The battle to take seriously my own life and prospects, and to treat myself well, is the great absorbing struggle of my life. After fifty or a hundred rapes, before which I had never kissed and been kissed; after being savagely beaten and thrashed by my parents one of whom is now dead for daring to leave that first relationship, a year later – this struggle absorbs more of my energy than I can tell. In Ghana I am free and scintillate, I roam the countryside of this strange and wildly interesting city. People greet me and I call back. I am smiling from my soul. But even here my lover and I must attend constantly the vigil of ensuring that I never provide myself to him as a service.
Occasionally I do and he catches me out.
Are you sure, he asks, and I lie, Yes. Am I hurting you, as we press ourselves into each other like metal into sand and heat into metal. No, I lie, and he stops still to look at me narrowly. This narrow suspicious glance in my case is a necessary feeler of love.
When Judge Rosemarie Aquilina dropped aside the pleading, exonorous letter serial rapist Larry Nassar had written to the Court, when she told him his self-pity was nothing compared with the pleasure he took in these immature women’s forming bodies, let alone the pain and anguish he has caused them which inhibits still their talent-stained lives – I could relate. I waited months, until yesterday, to expose myself to parts of the footage and reportage, waiting til I could bear it. I watched the testimony of a young Olympian who told him from the stand, “I will not take my life. I am taking it back.” And on the couch in our rental in Accra I crumpled forward and clutched my hand around my so long sore heart and cried out and cried.
These decades later, I still have no income. Having topped every class I took from the age of four to eighteen, when in the final semester of university and throes of this awful year of cumulative hell I dropped from my flock and barely passed, I have no career. The money I’ve lived on comes from waitressing, fifteen years of waitressing, which I was good at; and from sporadic coaching in which fellow writers tell me I have inspired them, and pay me for an hour; and from a stunning single purchase of property which I renovated and lived in, dividing the bank interest with a series of housemates I invariably chose for their resemblance to the abusive family who loved me as best as they could.
The waitressing was mostly in a fine Paddington BYO which required me to carry seven full plates of food at once, and taught me to open a bottle of Moet after I dropped the first one, and to carry out twenty-one champagne flutes between my fingers and lay them out on the table one by one, shining and polished. It exposed me to the old man who pressed his face up against my breasts when I stretched across the table to set down his friend’s plate. It put me in the path of the stranger who stuck a fork in my arse as I bent over the table as though I had been a bird in an oven. Was I done?
In Berlin, as a friend has only recently pointed out to me, I struggle some days to get myself off the couch. Leaving my apartment is a daily heroism. I am shy and exceedingly sensitive to start with. The performance instinct which is a lion dancing in me and roaring has been silenced externally for several years. Instead I practice dealing with bus drivers. If some random barkeep is rude to me I feel the talons of self-silence cage round me and I become a mouse, limp in the sailing claws of this bigger predator, playing dead lest he kill me, trapped in the freeze.
The amount of energy this perpetually renewed struggle costs me is mortifying to tell. The spectre in myself of being someone who is de facto preoccupied with her own past, or at least, stained by it, humiliates me when I long with all my heart only to face the day, this day – the only day, and build all its fruits.
My brother, who though he has three children mines coal, has told me when I tried to discuss this perennial battle, “There’s something wrong with your personality, that’s why you can’t sustain a decent relationship and you have no friends, that’s why you don’t have a job.” An aunt who discovered – or invented – God told me, when I timidly brought up the topic of her sister’s, my mother’s, rage, “It’s you. I sometimes think you are possessed by the devil.” I was so irritating as a child, that same brother assured me, that our parents had no choice to get violent with me.
My mother, who once called me ‘a failure as a human being’, also supports my daily life. Fear of publicly shaming her – a shame that seems unearnt – and of hurting my family has long kept me silent. Having run out of my own miracle earnings, much of which I spent on unnecessary medical procedures whose invasive humiliations I was convinced were crucial for my health, I am living outright upon her, in her seventies – how dare I? – while I labour to complete some saleable work, or to get some business started. Some days, the labour focuses still on finding the wellbeing to bother to feed myself. You see I have not always eaten every day. I find trouble keeping my little home clean and combing my own hair. Every now and then I have to take the nail scissors to it and cut out all the little knots.
Meanwhile I write and make photographs every day, I draw and make assemblage and small films. I give all my work away for free and the album I made, lassoing twenty-eight musicians in New York and Melbourne, is still unreleased except online. I play my album to the jazz impresario who in the 50s brought Shirley Bassey to Melbourne, and my heart clutches when he says, “In my opinion, you will be one of the greatest artists this country has produced.” I finger the dusty piano I have lugged from Brisbane to Adelaide, and from Adelaide to Melbourne, and Melbourne back to Brisbane and now across the seas to Berlin. I cannot bring myself to touch it, I never sing, I have forgotten how to play my own songs on my own guitar. When I think about money, I panic and flail. It is almost not possible for me to believe my work has value, and that anyone would ever pay for it.
