Tag: poetry

  • to her hinge

    Just found a line in a notebook which I wrote, on July 15 last year, and I’ve no idea what I might have meant by it. ‘In the mornings/we are proud of his everyday miracle together.’ Is it about sex? I guess it must be. My relationship was in the throes of some difficulties and a page later on July 20 I find, ‘his insignificant other.’ Then a cry from the heart, not mine, but which I wrote down after it came from the mouth that had applied itself to another woman’s hinge: “My beautiful Cathoel.”

    Even then, I was glad of the possessive.

    To be possessed, whilst remaining free and sovereign: isn’t this the essence of sexual love.

  • autumbled

    Autumn in Berlin and the grimy guy begging outside our supermarket is absorbed in a book. When I come home he’s set it down to thank a woman who dropped some coins into his smashed paper cup. It is Sylvia Plath.

    I prefer him to the punker dude who spreads himself with a large dog either side right in front of the sliding doors, then leans far across the pavement to make elaborate drawings in chalk which people then have to step around. His begging seems to me a form of veiled aggression. It is a set-up that forces compliance on every passerby, lest we tread on his art.

    The two months I was away I compared the daily forecasts and found Brisbane, in its winter, was invariably a degree or two warmer than here. Summer has been short and late. Just last week on the canalside two boys in the late sun were playing chess. These are the last days, and it will be so cold til June next year we will see nothing of each other but our faces.

  • new under the sun

    Walking through the park in the unexpected sunshine yesterday I realised suddenly: strolling through summer in Berlin is like strolling through an off-duty circus. People are riding bicycles with no hands, they are taking turns practising walking slack rope, one man is playing the tuba and another is set up with his slap box between his knees. Two Turkish drug dealers have set up an adorable ‘office’ with a plastic chair, an empty red milk crate on its side standing by the path, and a dull red singlet bag bin hanging from a handy branch. It is so patently an office and the office Open that we both start to laugh. On the rolls of concrete piping downhill people are teaching their dogs new tricks. It’s too cold for barefoot.

    I was writing in a cafe this morning when a joyous gurgle caught my ear and I glanced up. Two men, both burly, both bearded, both wearing baseball caps, were standing one at either end of the long counter laden with cakes, each of them holding up an infant. It was comical to see them so strongly mirroring each other, in their outfits, in their body types, and seemingly unconscious of it. As I watched, the one on the left, who was ordering, held up his baby and made it wave to the other baby at the other end of the counter, waiting. The babies gazed at one another and gurgled. Behind the counter the staff were laughing. This was our third sunny day since October. It’s easy to laugh when the sun is out.

    I was so immersed later that when after a long while my second coffee hadn’t arrived I had to ask myself, did I actually order that? Or did I… just dream it? The recollection had sunk like in water, leaving absolutely no trace. I went on writing. A shadow fell over my page. I could feel all my concentration tightening til he was gone. This is the man, one of two men who come in, visits every week two or three times collecting donations for his wellbeing. This one sells Motz, a street mag for homeless people’s income, and the other sells little slips of paper on which he has written Inspirational Poems of his own. To be interrupted when pen is moving across paper and I have the next five sentences stacked precariously in order on the prong of my thought as I shovel forward diligently – it upsets everything and then all the sparkling world is gone. I have been this way since childhood and no matter how I tried to unlearn it – my mother would say, why can’t you just answer the phone and then go back to your writing? – I can’t. So I was relieved when the guy, to whom I have explained two or three times this need, moved away. But he struck at my heart all the same. He is so unpretending, so humble, so courteous. The next two tables engaged with him but no one would give him any money. This is a hipster cafe, which I choose for its Australian staff and because they play the languid tunes by which concentration is most possible. I am there for hours each week. I thought about how it would feel to come in out of the sunshine on this glorious day, everyone littering the pavement with their expensive prams and their lovely bicycles, and to ask round a place in which people in their new clothes, and Cathoel, are feasting on ten-dollar breakfasts, and to be told: no, I’ve nothing for you, I can’t help you.

    I could, but I won’t.

