he was humming and after a little while started singing so that I would see what a gorgeous voice he had. I was immersed in the glowing feeling running up and down my nearer, left side and in parsing his collection of groceries (single!) and in searching round the vault of my brain for some plausible, yet open-ended, conversational gambit. The woman ahead of me had already greeted the cashier and her goods were being rung up. We hadn’t long.

    I picked up the plastic divider between his stuff and mine, only later realising what a perfect psychological expression of my wishes this really was. “Ich habe gehört,” I remarked, holding it out to offer to him, “daß diese manchmal ,Kassentoblerone’ gennant werden.” Ya know, I’ve heard these are sometimes called Cashier Toblerones.

    “Stimmt!” he said, yeah that’s right! He took the thing from me and lifted it up. Pretended to stuff the end in his mouth and tear off a hearty chunk. We laughed and then there was nothing else to do but grow shy, so we both turned back to the belt and gazed at the groceries. He checked out my stuff and I checked out his. I was buying the ingredients for a carrot and ginger soup and he likes decent cheeses. My side was humming. Oh, I was just so happy and contented to be standing just that little bit too close to him, and to be in each other’s aura. There was nothing more to say, apart from, “When will you be here next, you’re so goddamned cute,” so when my goods were rung up I sang out, “Tschüss!” and he said, “Tschüss!” and I ran laughing out of the supermarket, saying to the giant punk out front who holds out his little army cap for donations of spare change, “Du siehst ja so total schön aus, heute!” You’re looking so beautiful today! It wasn’t just the punk in his Saturday outfit of fishnet stockings and a zebra print mini, it was the light, the few trees left in the corner of the car park, the little boy zooming on his scooter with a great determination, the dad who stood and watched with his arms grimly folded – I ran home and said to my companion, who was sitting up in bed holding his stomach and had requested, when I said what might make you feel better, carrot soup, “I just met this man in the supermarket and we liked each other so much! Oh, it was such a joy just standing next to each other.”

    Ordinarily these kinds of stories are just part of the ongoing conversation between us but today, stricken with stomach flu and hungry for his first solid meal in three days, the poor guy went, “Don’t, I’m gunna vomit!” He was clutching his stomach. I has pushed open the window and was peering out in case the cute guy and his cheeses might have decided to walk home down our end of the street, in case I might see him. Bye, love.

  • nasally responsible

    On the subway I sat down next to a guy who was remarkably good looking. Tall and well set up, he sat at his ease, one leg crossed over the other and his knee splayed. I glanced sideways at him as I got my work out of my bag: Mmm, cute! Well dressed, too, in an unfussy way. Ah well.

    Next moment a movement had made me look up. There was his index finger, earnestly engaged in a twirling wiping motion, sunk in the nostril nearest to me down to its second joint. He wasn’t just foraging around in there, either: he was after something specific. He found that something and drew it out and rolled it. I felt myself stiffen and flinch. Was this man about to engage the public flick? I was right in his path. He had not glanced up, he was reading. Oh god. Then he did something far worse – and unconscious, and clearly habitual – he stuck his hand under the raised seat of his trousers and wiped his fingers onto the cloth under his thigh.

    Without planning to I had cried out, “No!” I gathered my stuff and struggled to stand. The train had taken off and was rattling through the old tunnels so fast it was hard to get past the vortex of our own movement. Gathering my long umbrella, gloves, hat, scarf, notebook, and pen I got clear of the long bench and began to walk in comical slow motion away from this beast, this monster, this person who behaves as though we none of us exist around him and he is disporting himself in the playground of his own world alone. I was crying with laughter and disgust. The train seemed to grow more crowded as I plunged slowly down, curled forward with effort, swaying at every corner, and I found a ‘sit place’ as Germans call it between a Turkish woman shrouded in her scarf and a young African man sprawled around his phone. Both of them contracted themselves very slightly, out of habit, to make way for the arrival of a fresh human. Thank you, Germany.

  • illicit flower factory

    Today my boyfriend discovered the illicit dried flower factory I have been running in his apartment. At first glance it looks as though a two-dimensional squirrel has made herself a nest out of private papers and unwanted official letters retrieved from the waste paper bin beside his desk.

    “What’s this?” he said, lifting away the heavy row of comic books along the shelf to reveal my little stack of flattened envelopes and folded paper.

    “Uhm,” I said, “that’s my dried flower factory. I have one at home, as well.”

    The whole city has burst into bloom and the streets are filled with love. On our way down to the post office a man in the street grabs me, both hands clasping my forearm in a grip surprisingly determined and strong. An African man, bearded, handsome, long muscular arms and that’s all I see of him. He is smiling, pleading, manly, he is wooing me in his own language. “Danke,” I keep saying, “Danke, nein, ich muss ~ ” and wrenching my arm away I turn back to the taller man I have come out with, my beloved, who is bristling and who wraps his hand possessively about me at the waist. “What was that?” he asks, “you don’t know that guy?” “No,” I say, “he just really liked me.” “You look confident today. But why would he grab you while you’re kissing me?” he growled, looking over his shoulder in a feint.

