Wild Sovereign Development Site

Tag: Ghana

  • Ghanagain

    The grandiose way of telling this would be to say, I am flying back to Ghana for the premiere of a film in which I played a small role. The truth is, I fell in love. This happened before I ever went there, and on the first night of my first visit, in January, we met. He picked me up at the airport and I thought, how terrible if I couldn’t find him among all the brown faces whose country was new to me. We had talked so much by email and had spoken of our whole lives. He said he loved me. I said, you can’t say that until we meet.

    He sent me flowers and chocolates and wine, which arrived at my door in Berlin while I was in Morocco, and died. The florist lady was so touched by our story she allowed me to visit and pick out a fresh bouquet, choosing out all the blossoms I liked best. By video I showed him. “I love orchids and I love roses.” I showed him the field flowers I had chosen from her big vases: valueless to some people, but beautiful.

    We lay down together. We’d still not kissed. I looked at him and he looked at me. Three nights later when he texted to say, I’ve come home, I ran barefoot down the alleyway to unlock the big security gate and flung myself against its bars. And he grabbed me and dragged me to him and we kissed passionately between the curls of steel, and I felt as though I had come home.

    My first morning in Africa, because Morocco is different, he said I don’t want you to go out on your own. Wait for me. No fear, I said, no way: I’ve been travelling independently since I was fifteen. This was further back for me than for him. I went walking and at the end of the day and after furious adventures I came home, finding my way and proud to find it. Outside a two-storey building which stood out, a woman said, “Are you American?”

    I crossed the road to shake her hand. “No, I’m Australian, this is my first day, it’s so beautiful!”

    “Do you think you could fake an American accent?”

    “I dunno,” I said, “quite likely not well.”

    “Would you like to screen test for a film we’re making? We’ve hunted all round Accra for the right white lady.”

    I went in and she took me through a room full of people in headphones. I can’t act, so I just tried to imagine how this character might feel. The director came down, who had written the film, and spoke to me about what he wanted. “It’s an American woman, a bit older, and she’s flirting with a Ghanaian man online. And she knows that he’s scamming her but she doesn’t care, she’s bored or… maybe a bit lonely.”

    I stuck out my foot. “My sandal and your microphone – they look like they’re cousins.”

    My hairy goatskin sandals from Morocco and the furry windsock on a big boom mic made them laugh. “So what brings you to Ghana?”

    I said, “You’re not going to believe this…”

  • winter blast

    Try to work out whether I can afford to get back over to Ghana to see my sweetheart, I asked a friend: how long will this pretty autumn weather last? We know all too soon it’s going to get misty and grey and damp and bitterly cold – but when?

    Oh well, he said: November is the greyest month. You could go in November and miss the Nieselregen.

    Nieselregen is a kind of drizzly slushy snowrain that gets inside your spirit and rusts it out.

    Or, he said, December is ok because everybody’s looking forward to Christmas – and at least if it rains, it might snow. But you could go in January. January is the coldest month.

    January seems to me such a long way away, I said, in a very small voice. We were sitting under the trees in a quiet marketplace and had large beers in front of us.

    Go in February, he decided. Because by February, even Berliners are sick of it and everybody just wants to stay in bed for the rest of their life. At least in March, the weather is still horrible but you can feel the change approaching. Like, ‘Just sixteen more weeks til I’ll be wearing my t shirt.’

  • men in dreads

    Two men unfolded themselves and stood up. One of them grabbed my hand. I was passing in front of the crowded colourful stalls which sell Bob Marley t shirts and long Ghanaian dresses. They had jangly sandals on display and drooping felt hats so dusty and untouched they might have been made for Stevie Nicks. “There she is!” cried the taller one, swinging hip length dreads. “Our sister from another mother.”

    I stood still, as they must have guessed I would do. The expression on my face was conscious, self conscious, enquiring. “We have met before,” his companion told me, “we spoke with you the other day.”

    I was quite certain I had never seen them before but fear of racism held me silent. Later I wondered how many Western women they trapped each week using this same trick: liberal women, hippie women, who are afraid of seeming prejudiced. Who feel responsible for the prejudice of others and when they travel the world, labour to make up for it.

    “We love your walk,” said the man in dreads. “So free and you walk like a soldier.” Do soldiers walk free? Aren’t they more inclined to march? But I knew what he meant. I was striding and looking about me. I was swinging my hands. African women, I suppose, undulate.

    There is a faceted splendour in all the people round me that keeps me always smiling and staring. I love that we find each other so compelling. People stop me in the street to say, “I love your height.” Men say outright, “Give me your number and I will call you.” I spend all day saying, “Thank you.” I say, “Thank you! Good evening!” “Thank you, but no.”

