Tag: love

  • illicit flower factory

    Today my boyfriend discovered the illicit dried flower factory I have been running in his apartment. At first glance it looks as though a two-dimensional squirrel has made herself a nest out of private papers and unwanted official letters retrieved from the waste paper bin beside his desk.

    “What’s this?” he said, lifting away the heavy row of comic books along the shelf to reveal my little stack of flattened envelopes and folded paper.

    “Uhm,” I said, “that’s my dried flower factory. I have one at home, as well.”

    The whole city has burst into bloom and the streets are filled with love. On our way down to the post office a man in the street grabs me, both hands clasping my forearm in a grip surprisingly determined and strong. An African man, bearded, handsome, long muscular arms and that’s all I see of him. He is smiling, pleading, manly, he is wooing me in his own language. “Danke,” I keep saying, “Danke, nein, ich muss ~ ” and wrenching my arm away I turn back to the taller man I have come out with, my beloved, who is bristling and who wraps his hand possessively about me at the waist. “What was that?” he asks, “you don’t know that guy?” “No,” I say, “he just really liked me.” “You look confident today. But why would he grab you while you’re kissing me?” he growled, looking over his shoulder in a feint.

    “Well, that’s why,” I say, having understood the man in an instant. Perfect attraction is like that, if it so often only lasts a moment. “He liked it, I think, that I was laughing and teasing and reaching for you. I think maybe he thought, I’d like a woman to look at me that way and to kiss me like she loved me. I’d like that woman.”

    He isn’t really worried, because he knows I love him. Other men casting glances and women looking at him are not new. And I know that he loves me too, he treats me beautifully and his dark sweetness and deep limpid loving heart are my water and my salt in the desert of city sugar and fat. And I know that he understands me, better than the guy who grabbed me in the street and would not let go, his eyes imploring and his smile broad, might ever do.

  • favourite moon

    It’s a moonlit night and I am with my favourite person. I am lying on his chest. He lies propped up against the head of his bed whence I propelled him via my exhaustion and desire to be held. Over the water the moon is risen, sweet and fair. Stately and true as silver steel. Our moon: not owned by any of us. The one my father sees as he gazes over his verandah railing, the one that follows the train, the one that seems tugged or drawn through the sky when we travel as if it were a giant helium balloon tied to our exhaust pipe. I was cycling home from an interesting gathering and the pale blue light quelled me and calmed my excited heart, all of a sudden exhaustion rose like a dew and I turned my handlebars irresistibly as a horse finding out her own home stable; he was home, he’d only just got home, I rang the bell and his dear voice sounded so pleased when he said: Oh! hi! Then I rode the elevator with its mirror up to the sixth floor and that’s how we wound up here. I’m so pleased. I know I am his favourite too. The scratching of his denim and mine and the rough wool of his jumper stir faintly to my ear. White light is streaming in through the window and the moon outside gazes benignly on all of us, far from home and choosing absolutely no favourites.

  • the indivisible splendour

    Thinking of love today and how it has such deep transformative power in our lives. I so long longed for people who would understand me and be willing to be understood. Those friends and those loving acquaintances are everything to me, the topsoil on the earth’s surface or maybe the oceans which caress its journey, ‘the dance in its lonely walk.’

    This body is pining in me for its home
    that seats its hollow floor with ships, swinging and sighing,
    surging and sighing
    like birds with weighted wings
    that seeds its lonely untended beds
    with salt, to raise the precious produce of the sea
    I look back, and long to dissolve myself
    back home into the indivisible splendour of the water
    that sheathes the burning earth
    the dance in its lonely walk