    “Well, that’s why,” I say, having understood the man in an instant. Perfect attraction is like that, if it so often only lasts a moment. “He liked it, I think, that I was laughing and teasing and reaching for you. I think maybe he thought, I’d like a woman to look at me that way and to kiss me like she loved me. I’d like that woman.”

    He isn’t really worried, because he knows I love him. Other men casting glances and women looking at him are not new. And I know that he loves me too, he treats me beautifully and his dark sweetness and deep limpid loving heart are my water and my salt in the desert of city sugar and fat. And I know that he understands me, better than the guy who grabbed me in the street and would not let go, his eyes imploring and his smile broad, might ever do.

  • Kurfürstendamm

    I saw a woman who looked just like you, I wrote to my friend, smoking a cigarette and wheeling her bicycle, big black spiky thing with a huge basket strapped on front, down the boulevard on swank avenue with her friend, who was peering in the glossy shop windows, also smoking.

    Then as I posted the letter I thought: hey. If a red-headed person spots their own twin on the street – is that a doppelginger? The man who last week complimented me, “it looks so lovely with your open hairs”, that is, with my hair unbound, walked past and we were both hurrying in the cold and our beanies pulled down over our brows, still we managed to grin at one another and exchange a few visible breaths. When he said that, I felt so glorious and seventies, platform boots grew beneath my heels and I felt my freedom rising through me like a mist, like the mist on the old airport tarmac, my stride grew longer and the knotty bundle gathered in my parka’s hood felt its roots right to my brain. Oh, the well-placed compliment. It’s that blue light of evening makes everybody pretty. I assembled my adventures of the last several cold days. Crossing the old abandoned airport towed by a dog I felt the mist rising all around and how the sun burned a white hole in the dense white sky. People had erected little winter gardens using pallets and old baskets, others were flying their kites. And the virgin busker I think I spotted one night on the street. He was standing on swank avenue, swaying a little, jerking an empty paper cup and singing beseechingly, uncertainly; he made me think of the Mr Darcy’s younger sister who sometimes introduces shyly a sentence or two “when there was least danger of them being heard.” So I went up to him and gave him all what I had in my pockets (a whole 30c) and said, Beautiful voice. Really? he said. Yes, I said. He looked like a nightclub bouncer who had suddenly discovered folk roots.

  • running man

    running man

    As I walked, a man in brief, flared jogging shorts came running towards me. I decided I would look at him the way men sometimes look at women. I gazed at his ankles and shapely calves. I gazed at his thighs. I gazed into his face until he had to look back at me. He looked shy and compliant. The river roared and his neat hooves thundered. We both were blushing.

    H2O HoL bearlin bicycle

  • fado menu

    fado menu

    Well, I’m never leaving here. Restaurant down some tiny steps with a hand-lettered menu in the window and a tiny castle built out of corks. On ordering sardines what you get is a plate piled with whole grilled fish and a small mound of potatoes, boiled then tossed in butter. Everything perfectly simple. We ordered half the dessert menu and dipped our spoons contentedly. A very drunk man wearing double denim (I explained to my companion this could also be a verb: you’re not *double deniming*, are ya?) made his way up and down the stairs repeatedly, with determined attention and heavy breathing with effort. The owner stood in the narrow doorway smoke from his cigarette filling the room; his luscious daughter and her mother, a jowlier, fuller version, ran between the tables. In fact after poring over the Portuguese menu for a while I asked the daughter had they a menu in English. She summoned her father. He unfolded his glasses and peered into a few blue vinyl folders before triumphantly producing a version neatly typed in French. By comparing the two versions we could triangulate. Near midnight a man came in with his guitar and tuned up at the counter. His songs were written on laminated cards, he considered them for over half an hour. Then he turned to the long table of local people – there were only 14 of us in the restaurant – and began to play, inviting the room to the chorus. A bosomy lady in ferocious print danced, shimmying her hips expertly and directly in front of the face of the younger man, maybe 50, who had come in with his friend and who she evidently thought was a bit of alright. The singer sang on and she danced solemnly, proudly, stomping a little on the turns. Flushed and excited she raced up to the singer and whispered in his ear. “Another time,” he said in Portuguese: something like “Un autre mal.” I was mortified for her. She crossed between the head of the table and the serving counter with some difficulty and sat down, her bosom heaving. But within minutes she too was singing along with the rest of us, lustily but not loudly. When we left, the prize male and his elderly neighbour looked over their shoulders to say with careful enunciation, “Heff… a good… evening.” “Obrigada,” I said, “you too!” The beautiful one said, “Alfama! Ees beautiful!” Oh yes, I said, my hand on my breathing: beautiful. “And the people…” “Wonderful!” Steep, cobbled, gristly with careening streetcars: yes, wonderful.

    H2O HoL lisbon pipis