Tag: night walks

  • you my queen

    “Oh my queen,” said a man walking behind me in the dark African night, and we both walked on a little. There are streetlights intermittent every four hundred metres or so and I have missed this dark. It’s beguiling and mysterious. It’s sexy. Faces loom out of it and I know so few of them.

    “You, lady,” the same man said, and I turned. Me? His face was crumpled with disfigurement and he lifted his soft fingers bashfully when I waved. “Hello,” I said, and went on walking. “Oh,” he said, “oh yes, my lady.”

    You arrive at the stall and say, Good evening. Good evening, say all three stallholders, and ‘good evening’ has four syllables. Carrying my purchases I went past the wheel rim up on bricks which is filled with glowing coals, where a lady with her head wrapped in cloth deep fries bubbling plantain patties. I went past the hardware stall the size of a wardrobe where a cheerful man also sells homemade local toffee (sugar cane and coconut) bound in clotted ropes of plastic like tiny frankfurters. The toffee hangs looped among the pipe fittings and elbow joints strung like vast ceremonial necklaces on long lines. Everything glows, to me, as though this were the world I walked out of at twelve, leaving Java, and since then had sought the wardrobe door.

  • desperate for literature

    At ten o’clock at night I went out walking round the curve of the road under bright green trees lit from the lamps, everything beautiful, hot and radiant. A bookshop was open, or so I thought. When I pushed on the door two guys came running out from the rush-bottomed chairs where they’d been chatting. “Oh, sorry,” I said, “you look as if you’ve just closed, actually.” “No, no, come in, come in.” The books were in English down one wall and Spanish on the other, stacked on shelves which started out polished and neat and then wound up built from raw old wood and bricks. A beautiful woman came out from some back room and told me, “The books up the back are just as good as the books up the front here, keep looking.” They sat down and continued their chat. “What was the name of the girl in To Kill a Mockingbird? Cass?” “Was it Cass?”

    I said, “I know people in Hollywood have named babies after her, so if we could just think of the right baby…” “Scout!” said the man with the beard who had Google in his hand. We talked for a moment about the new novel and how there is some concern Harper Lee may have been… persuaded into finally publishing it. “It’s about Scout’s life as an adult,” said the other guy, an American. A small crowd of people came in at the narrow front door. One said, I think, this reminded him of Shakespeare and Co in Paris, and the English man said pointing to his partner, whose name was Charlotte, “That’s where we worked! Up until three days ago!” Two hours earlier he and Charlotte had taken over this tiny store, which is called Desperate Literature, from their American friend, whose name is Cory. “So we’ve met!” said Charlotte, a gorgeous woman who acts as though being beautiful gives her no special status. The little man who had mentioned Shakespeare and Co gave a cry. “We’ve met! So you’ve patted my book!” “I’ve patted your book!” she said. “Wait – what book was it.” Without hesitation he named the book everybody buys when they visit Shakespeare and Co in Paris. “The Autobiography of Alice B Toklas.” “That was you!” she cried. I was out the back laughing. The timing was so wonderful, the sense of willing group improvisation that is true conversation, as at the loveliest dinner parties. Charlotte was jubilant that they’d sold a copy of WisÅ‚awa Szymborska (to me) on their first night and her partner Terry introduced himself and told me, as he had told the Paris customers, “We are having a big party here on Thursday night, come by.” He looked around the tiny, crowded rooms. “Well – a little party.”