“Oh my queen,” said a man walking behind me in the dark African night, and we both walked on a little. There are streetlights intermittent every four hundred metres or so and I have missed this dark. It’s beguiling and mysterious. It’s sexy. Faces loom out of it and I know so few of them.
“You, lady,” the same man said, and I turned. Me? His face was crumpled with disfigurement and he lifted his soft fingers bashfully when I waved. “Hello,” I said, and went on walking. “Oh,” he said, “oh yes, my lady.”
You arrive at the stall and say, Good evening. Good evening, say all three stallholders, and ‘good evening’ has four syllables. Carrying my purchases I went past the wheel rim up on bricks which is filled with glowing coals, where a lady with her head wrapped in cloth deep fries bubbling plantain patties. I went past the hardware stall the size of a wardrobe where a cheerful man also sells homemade local toffee (sugar cane and coconut) bound in clotted ropes of plastic like tiny frankfurters. The toffee hangs looped among the pipe fittings and elbow joints strung like vast ceremonial necklaces on long lines. Everything glows, to me, as though this were the world I walked out of at twelve, leaving Java, and since then had sought the wardrobe door.