    ~ from Adrift, published in Going for the Eggs in the Middle of the Night 1999

  • the man she likes

    I saw a girl on the Underground travelling with the man she’s in love with and the girl he likes. They were Italian. Crisp faces. Hers, naturally, a little long and sad; the other girl’s, naturally, coquettish and confident. He had a lovely outlook, solid stance, good beard, and kind expression; compared to them he was tall, he stood unselfconsciously, his feet well planted. Oh, how she loved him and craved for his attention, his acknowledgement. The other girl was wearing a cute mini. On the platform the girl who loved him poked him as if playfully, but he barely saw her; the other girl made a lot of play with the straps of her little backpack. My girl couldn’t help herself, she went close to him and buried her face in his chest, pretending she was joking, but really soaking up some of his smell and his heartbeat, his masculine solidity, his illicit love that would never be her own. Your heart would have ached to see her. She followed him onto the train like a little sister, dragging her feet. The two girls were, purportedly, friends and she had to pretend to be interested in what the winning girl was saying, which seemed endless; the loser girl was lacklustre, she’d lost confidence, she could see the headlights of disaster barreling right down the tunnel towards her. They leaned on opposite sides of the carriage, the man, the two girls, and you could see he had forgotten they were travelling in a trio. She peeled his heart open with her yearning eyes. She longed for him and gazed and gazed. And longing does no good at all. I could have told her that, if she’d asked me; I thought of saying so. But she wouldn’t have believed it, we never do, just as he couldn’t see the love standing in front of him, yearning for every morsel of his blessed being.

  • that, and all the gods of grief

    For four weeks now, this terrible grief. It takes up residence in my throat, is heavy, slides into the sweet solar plexus where self-belief resides. Crushes back my breathing. Gives me the tired. It makes bed seem a dire, unavoidable residence, where I will spend my days: all of them. Though I enjoy so much in the world and spin always silks out of myself like a dim spideress, though I am happy and joyful, resolve to be joyful, and happy, the grief comes in big crashing waves and will not be turned aside, it comes over me from above or up from within, I can’t tell, turns me outside-in, a paper bag with only crumbs. It feels the grief displaces me, so I have to make way for its passage, a weight of a body in water. I hold it and I feel the weight. I am lonely with grieving and savage with it, and cannot turn it by.

    It’s been a month now since breadsticks at dawn, I have counted over the perfidies in my mind. I’ve tried telling myself it would hurt worse if he had found someone in any way interesting to or compatible with him. Within days he had started to outgrow the one weaving acid threads around him, her ‘devotion’ as he called it and her sudden love that reeled him in. This rancid manipulator and her stale routines. I guess it would feel worse, and it would also feel better. He told me how they wound up having breakfast together, because she rang him from outside his house one day: Oh hey! I just happen to be in your street. What, no – did I wake you? Have you had breakfast? Her first thought on climbing out of their consummated bed was to message me: can I see you? I am worried about you. The remorseful emails which that day began, from him, the trickery and campaigning of his superficial mistress, brought little comfort, and their literal fuckery, an eight-day wonder, hurt me unbearably. His weakness. His actions. His inaction. The lies.

    What man is proof against the machinations of a predatory woman. She had brought him it seemed to me only an assiduous, an arduous mimicry of human emotion. Are you ok? I am worried about you. Within a week he and I were talking again, missing each other, trying to reach us, even as he fucked her for good measure a couple times more. When we finally met up he seemed to be suffering that solitude that wrongful intimacy alone inflicts: the grief that is like mourning a suicide, as the suicide. I felt the lack of real connection, he said. I was just so sad she was not you.

    The sex wasn’t planned or premeditated: it just happened. Sure, I said. Not planned by you. What married woman does not carry condoms in her wallet? His weak passivity was gut-weakeningly terrifying to me. In debunking our closeness, so natural, so hard-won, to somebody so shallow, so utterly self-serving, he had pulled the plug out of the sea and it was draining. What mother would not leave her three-year-old at home all night to go out on the fuck? “That you chose that,” I ranted, “over me – it’s so insulting. It’s not even an honest comparison.”

