Wild Sovereign Development Site

Tag: New York

  • shriveled bulb of god

    shriveled bulb of god

    My stomach feels like a shrivelled bulb after two martinis, no dinner. Whoever invented alcohol is my god: right now, my god. The last time I had one of those (a martini, a god) was in New York, it was summer then, I came out of the studio where we had been working on the album I’d wanted to make since 1999 and whose songs had been written over fifteen years and it was all so exhausting, so wonderful, on the street a man came past me pedalling his cab, a pedal-cab, like the becaks that used to carry us to the markets when I was a child, in old Batavia. “Take me to a rooftop bar,” I said, and the next twenty minutes were alive with light: those huge buildings shooting up into the sky like terraces, palaces, penthouses’ skeletons, every one stippled with windows alight and the warm evening breeze exciting my cheeks. I was crying with joy. New York! New York! Like Berlin she is one of those cities where on the subway, on the bridge, under the trees you would cry out “New York!” and feel like she hears you. So I found a banquette in the scarlet-lit rooftop bar that was rapidly filling with Manhattenites after work and I told the Spanish bar girl, I like olives, so she made me a martini festooned with skewers, each one so laden with green olives it was as though the glass had greenly exploded. I sat and sipped, turned my pages and sipped. After a while the volume level rose and I drew out the headphones I had bought that day, a remote birthday present from my Australian family, began listening back to the work we had made. Tonight was very different but same, same, same. This Russian bar in my leafy street that I’ve passed several dozen times suddenly beckoned, as if it were a painting of a bar that had come to life. I went in. “Can you make me a dirty martini on Bombay Sapphire?” And she did. The bar was tenderly tended by this woman, in 1950s sailor costume, her hair spooled back with nests of pins behind her ears, the luscious soft sound of the ice cubes as she rattled my drink u and down over her shoulder then poured away all the vermouth down the drain. Apart from the dark-haired girl in a beanie studying at the bar I was then her only customer. The dark-haired girl looked up and said to the bartender, This is so hard. I took my drink by its frost stem and the two of us drifted outside, wicker chairs where in a little while the bartender would come round with her basket, lifting aside the daytime posies of flowers and putting in their place red glass candleholders. I watched the street, where nothing passed. In an hour only two cars, ten pedestrians, five bicycles. The sky has changed, it is settled in a grey now and when I mentioned yesterday “you know at this time of year this means it’s grey for another five months,” the woman clearing my coffee cup said, “Ist das nicht furchtbar!” Isn’t that terrible! Well, yes, it really is. In the balcony opposite, on the first floor, three girl-silhouettes were enjoying their cigarettes. I wished I smoked. Occasionally a yellow leaf sauntered down through the still-warm air and landed on the cobblestones, in the garden bed, on the roof of a vehicle. I have never experiences a Fall before: it is what it is: life falls colourful to the ground. The dark cold skeletons reassert their empire. Winter is arriving, time to get out of here.