    It would feel excluding, is how it would feel. And yet he thanked each table of twenty-five-year-olds calmly, wishing each in turn “Schönen Tag noch,” a beautiful rest of the day. At the doorway I caught up with him, where he had paused to talk with the German girl sitting in the window. She was reaching for her purse so I waited out of range, not wanting her to think, oh – that other woman is giving something, I needn’t give him then as much. I put my finger on his sleeve. “Ich wollte Ihnen herzlich danken, dass Sie mich nicht unterbrochen haben. Das ist wirklich lieb von Ihnen.” I wanted to thank you from the heart (Germans say), that you didn’t interrupt me. That was really lovely of you. His face broke into a wizened smile, though he is young. He put a hand on his own heart. “I recognised you – and that you have told me you are working -” I said, “I so appreciate it. You know if the concentration gets shattered, then everything is gone.” He said something I couldn’t understand, maybe that he does know this, he writes, also. Ah, I said: then you know! And we regarded each other with a terrific fleeting fondness. This is possible in Berlin, I find more of it here than I have found anywhere, even on the terrible subways of New York. I gave him some money, not much, about the price of a coffee, and was aware of the self-serving hope that he would take this as confirmation of our agreement rather than incentive to interrupt me the next time. The guy with the poetry is harder to deal with, with his lambent eyes. I cannot bear to be interrupted to read his verses whilst struggling to write poetry of my own.

    I told my companion about this experience, he knows the guys I’m speaking of, and we turned out of the park at the end and came into a thicket of streets which led loopingly round to the big second hand emporium with its American flag changing room curtain. A cardboard cutout stands sentinel in the booth, Second Handy Warhol. It is a relief to need cooler clothes at last. I bought a stiff denim dress which feels like you’re wearing a little sailboat, it stands out like canvas in a gormless triangle and I feel about five years old standing in my bare arms and legs which have been covered since Autumn, I will need to wear several layers underneath this frock until probably June but it yields the promise of Summer to come and the long glorious evenings, the bald European sky.

  • the indivisible splendour

    Thinking of love today and how it has such deep transformative power in our lives. I so long longed for people who would understand me and be willing to be understood. Those friends and those loving acquaintances are everything to me, the topsoil on the earth’s surface or maybe the oceans which caress its journey, ‘the dance in its lonely walk.’

    This body is pining in me for its home
    that seats its hollow floor with ships, swinging and sighing,
    surging and sighing
    like birds with weighted wings
    that seeds its lonely untended beds
    with salt, to raise the precious produce of the sea
    I look back, and long to dissolve myself
    back home into the indivisible splendour of the water
    that sheathes the burning earth
    the dance in its lonely walk

    ~ from Adrift, published in Going for the Eggs in the Middle of the Night 1999

  • light at night ja

    Sometimes at night I like to talk to myself
    in the dark, on the way home, on my bike
    and then Berlin you drive me crazy with desire
    for you, the trees which flicker over my back
    like beetles’ wings, going light and dark, light
    and heavy, all three at once

  • desperate for literature

    At ten o’clock at night I went out walking round the curve of the road under bright green trees lit from the lamps, everything beautiful, hot and radiant. A bookshop was open, or so I thought. When I pushed on the door two guys came running out from the rush-bottomed chairs where they’d been chatting. “Oh, sorry,” I said, “you look as if you’ve just closed, actually.” “No, no, come in, come in.” The books were in English down one wall and Spanish on the other, stacked on shelves which started out polished and neat and then wound up built from raw old wood and bricks. A beautiful woman came out from some back room and told me, “The books up the back are just as good as the books up the front here, keep looking.” They sat down and continued their chat. “What was the name of the girl in To Kill a Mockingbird? Cass?” “Was it Cass?”

    I said, “I know people in Hollywood have named babies after her, so if we could just think of the right baby…” “Scout!” said the man with the beard who had Google in his hand. We talked for a moment about the new novel and how there is some concern Harper Lee may have been… persuaded into finally publishing it. “It’s about Scout’s life as an adult,” said the other guy, an American. A small crowd of people came in at the narrow front door. One said, I think, this reminded him of Shakespeare and Co in Paris, and the English man said pointing to his partner, whose name was Charlotte, “That’s where we worked! Up until three days ago!” Two hours earlier he and Charlotte had taken over this tiny store, which is called Desperate Literature, from their American friend, whose name is Cory. “So we’ve met!” said Charlotte, a gorgeous woman who acts as though being beautiful gives her no special status. The little man who had mentioned Shakespeare and Co gave a cry. “We’ve met! So you’ve patted my book!” “I’ve patted your book!” she said. “Wait – what book was it.” Without hesitation he named the book everybody buys when they visit Shakespeare and Co in Paris. “The Autobiography of Alice B Toklas.” “That was you!” she cried. I was out the back laughing. The timing was so wonderful, the sense of willing group improvisation that is true conversation, as at the loveliest dinner parties. Charlotte was jubilant that they’d sold a copy of Wisława Szymborska (to me) on their first night and her partner Terry introduced himself and told me, as he had told the Paris customers, “We are having a big party here on Thursday night, come by.” He looked around the tiny, crowded rooms. “Well – a little party.”