    Meanwhile the everyday experience of foreignness, sharpened now: an aching displacement and fog. My visa, which cost us both some struggle, came through – kind of. Provisional and freeing. Immediately the terror and suspense ebbed away and I entered a teeming fugue of dismay: what am I doing here? I feel so sad. The chic little creameries on my street, in a neighbourhood where I am part of the rapid hated gentrification, the perplexing, frantically delicate flavours they manufacture and interminably sell: white chocolate and parmesan; matcha pistachio; ‘caramel fleur du sel.’ The American menus in New York last week which made me cry in booths in diners, over breakfast: actually cry. Home fried chicken – with waffles – and maple syrup – butter – and collard greens – why? I don’t understand, I whispered miserably to our host. I ate the American food, or a quarter of it, felt myself weighted and sinking to the bottom of a crowded bowl.

    The fortnight before, in still-familiar Germany, a sudden brain freeze at the local bakery. It is just an ordinary shop on a high street, but they sell so many varieties of bread I could not, half-awake in mid-morning, decide. The mechanically helpful German lady repeated, mechanically, Was darf’s sein. From hazelnuts. Sesame. Poppyseed, rye. The half loaf or the whole biscuit, the whole wheat, the full corn. I stood back from the counter and tried to count them, to marshall some sense out of the world. Counting was hard and I had to do it twice. This was a half hour before the announcement over breakfast that my beloved was falling in love elsewhere, when everything began to dissolve. Eventually I counted up 71 different kinds. These did not include strudel, incompetent croissant, sweet rolls, buns, fruit tarts.

    Summer is in full swing and all the seats are full, like a children’s game. I used at first to find it intimidating walking past those cafes, European, where all the chairs face out into the street. It is a theatre, I dislike treading the bored. Dispiritingly, every chair til June has a blanket folded over its back, so you can sit in the sunshine and enjoy the sun’s light on your skin when you’re too numb from the cold to feel your face. All that light without warmth, it’s confusing. Now disorientation reawakens my foreignness, if I had a hometown I would go there.

    I watched a movie where the woman dithers between her husband and a new alluring man. They are young, but they’re bored; at least, she is. The movie was quiet and slow, dimly glowing, like a fish tank. The husband is boring because he is just being himself. I wuv you, he says, routinely at night on the couch, unaware he is being compared. He is dull, he’s unable to step up for them both: I’d have left, too. But the doubting wife is working in secret, in the dark. She’s pursuing something that cannot exist: how tantalising. She is unable to say to her man, we are stale, you are losing me, and I want you to pull me back. I don’t want you to lose me, I want you to love me. Another man is making his intentions plain. If you want me you will have to speak, you will have to act.

    Call out for me, love, come claim me now. The double story of her wishful affair, his wistful half-knowing, made uncomfortable viewing. Somehow it was as if they were on a date that he’d been looking forward to; as if maybe he thought this girl might be the one for him; but that she was only speed dating.

    We made late night phone calls in whispers, walks where we both cried and cried. Our meetings were painful and very often angry, very often tender. “My beautiful Cathoel,” he said, wrenching my heart. Trying to touch me as I ducked away. Yet hope springs infernal. The affair had dwindled into a recital of her trauma, some of it so lurid it seemed to me almost improbable, an edge of lunacy, a frightening unhingedness; he took her to drug therapy, said she was in meltdown. Even three days after we’d first parted he told her, this is all happening too fast; I need some time, I need some space. Please don’t call me for twenty-four hours. This she took as an instruction, as controlling people do. Immediately there followed an announcement to the husband, I’ve been fucking elsewhere. She called, sobbing. I’ve told him! and he is so angry! The manufactured and the precipitated dramas, the tiny ideas in giant font, the three a.m. text messages, the darling self-regard. The improbable and faintly perplexing flavours, parmesan cheese with white chocolate. And his decision, more important in my world, to preference this over our everything. So you compared us, I said, and you chose, if only for eight lousy days, her. But you worked in the dark. Had you shone a light on it, she would have shrivelled in comparison. Because she lacks honour, depth, truthfulness, interest, and evidently, humour. She only had what you projected onto her. In another mood I would write, you too lack truthfulness and depth. So I think maybe the two of you are ideally suited.