    ~ from Berlin via New York City, 2013

  • shriveled bulb of god

    shriveled bulb of god

    My stomach feels like a shrivelled bulb after two martinis, no dinner. Whoever invented alcohol is my god: right now, my god. The last time I had one of those (a martini, a god) was in New York, it was summer then, I came out of the studio where we had been working on the album I’d wanted to make since 1999 and whose songs had been written over fifteen years and it was all so exhausting, so wonderful, on the street a man came past me pedalling his cab, a pedal-cab, like the becaks that used to carry us to the markets when I was a child, in old Batavia. “Take me to a rooftop bar,” I said, and the next twenty minutes were alive with light: those huge buildings shooting up into the sky like terraces, palaces, penthouses’ skeletons, every one stippled with windows alight and the warm evening breeze exciting my cheeks. I was crying with joy. New York! New York! Like Berlin she is one of those cities where on the subway, on the bridge, under the trees you would cry out “New York!” and feel like she hears you. So I found a banquette in the scarlet-lit rooftop bar that was rapidly filling with Manhattenites after work and I told the Spanish bar girl, I like olives, so she made me a martini festooned with skewers, each one so laden with green olives it was as though the glass had greenly exploded. I sat and sipped, turned my pages and sipped. After a while the volume level rose and I drew out the headphones I had bought that day, a remote birthday present from my Australian family, began listening back to the work we had made. Tonight was very different but same, same, same. This Russian bar in my leafy street that I’ve passed several dozen times suddenly beckoned, as if it were a painting of a bar that had come to life. I went in. “Can you make me a dirty martini on Bombay Sapphire?” And she did. The bar was tenderly tended by this woman, in 1950s sailor costume, her hair spooled back with nests of pins behind her ears, the luscious soft sound of the ice cubes as she rattled my drink u and down over her shoulder then poured away all the vermouth down the drain. Apart from the dark-haired girl in a beanie studying at the bar I was then her only customer. The dark-haired girl looked up and said to the bartender, This is so hard. I took my drink by its frost stem and the two of us drifted outside, wicker chairs where in a little while the bartender would come round with her basket, lifting aside the daytime posies of flowers and putting in their place red glass candleholders. I watched the street, where nothing passed. In an hour only two cars, ten pedestrians, five bicycles. The sky has changed, it is settled in a grey now and when I mentioned yesterday “you know at this time of year this means it’s grey for another five months,” the woman clearing my coffee cup said, “Ist das nicht furchtbar!” Isn’t that terrible! Well, yes, it really is. In the balcony opposite, on the first floor, three girl-silhouettes were enjoying their cigarettes. I wished I smoked. Occasionally a yellow leaf sauntered down through the still-warm air and landed on the cobblestones, in the garden bed, on the roof of a vehicle. I have never experiences a Fall before: it is what it is: life falls colourful to the ground. The dark cold skeletons reassert their empire. Winter is arriving, time to get out of here.

    ~ from Berlin via New York City, 2013

  • subway sounds

    In New York I came into 34th St subway station to hear a bunch of dudes playing a kind of washboard bluegrass. They weren’t excellent but they had vigour. Called themselves the Ebony Hillbillies: cute. O you’re from Australia & you wanna make a record? Love to!

    Later I rang them up. “We’re not lettin you put Our Sound on Your Record for less than $800.”

    I said, baffled, ‘But… it’s only one song.’

    “You know, we getten called the best black banjo band in America.”

    Sound engineer said to me, “Why are you crying? That shouldn’t hurt your feelings.” And he is right. But it does. It’s the lack of music, the tower of ego I cannot climb. The hand-to-hand combat whereby everybody has to constantly outdo everybody and every interaction is a kind of business deal. Where you have to self-promote and be the best this, the best that. It exhausts me. It chills my soul with its coldness and shrivels me. I’m not asking people to play for free but I want them to be interested, to love the originality of my project and to love the music enough to play as though they would do it for love.

    Once I played one of my songs – a homemade sample off my first website – to a man of some stature when the website was new. This was during my year-long journey to build courage to do this thing. He said, in my opinion, you are going to be one of the greatest artists this country has ever produced. I burst into tears with relief. But later I looked over his website. It was all, the greatest this, the most highly qualified that. It was a minefield of pyramids. I don’t live in that field & it doesn’t seem real to me. That’s not how life works. I live in the jungle where every tree has its flower in the elbow, every bird has its arrow-glistening feather. Where there are a multitude of voices. Somehow they make a kind of complex harmony. Sometimes it is mayhem & a shattering din. More often it is sweet & overwhelming, it seduces me.

  • parcel in cloth

    One thing I love in Ghana is people seem so good and kind. Not all of them, I guess, but daily life seems to me founded in a beautiful mutual respect and helpfulness. I watched the ‘mate’ in a grinding and crowded trotro (a tiny bus) jump down and help the man who was slowly climbing out, he lifted the man’s parcel wrapped in stained cloth – perhaps his stall – from the front passenger seat and set it down on the pavement. Then the two of them lifted it without a word, one side each, and settled it on the man’s head so he could carry it home.

    I saw a little boy tapping my Ghanaian boyfriend on the hip, offering a coin. “Boss – you dropped this.”

    Sometimes I think about Australian cities where these days people barely say hello. I think about New York, where I first visited in 2011 and New Yorkers were always saying to me, “You Australians are so friendly. In New York we hate each other.” Then I wonder how much of my experience of being in Ghana is filtered through the privilege of being a relatively well-off visitor, a white woman, someone from whom everybody can potentially benefit.