    I buy a ripe plump mango and the stallholder slices it for me with a curving blade into the palm of her hand. Walking home I eat it with a cocktail fork. I buy a Coke bottle filled with popped millet, like tiny buds of popcorn, and groundnuts – peanuts – which is perfectly salted, and in the morning I pour it on the bowl of mixed fruit I have chopped up for breakfast. My companion has never seen fruit salad and he looks askance at my heap of mango, banana, papaya, custard apple, and popcorn. Then he starts to eat and we both fall on it, good, delicious, fresh. I was not keen on the goat gizzard skewers. I am nerving myself to try grasscutter on a stick, which is a little rat-like creature grilled over the coals and eaten off a skewer. I buy kelewele, which is plantains rubbed in spices and grilled at the roadside. It’s sweet with a toffeed sharpness round the rim. I buy a coconut and the man lops it expertly, and after I have drunk the juice he chops the wood open so I can gouge long loops of slippery flesh and drop them like fishes to a seal into my mouth.

  • moon over Accra

    It’s a beautiful night in Ghana and the moon is very full. Immodestly so. What need has a moon of modesty? She has already pledged her love. “I will follow you though it turn me in circles all the rest of my rocky dry days.”

    I am sitting nursing a less and less cold beer at a local spot, at the junction. In Accra. These eight days I have sampled four of Ghana’s beers and I like this one. It has bitter local herbs and I am drinking it with a little sack of ripe plantain chips. I went back over to the lady nursing her child who bakes eight different kinds of chips and sets them out in little crisp cellulose bags. When I reached for the plantain chips she said, “Have you tried this one? It is ripe plantain. It’s better.”

    My first morning we went strolling through the hot dusty streets and, in my case, the jet lag, and found a lady selling mangoes from a bowl, who sliced me one, and a lady selling fat ripe bananas, and a woman with a tiny stall roofed in tarpaulin who fried up rice and beans with a headless fish and a curling slab of beef skin. She served it wrapped in a banana leaf and then two plastic bags. The beef skin quivered, nearly transparent, and I stared at it a long time before putting the corner very gingerly in my mouth. Oh, no.

    Jet lag is gone now and I am subsiding into this beautiful world. The moon is squared between four overhead wires and I gaze up, rustling the crisp cellulose bag with my fingertips, thinking of nothing at all. A man drawing a cart behind him heaped with yams stops to talk across the narrow garden bed to the spot’s owner. “How come you never buy my yams anymore? You buying from the other guys?”

    “No,” he says, “I will buy them soon.” I have watched this man, so relaxed under his awning of pink and white bougainvillea, tending his garden with a pointed stick to loosen the soil and a jar of tap water. The yam vendor creaks on and a man I don’t know, as I know nobody in Ghana, comes over the road and joins his friends. He says, “Good evening, madame. How are you.”

    “Good evening, sir. Thank you, I am well. How are you?”

    And he says, “You are feeling at home.”

    I raise my hand. I let it drop with its palm up and open. “It’s so beautiful here. I’m so happy. Your wonderful city.”

    Can one fall in love with an entire country? This one has.

    I came here on my second evening when the object of my visit was at work. I drank a cold beer and tried out the plantain chips. The owner of the little beer terrace invited me to share his table. Another man was sitting between us and he began drumming on the table’s edge, a rapid, complex rhythm, with his two stiffened fingers as though they were blades. I said, “Are you a musician?”

    And he said, “I hope so. I’ve got a couple of albums out.”

    Such a creative, thriving, diving, cormorant city. And so noisy. Wherever I go it is to a concert of honks and toots as every passing cab driver tries his luck. I joined Uber, with some nervousness, never having used it before, and was offered lifts in immaculate cars by drivers named Ernest, Ebenezer, Divine, Lord, Sumaila, and Wallestine. I spoke to a man on the street whose t shirt said LOVE and the O was the shape of Africa. “I love your t shirt.” “Where are you from?” And as we got talking he offered,

    “Let me give you my phone number. We just live in that house over there, the blue gate behind the plantain palms. If you need anything, or if you ever get in trouble or need help: you can call me.”

    This genteel, educated culture. This overwhelming sense that I am walking amongst gods. The tall, fit, gracious, courteously and warmly smiling people. Their patience and kindness. The sense that I’ve been right all along, and in our spoilt countries we have forgotten how to live. That these people in their exploited country are holding out something we are too miserable to grasp. Racism is envy. I have always known it and now I see it everywhere.

    The night passed serenely around us and I finished my beer and got up. My drummer acquaintance was at the next table. “What were you writing? A poem?”

    “Oh,” I said, touching my bag self consciously. “I was just writing about the moon.”

    He tipped his head back. “I hadn’t noticed it.”

    “Powerful moon, tonight.”

    “Eh,” he said, “Yes: it is full.”

    And I said, “Yes, and the crimes of passion and incidents of insanity are spiking tonight all round the world. The moon controls whole oceans. What are we but little seas? Sloshing with seawater.”

    “Seawater?”

    “Well,” I said, “salt water. We are mostly salt water. So the moon.”

    This is black Africa. The night treads endlessly on the sky. The lighted shop fronts with their sagging awnings and the smoke from the goat gizzard stall and the woman walking by with her fleet of buckets on her head are a world I have not met before and always, always longed for. As we stood there, a young man shot past on his bicycle, dressed all in white. A man carrying on his head a stack of neatly folded bright batiks walked by. “I am waiting for the pineapple woman,” my friend said. “I want pineapple.” Don’t we all. The heaps of fresh fruit, the dried fish, the bright plastic buckets. I have stepped off the planet of Europe and I may be gone some time.