    Dutifully he retailed her story of the nice guy husband who simply doesn’t understand her. When I started to laugh he looked less offended than surprised. He shared their emails with me. We began to talk anew. We had the opportunity, suddenly, to fly to New York, where he texted her: I’m thinking of you all the time. In a bar in the lofty blue brainspace dome of glorious Grand Central Station we got drunk when the American barman didn’t know how to serve pastis and brought us two brimming tumblers, four or five drinks apiece. Have you got a photo of her, I said. Yes, he said: are you sure? He went down to the bathrooms and I turned to the woman sitting beside us, who had been scrolling and scrolling on her phone for half an hour. I said, Can I ask you about something? Something personal. I need some girl advice.

    Yes, she said. She put down her phone. She turned on me her large, grave eyes. As rapidly as I could, I told her: my partner – indicating the empty stool – cheated on me. He told me he was falling in love. I’ve just asked him to show me a photo. Because otherwise it’s been tormenting me. Now I’m not sure. What would you do?

    Hmm, she said: that is hard. Of course you’d want to see, see what this is. See her face. But it might make you feel bad because she might be really… Yes, I said, and we both sort of smiled. She said, suddenly, I think – if it will put your mind at rest – then you should do it. But if you do it, then after that you have to really let it go. No reminding him, every time you have a fight. No throwing it in his face. You have to look her in the eye, and then forget it.

    I think you’re right, I said. My mind was lightening. Thank you so much. I put my hand on her arm. That is really good advice. You are wise. I asked about her own situation. She had moved here from India, with her husband. Now her husband has died. She’s decided to stay on. “I want to make a life here, have children.” I said, I know you will have really beautiful children. We smiled at each other. Then my ex-partner came back, slid into the stood between us. He showed me the photo. She was so plain and so winsome that I gasped, without meaning to, “Seriously?”

    Three years ago there were no ice cream shops in the street where I am now living. Now a fourth is being built, on the corner where the tiny meadow springs. Up and down the street graffiti blare. If you want to speak English, go to New York. Berlin hates you. I walk along among the summer bicycles, the tiny children pressed in folds of cloth, the strange stridency that some German women’s vowels have that carries in the open air. The American accents, belling and unwelcome on the street. It has taken me all afternoon to get dressed. In my favourite cafe the barista won’t meet my eye, he lets me stand by the counter and wait. I give him my order, the same order I give him every day. He spreads his hands and tells me, strangely, we’ve run out of honey, we’re not getting it again. Stupidly I think, But – I’ve only ever spoken German in here. I turn away without a word, my chest aching. Grief is an animal looking for its place in me. It displaces my salt ways of being in the world. Summer in Berlin is a time for rejoicing. Beer bottles stand empty on top of all the bins. People line the canals. A Russian woman with spiky lashes stops me, carrying a map: Excuse me please. Where are the shops? Some days I don’t leave the house til nightfall, and walk proudly, carrying my head on its stalk, defeating an agony of alienated shame. Under the trees I let men’s glances wander over me in the dusk. I wake in the night, which is when things seem hardest. I ask myself should I even be writing about it. For no matter how scrupulous, however fair-mindedly I try to write, I only have my own experience. I can only ever render some tiny sliver of the mosaic mechanism, a peephole, untruthful because partial. Life is complex and hard. The ache is acid, residual, lasting. In the mornings its breathing overcomes my breathing. It climbs down heavily to the chest, to the base of my ribs where I was torn from my Adam and I miss him, raw, sore, and hunting. There was only one man whose eyes I sought, on summer evenings: that will never now be true again for us. I get dressed again to go out at last. I feel the agony of love we neither of us had courage for, and have both betrayed, lost out there in the long blue evenings which alike are visitors to this iron country, a brief season uncharacteristic of the place which all too soon begins to gather in its deep chill, its oppressive dark. At weak moments feeling sad, and lost, tired, and bereft, I am asking myself, are you ok? I am worried about you.