  • this one time?

    I came home after a long day, festooned with groceries. The bench on the subway platform was occupied by two girls and their shopping. I said, “Excuse me,” in German, and they said, “Excuse me,” in German, and cleared a space. Then one turned to the other and said, in flawless Brooklyn Privilege, “So I’m like, ‘the person who cooks’ in the relationship, but one time? Eli was like, ‘let’s make spaghetti together.’”

    At the station where I climbed out two men were playing a complex and delicate classical duet on two squeezeboxes. I passed a man in my street who was carrying a double bass upright on his back. Its long neck sticking straight up behind the face made him twice as tall. I’d been noticing the rows of inverted and upright Vs of manspreading and women’s frequent shrinking in public spaces on the train, and I thought: sometimes privilege is visible; and sometimes, it is audible; sometimes it hoards itself, and sometimes it emanates.

  • New Zonked

    In New York we had dinner with two New Yorker friends, one from Chicago, who are both broadcast journalists, and a Southern boy one of our friends had picked up in the street and they had bonded. Southern boy had on a Hallowe’en pumpkin shirt over an American flag t shirt. My German companion made me laugh by innocently mispronouncing his views (sane) on American gun laws (insane): you walk into a school and it’s like that film, he said: The Texas Chainsaw Moussaka.

    Many Americans have a naivete that makes me feel protective of them, and not just about guns. More than once I have been complimented on speaking such excellent English, for an Australian. It doesn’t always seem to be because the speaker has confused us with Austria. I guess the sensation of believing one’s nation the centre, and pinnacle, of the civilised world – the use, even, of phrases like ‘the civilised world’ – might engender a certain self-satisfaction. On my very first visit, a few years back now, to New York I would marvel to anyone who’d listen how much better of a time I was having than I’d expected. “That’s because New York is the centre of the universe,” explained four or five unrelated New Yorkers, innocently.

    At JFK we had queued with our passports and I overheard the officer herding the line answer an anxious tourist’s question with, “I’m just doing my job here. Anything else you’re asking – is irrelevant.” “They’re handling people like goods,” said my companion, shuffling forward. Three days later up in the Bronx we went walking through one of the giant parks that make that part of town so beautiful. As we were coming down the hill a crocodile of children was climbing up. A little girl in front was walking rapidly backwards, her head tilted round to guide herself. “You can do it,” the teacher encouraged. “I believe in you, Destiny!”

    I said, to make her laugh, “We believe in you too, Destiny!” A second group of students followed them. One little girl was walking with her teacher, saying, “I’m serious!” “You can’t call a taxi,” the woman told her, “in a park.” It occurred to me I’d never said I believe in Destiny, before. I’m just… not American. Yet the sense of kinship with random passersby as we wandered up Central Park right from the bottom to the top, as we ventured into Harlem, as I got tangled in conversation with fascinating people on the D train, forever a stranger, was so spicy to me and so sweet. I loved the guy on the subway whose Superman socks were pulled high to the knee and inside out. I loved the wide-eyed baby whose daddy was so stoned he gave off a pungent weed reek. I loved the crazy Christian lady who tried to pick up my companion and when she’d asked, are you alone, looked at me and said, “And is that your… sister?” I loved the man who glanced into my camera’s screen when I stopped short at the top of the stairs into the subway station at Canal Street and said, “Nice photo.” It felt as it always to me feels in New York city, one of earth’s prototypical cities, as if we all are engaged on some giant endeavour, and none of us will ever see the outcome – in completion – we are fragments in a kaleidoscope like moths, we are our own art, we are brushing up against each other every day all day long as we go, handling the good like it was people.

  • knowing one another in the dark

    Knowing one another in the dark: this is life in the wintertime, in Germany. Three days ago the late summer turning purple in Central Park; tonight the moist grey soft air, the dark day, the lighted bicycles on the path. I have only just realised in Berlin we are on a latitude with Alaska; New York is on a latitude with Spain, a far sunnier prospect.