  • the wind was rising

    “The wind was rising, so I went to the wood. It lies south of the city, a mile from my home: a narrow, nameless fragment of beechwood, topping a shallow hill. I walked there, following streets to the city’s fringe, and then field-edge paths through hedgerows of hawthorn and hazel.

    “Rooks haggled in the air above the trees. The sky was a bright cold blue, fading to milk at its edges. From a quarter of a mile away, I could hear the noise of the wood in the wind: a soft marine roar. It was the immense compound noise of friction – of leaf fretting on leaf, and branch rubbing on branch.

    “[…] Anyone who lives in a city will know the feeling of having been there too long. The gorge-vision that streets imprint on us, the sense of blockage, the longing for surfaces other than glass, brick, concrete and tarmac. […] I felt a sharp need to leave Cambridge, to reach somewhere remote, where starlight fell clearly, where the wind could blow upon me from its thirty-six directions, and where the evidence of human presence was minimal or absent. Far north or far west; for to my mind this was where wildness survived, if it survived anywhere at all.

    “[In 1990] the American author William Least-Heat Moon described Britain as ‘a tidy garden of a toy realm where there’s almost no real wilderness left and absolutely no memory of it. Where the woods are denatured plantings. The English, the Europeans, are too far from the wild. That’s the difference between them and us.’”

    ~ Robert Macfarlane, opening The Wild Places

  • a beaker of fruit in the sun

    Some of the friends I made in New York four years ago are so precious to me that I have been saying their names aloud as I walk about my apartment and then smiling and convulsing with love. Flying into New York on the Fourth of July. First time I got there it was Superbowl Sunday: America, I love your peculiar public holidays. It was February and snowing and a lot has happened since then. I am eating up all the fresh fruit in my house and drowning my potplants. The poor sad fig tree by the window drops another sighing leaf. “This. Is not. The tropics.” This time round I want to do all the iconic things I skipped on my first visits, because I was too immersed in the sultry life of the place, the people who surprise you with insightful questions in the street, the man who gazed and gazed at my breasts as we drew closer and gasped, “Oh! I love your… eyes!” dragging his own eyes up to meet mine as he spoke. The longing in his voice, plangent and transparent. The love of life. The piles of people, literally stacked for miles all around, as though the whole population of Australia had been swept up into one giant terrarium. And the way you can feel them in your sleep, breathing and striving and struggling so hard. I want to ice skate in Central Park although the snow has melted now. I want to run into the beautiful man who was reading Rumi on the train. I want to show my Berlin companion the things I found there last time, the Flatiron Building where I laid my hand flat for goodbye and started choking as though I was leaving a lover. I want to point to Trump Towers as we glide past it in a vehicle of some kind and pass on my favourite local pun: “New Yorkers call this edifice complex.”

  • backbone

    Over breakfast my partner announced he is falling in love with another woman. I said, “What?” The omelettes had turned out so well. It was a cool, greyish day. I had asked why he kept heaving huge sighs. For a long time I could say just nothing. Then I asked a question, how can this be the first I am hearing of this. Because it is very new, he said. Also she’s married and has kids so it’s complicated.

    I think I said, Oh, how dramatic. I felt filled with pain and contempt, and the pain of contempt. I got up and took my breakfast into the other room, shutting the two doors between us. I couldn’t eat. Naturally after a while I went back and had to ask some more questions. He met her two weeks ago, at a friend’s. A friend’s of mine, as well. They talked for ages. The two of them really understood each other. They’ve been ‘texting’ a lot. I was outraged. How could you get to the point of asking a woman for her phone number – without saying anything to me? Oh no, he said, as though that made a difference: we talk online. I said, Why didn’t you just come home and say to me, after that first night, I met a woman last night and we had this amazing conversation, I feel very attracted to her. Everything might have had the chance to turn out different. It might have been the beginning of a new closeness for us. Or is it just that for some reason you wanted out – you don’t wanna live in Australia, you wanna stay in Berlin – and you lack sufficient emotional self-awareness to break up our relationship without using this lever.