    It felt strange to me, coming home to a home that is no home at all, where I’ve lived less than three years in total and always in spates, looking over my shoulder to the next project which had to be done in Copenhagen or in Madrid, or back in Brisbane. My father has cancer there and I’m here. My nephews are growing up there and I’m here. My cat lives over there and I’m here. For a cat who spends her afternoons tormenting tiny tropical lizards and basking in the endless pouring caramel sun, I remind myself: relocation to an indoor apartment life in northern Europe would be cruel. But she’s so soft and we used to sleep tucked into one another. When I was ill and alone once and could not very often struggle out of bed, this cat licked me, with great earnestness and a harsh tongue, all over, like a giant kitten until to her satisfaction I was clean. She is a wonderful companion but a horrible correspondent. I mourn about it over the phone to my mother in Brisbane, to make her laugh: all these months and not one phone call… Not a postcard… “She is scuffling at the receiver,” my mother says, and I hear soft scratching sounds. “She hears your voice.”

    At JFK airport everybody was white. Everyone except the wait staff, the security personnel, the cleaners and the guy emptying the trash. At the security gate he lifted a large plastic bag of plastic bottles of water from the bin and carried it away: I watched the glinting light that is really a terrifying form of the endless dark that will take us all underwater sift through all that plastic and bobbling trucked water and thought, America… it’s be part of the solution, not part of the dissolution. We ate a meal and the waitress brought us so many paper napkins my knife and fork fell off the top of the pile. Wait, she hadn’t brought a second set of – yes, she had. A second tower of waste paper stood across the tabletop and this tree graveyard was all for me. They hand you napkins when you order a coffee. They use polystyrene. Let’s not talk about that.

    At length in our airplane by which I am responsible for far more pollution than any squanderer of napkins can ever claim we left the land behind, at Nova Scotia, and began our crossing. The dark Atlantic. Thickened up with polystyrene chunks that never break down, only into smaller chunks of polystyrene foam. And roofed, increasingly, with a dully cluttered sea foam of plastic bottles, mostly the bottles in which Americans have bought water.

    Germans buy water too. Recycling the bottles is only a partial improvement. We landed at Tegel, the gloriously Soviet styled airport which was actually part of West Berlin. Germans streamed past with their big square heads looking serious yet warm. They recycle. They carry their empty bottles back to the place they were purchased and retrieve tiny amounts of loose change. There are no returned soldiers sleeping on subway platforms. Instead, in Berlin there is a Coldness Bus that travels round on frigid nights collecting homeless people who might otherwise perish in their sleep. There is something here to learn, for you, America, I think, and also for us, Australia, where we lock up desperate families behind razor wire and have turned landfill production into a sport. The clouds of pollution and damage are closing around us and we need to learn to know each other in the dark.

     

  • god bless the adult

    I met a man with shit-stained pants on the subway and we sang together. He had been swaying by his pile of plastic bags for half an hour, offering speeches to the cabin. People ignored him and looked away. Only the Hispanic man behind us covered his face with split fingers and laughed into his hand. When at last a voice spoke, mysteriously, smoothly, over some unseen PA – good afternoon folks, sorry to disturb, I am going to be making a little music for you this evening – it startled us, mildly, and the shit-stained man looked over, eagerly, and we all saw a younger man, also black, beautifully groomed with a high-maintenance beard, bending to the floor to switch on his little blaster which filled the train with some R & B groove.

    He began to sing, effortlessly, like a bird on a branch who is free. He sang about Her, She’s gonna leave me, I know it, I know my heart is hers. Bending to the instrument again he chose a Michael Jackson groove, Rock with You, with that lovely tripping flute that everybody recognises instantly.

    Oh, Michael Jackson. We love you and we were happy to be transported by your music. Your music and the MTA. The shit-stained man left his pole and his pile of bags and ventured up into the cabin, dancing, smoothing his shoulders across the air. He tapped the singer on the shoulder and passed him some coin, “his last dollar” said my friend. Then he instantly, uncrazily, turned away and sashayed back to his post, his literal post, making no demands on the singer and not importuning. The man singing was emboldened to dance around a little. “He’s good,” said the fellow next to me, and I said, “He is! And he’s dancing like that while the train is crazy swaying.” I got up, grabbing a pole, and swung my hips a little, in joy with the music. When the singer came past collecting “anything you have helps, and if you don’t have, I love a smile,” we all dug eagerly into our pockets, you have gave us joy.

    The shit-stained man hollered, “Baby! You’re great! You need to get yourself in the studio!” The singer answered, ruefully, “Man. I am in the studio.” “You need an agent.” The man behind me was laughing anew. Tears fell in splinters from behind his outstretched fingers, he gripped his face and wept with the mercy of it. “Oh yes!” he was saying, helplessly, to himself: “He needs you to be his agent, baby!” New Yorkers are aware, I think, of one another’s ludicrises.

    The singer returned to his portable blaster, the subway doors still open, and he picked it up and called out thank you and left I thought how he could lose all his profit if someone grabbed the music box and ran away with it. The doors slid shut and we began to move. Left alone to his audience the man in stained pants began to declaim in song. He sang, movingly, God Bless the Child, in a cadence and tune of his own. I joined in, a lovely melody we wove and we were glancing at each other, shyly. I said, “You have a lovely voice.” He said, “I’m 71 years old. I begin to sometimes wonder, what is God’s plan for me.” “Ah,” I said: “that I don’t know.” He said, “My mother always told me when I was little. Boy, God has a special plan in mind for you. But I begin to wonder sometimes, what it is.”

    He collected all the crumpled bags at his feet, laboriously, very often missing when he went to grab them by their outstretched necks. At the next station he was gone and another busker came on, young, Mexican, radiant, and silent, a stocky boy wearing a sandwich board with his two stumps of arms held out in front of him, like Jesus on a candle. His sign read, Hi, my name is Felix. I lost both arms in a work accident. God bless you and thank you for any help you can give. The cabin fell silent. All the joy fell away. We are lost in an industrial accident, this fractured world. Soberly people fished in their pockets, to help. Felix’s face was suffused with the grace of joyous living. He came past and I fished shame-faced in my emptied-out purse. “I’m so sorry this happened to you.” “Thank you.” His voice was soft and filled with humour. “I just gave all my money to the busker,” I said, uselessly. He smiled at me, and I smiled at him a smile that turned down at the corners and pressed my hand to my heart where it ached, and at the next station he got off and walked away, inside his sandwich board, a human pyramid only one head high. As I watched him disappearing into the mystery of his own devilishly difficult life and its challenges, his form flickered with metal stripes as the train took off, I realised my hand was still pressed to where my heart lives and that, unlike the man in stains, this younger man trapped in his sandwich board “for life, as it were,” as Washington Square has it, has made, is making decisions; he has formulated a plan; he is not waiting for some unseen God to evidence in his life. God, if you’re there, bless the child that gets his own. Make us less helpless (we say, helplessly). Give us this day each the daily breadth to see where we are in this life, where we can get to in this world, and how we can all help each other. Amen.

  • New York is hard to write about

    New York is hard to write about. There’s so much of it and it keeps changing. So much human landscape, people breathing, tucking their feet. And the streets, where it lives, with this endless panorama. The feeling of spectacle and the dense sharp wild feeling of endless participation. The relating to the city in itself, a creature of its own. I have every day many tiny full ripe conversations with strangers on subways, in pharmacies (they sell vitamins shaped like Darth Vader’s head!), in bookstores. Sometimes we talk for a little while, like the Hispanic man with his huge happy smile on the way to Yankee Stadium with his kid, his young pretty wife who spoke up now and then “when there was least danger of it being heard,” his two mates who were African American. I love the Bronx-bound trains where racial normality prevails, exposing the patronising lie of that persistent white-privilege word ‘minority.’ He held up the flattened round ball of black when I asked about it, turning it to show that its two steel antennae were its little legs. “I thought it was an alien,” I told him, pointing, “I thought maybe it was your little pet.” “It’s a speaker,” he told me, turning it upright on the grimy floor to show. “When we get there, we going to listen to some music. My little girl loves it.”

    Oftentimes when you have some exchange with a New Yorker you will both turn away afterward, so as to show – or so I think – that there is no harm, no foul, that we are both not crazy people, the city has not unhinged us and there is no intent to latch on and keep talking once the moment’s gone. You might both say, See you later, when one of you climbs out, and I always find that beautiful and moving. And how at the checkout at the grocery store it is normal, it’s friendly, to stand and chat whilst buying but if I were to stand another five minutes, chatting on as the next customer piled their bags, I would become instantly a freaky aberration. All that openness and friendliness now has an agenda: we recoil. And in fact that friendliness and openness often does have an agenda: I want all beings to be happy. That is my secret and now it’s out.