    His emotional honesty and his courage were the qualities I most cherished in this man. Now those were gone, I felt nothing but a bitter disdain. The dry, unflinching, writerly part of my brain was saying, What a convenient trap. I cannot say or do anything. If I howl and cry I will be making myself more unappealing while this stranger, this mother and wife, remains mysterious and alluring because blah honeymoon. If I say, I’m so angry I feel like I could crack a dinner plate over your head, then I’m a monster and he can take refuge with her and be relieved to get away and thus basically whatever I do, I am making myself easier to leave, easier to get over. The cold tight tiny childhood feeling in the pits of me which whispers: didn’t we always know this, you are unlovable. How old is she? Young. What do you talk about in your endless emails, do you talk about how the two of you are falling in love and how you want to be together? “No, not really, we can talk about everything! Everything!” Oh, how divine. I could feel the grief and fury in me congealing over with a self-preservative lard of dry humour. Underneath this cold gel, the endless pain lurked dark and wild. I thought, well if he is prepared to jettison a three-year love affair, and to leave me in the middle of Europe alone; and if she is prepared to leave her husband and two (or three?) presumably quite young children – they must be made for one another. I just couldn’t get over my feeling of disgust. I said, I’ve never respected you less.

    The whole conversation took less than half an hour. He burst out at one stage, But I love you, Cathoel, I really do! Yes, I said, sourly… I can see that. He said, I honour and respect you so much. That cannot be true. For then how could you treat me so poorly? How can you have been so close with me the last two weeks while this was going on, and never even mentioned it? I said, Can I see your emails? “No,” he said, almost primly. “Those are ours, that is our private communication, and I protect that.”

    That hurt more, in the instant, than the rest of everything all put together. My wounded child soul was roaring, Wait! What? Help! No! Help! Isn’t it… our privacy that you should be protecting? We are so interwoven into one another’s lives. I thought we were. I threw him out. I went out, too, after he’d gone and walked in sunglasses through the dim afternoon along the green-shaded river. Berlin, so much pain. I passed the spot where in August of 2012 I had sat down on a park bench and cried, overcome by the dismaying enormity of what I had done: locked my house door in Melbourne behind me, and come to Berlin for a week, on a whim, on an instinct, and stayed on and stayed. Homesickness choked me and I did not love the swans. The man, who until this morning seemed so darling, so honest, so filled with love, went off into the greenery and scuffled. People were walking past smoking joints and wheeling their bicycles, I was busy crying as quietly as I could. Moments later he reappeared, holding out a sweet handful of fresh soft summer leaves, heart-shaped they were, I did not know the tree. He said, “Brush your nose,” which was the way he’d learned to say “blow.” In spite of everything I’m sure I must have giggled. He had graded the leaves, choosing only the softest, from smallest at the top of the pile to palm-sized below, so that I could ‘have a good blow’ as Gran used to say and reassemble myself. I thought, all my life I have never been loved like this. And I was right. And also, I was wrong. It is painful to love a weak person, it hurts. And it seems there are only two choices here, as to what might happen. 1: in a few weeks he comes over crying and saying, I’m so sorry I hurt you, I will never hurt you again. Gee… that’s attractive. Or 2. He really is falling in love – ugh, that phrase, in this context, it just fills me with contempt – and this is the end of the nicest, kindest, wisest love affair I have ever been a part of. Thus it is not only over but was partly imaginary. Aye… there’s the raw.