    We walked clear up the centre of Grand Central Park, as my German-speaking companion calls it, til we reached the tiny walled gardens of the Conservatory Garden by East 104th Street. There is a lily pond there where water lilies bloom in threes: pink, and hydrangea blue, and a strange candling white. Fish churn under the water now and then and two gentlemen who bought them, from a shop in Chinatown, and who have wondered, they tell us, every year what to do with the koi when the pond is drained for winter (“they can survive underneath the ice”) stand feeding them, occasionally, lavishly, from a crinkling foil bag that says colour enhancing preparation. This whole day is colour enhanced, to me: I have in my hand the middling growth of a breastplate I’m building on a scarlet leaf that was just lying on the path by the lake, splendidly maple-pointed, and every time I find another blue or purpling spray of berries, a tiny lavender or soft pink flower, I pluck it (“darf ich?”) and add the stem to my thumbsward of stems. The day is purple and blue like a beautiful bruise. The grey winter days have cleared away and we are out, everyone is out, we’re all bleeding into each other in the sun. We are urban animals, we can survive under the ice. The beautiful young Black prince staring at his black sneakers on the subway, wearing his trackpants as though they were a suit, who held himself tensely waiting for the demand when I said, Excuse me. You have such a beautiful, striking face. I think – if you were to go into a really good quality modelling agency in Manhattan – they might be very excited about you. Then I turned away to my friend, to show him this is not a clumsy pick up, the agenda is transparent and shown. My friend said afterwards, casually, relieving me, “That man was smiling so much to himself all the rest of the ride. What did you say to him?” My first time in New York, scared and determined in 2011, I spoke to a tiny white-haired lady on the Harlem bus. This was my first foray into Madison Avenue and the expense had exhausted me. The legions of unhappy looking children, presaging an article I read later online which said How to Tell if Your Child is Spoilt. Question one read: do they find it impossible to be happy? When I climbed on the bus, drawn by the enchanting name Harlem, its juicy community sound, its soft music, this tiny lady was sitting opposite. I said, You’re so beautiful! And she looked startled, to my surprise. “No one’s ever told me that before,” she said. I said, “What? I would have thought people would have been telling you, all your life. You are a beautiful woman.” We gazed at each other til we both had tears in our eyes. I have thought of that lady and her seventy years’ bloom. I have wondered what kind of fears lurk in the hearts of men and families, that we cannot say to a beautiful woman, or man, this is your just tribute.

     

     

  • your huddled masses

    New York I am going to climb right up in your lap and press my face to your grimy heart. Where five hundred million faces have been imprinted before. The photobomber in your every selfie sweet New York. Asking scarves of passersby do you know who invented ‘photobomber’. Who invented ‘selfie.’ Brilliant language. Melted together and down in such scaldrons as New York, hell’s diner’s kitchen with menus that could make you cry.

    Chickens reared in tenements and boiled in oil with feathers still in place here and there, wispy in their tender pimpled armpits. Chickens crumbed and larded like the pilgrim invaders who thought to teach those natives a god or two in a sky already crowded with gods. Chicken homefried and served with waffles, side of fries, with bacon, with maple syrup, bitter greens. Those greens are grey. Everything green is grey. Everything khaki is red, white, and blue.

    New York I will be the umpteenth mascot for the day, with fur between her ears. We’ll be two tourists without their guns. That’s if we make it all across the ocean of Atlantis city sunk for its sin in a droning tube with nothing holding us up, my hundredth flight, the one not piloted by a male-pattern-entitlement first officer whose girlfriend left him so he watches everybody board, three carrying babies, and decides again: I will do it. I will drag the whole world down.

    Spectators at a suicide aflame: the headline, neckline, wasteline, wantline. Today we will cross the oceans intact I pray, sift on that trash heap of lilies who reap and weave incessant labour nonstop and who sleep in the street if at all and have built a Museum to the idea of Sex. A green pond. New York. I’ll be in you and you’ll be you. I’ll be dancing: the song soon, soon, soon. (That’s Korean for now. Now. Now.)