  • wake in flight

    In my dream I was in this amazing cafe taking five floors of an abandoned building in Brisbane. Right at the top was a little terrace looking out only on treetops. There was a waitress dressed up in a robot suit she could not see out of which blinded her from doing her work, she struggled cutely from table to table and her colleagues were laughing gamely but I thought: how annoying. A boy who wanted to move to Scotland the next day & was saying farewell said to me, that is the thing about Brisbane! just when you leave something incredible opens up in the trees. Then I was talking with this man who lived on a remote island where he showed me how to find my way to his camp and said, this is where the olds are doing a lot of planning to take their Country back. Then he came in to wake me up pulling up the dense shutters and the sound of the dog snuffling and squeaking outside the door and it is time we went to the markets, we direly need vegetables and the birds are teeming life is like a dream, only people have chilly creaking jackets and their hug is cold because they have been sitting outside scented with coffee and the wind is icy although the sun is warm.

  • Hazzard lights

    This morning I woke late and slowly and heavy and smiling, blindly at everything, the sun and the distant trains, heavy with the discovery unflowering in me: my heart is full of love. Heavy with love, impersonal love that is personal, dripping from me, in me, and through. Love is like honey through a window, as the great songwriter once said. Out of bed I took up my book, working slowly, carefully through the last pages of Shirley Hazzard’s impeccable novel The Transit of Venus. I’ve read it twice before and only now realise why, early in the second chapter, it forewarns us with such a light confidence:

    “In fact Edmund Tice would take his own life before attaining the peak of his achievement. But that would occur in a northern city, and not for many years.”

    I always wondered, why would he kill himself? When he has devoted his life to this one woman and finally, by the end, she realises him. Thinking about the delicacy and quiet triumph in the description of their long, dry, separated love I glance across my desk with its starburst of opened notebooks. A prong of a specific tree given to me for meaning lies dying inaudibly in its glass vessel. It shades a shallow basket filled with candles and pens. I go back to the book, pick it up in my hands like an album carried from a wreckage in a world now lost and gone, by fire, by water, by the toil of time which places everything behind us like a mirror. Her work is so perfect. “‘I work. I think of you. These are not alternating propositions – I think of you always. Since writing you last, I’ve been to a show of drawings by Leonardo, a one-man industrial revolution.’”

    Irreplaceable Shirley Hazzard, alone in her room, writing from a kind of understanding few can be bothered to share. I hear the ardour of her disciplined quietude beating behind the pages: “She would be better off in a home. Christian said this to Caro, who replied, ‘She has a home. You mean an institution.’” Like Jane Austen’s I ration her few novels, unable but afraid to wear them thin. Getting up out of the sunshine I say almost inaudibly to my companion, spilling the steaming cup of tea, If I could write like this I would never do anything else. Thinking of writing about her work I am “A big woman in violet [who] leaned against the mantel, empurpling the view.” These thoughts pass through me like tiny fishes, transparent in sunlight, as deep in love the echoed longing might come. If I could be beautiful like you, it wouldn’t matter, I read – or imagine. Turning the last page to the end I suddenly realise with a hot shock: she is about to die, the main character actually dies on the final page.

    I paid insufficient attention to the last two or three lines. Beforehand as he is watching her go there are people grappling for their status and their airbearable possessions. And “The passengers passed through the disembodied doorway, one by one. There was a woman in pink linen: ‘Does this machine spoil pearls?’” They are “claiming, clutching, harbouring.” The man who tried to make her see, an ophthalmologist, climbs aboard without recognising her. His death has also been foretold. Everything deep, light, ironic and sweet. The love that is wisdom, the wisdom of love comes and takes a seat quietly, far back in the aircraft. Then:

    “The roar could be seen, reverberating on blue overalls, surging into the spruces. Within the cabin, nothing could be heard. Only, as the plane rose from the ground, a long hiss of air – like the intake of humanity’s breath when a work of ages shrivels in an instant; or the great gasp of hull and ocean as a ship goes down.”