     

  • collective noun a couch of potatoes

    I have no depth and everything within me is shallow and small. I waste this only thing time. I spend it as a charity on stultifying trivialities all pettifogging at the window’s pain like untrue love. I show off and on again. I’ve nothing. Not even that nothing. Only what is left by boiling too many bones too long: mostly, scum and smell and the evaporation of beauty; mostly, strong dark waters no one would drink, but for their health.

    I sit here, boiling far too many suns. But only as they fall across the water, winglike, saving daylight. Using words like jewels to deflect my nakedness and shame. A continual dinning sound like tinnitus, bling! bling! bling! Body fat and gemstones, a clattering cup’s old soup. Using time like words which can be flattened silent to the page. A couch of potatoes. A combine of harvests. A chapel of waysides. A nun of that.

  • smaller than you might think, vaster than you might imagine

    I’ve been using the exact same folded square of toilet paper to blot my fountain pen every time I refill it for about three or four months now. It resembles the nosebleed of some terribly well-educated, landed, gentle person. Gentle in the old sense, I am gentle in the new. My blue blooded blotter and I carouse the seaming waves, always looking out for something that can survive the dark salt water, that can breath underwater and emerge intact and stronger, softer, something that breeds new life like a manatee mistaken by desperate sailors for a comely mermaiden.

    I use this pen for prose, ideas, letters, postcards: everything except writing poetry. Poetry I find can tend to purple and bruise when handled too finely. It needs plainer tools. I write it like a shopping list, unafraid of whatsoever cravings might find their way onto the page there. I know that like tormented fruit plucked over by too many hands the cliche and banal trueism will rise to the surface, overnight like cream or over many weeks like flaws on a false politician, and I can pick it over and scour it out and glean from it that which is manifest, worth its weight in oranges, weighty but not too weighty, worthy.

    All writing of poetry is worthwhile, we ought never to stop ourselves in the initial act. It’s got to be good poetry, though. It’s got to be rewritten. Real and true. You have to be able to jettison those ragged phrases that wear out their welcome in the mind, the ones you tend to mumble over on the final read-through. Poetry is more infested than perhaps any other art form with pretenders who use its name to shield their cowardice, their apathetic shouting, their lame attention-seeking, their emotional lies. Overstatement, fancy language, lack of conviction, boring ideas or endless self-description buried in ornate and impenetrable prose (yes, prose) – it’s all being displayed under the name of poetry and I think that puts a lot of people off. I think if much so-called poetry were performed under the name Songwriting – a related art we mostly tend to feel far more confident in judging – people would fold their arms and tip their heads, say, “You’ve not been playing guitar that long, have you?” Or, even worse, “I don’t believe you mean that.”

  • up in the smoke

    Something annoying I remember from the endless days of smoking and working is how ganja made me very prone to toppling off the painstaking and yet somehow effortless vertical tower of rope bridge that is composition and new invention. I so easily got sidetracked into nitty-gritty nothingry. Looking back it was as if my mind, stoned, could not readily distinguish between these two states: thus I’d be sailing along with a belly full of sailing wind, writing some glorious new tale that had never in the history of Man been told before, and my mind would go: hang on a minute, is that really how you spell epiphany? Or I would look up hours later to find I’d been bogged down somehow in the endless researches or adminiaturism, a smaller and narrower form, a kind of thinking that is usually available to any poet when they’re not stoned, when they are bored, or when they can’t actually come up with a new poem to write. It was frustrating and I’m glad not to inflict it on myself no more.

  • a bit too helpful

    I went to my parents’ place to bring them a copy of my new book. Afterwards I left the house and drove uphill, as though I were coming up out of a valley, though my parents do in fact live on a hilltop. During the 2009 floods theirs was almost an island, floodwaters drowned the houses all round. Armies of volunteers descended afterwards with mops and brooms and buckets. My mother’s neighbour said, “They were a bit too helpful” ~ the Mud Army had thrown out some of her favourite possessions, things that though drowned in river sludge had essentially survived the flood: washable things, like the pyrex baking dish her own mother had given her on her wedding day. The feeling of having to guard oneself against the ill-spilling goodwill of people who don’t seem to mean to cause pain is one I felt familiar with.

    My parents bought their copy of the new book online, which was sweet of them and supportive I think. I rang and said, I would have given you a copy. O, my mother said, well I wanted to go through the motions and just make sure everything was working ok. Everything worked ok. Her book was #43, I numbered it and signed it and set it aside. I slid it into a paper bag and wrote in pencil on the outside, From Tochter: from daughter. We arranged I would go round on Thursday morning when they would both be home and bring them their book. She said, Bring it, but I was thinking, Show it to them. This was unwise, and not in an unpredictable way.

    My father was sitting at the computer when I came in. He turned his head to say hello. My mother advanced on me like a real estate agent ready to show the house, she looked immaculate, she was wearing a fringey necklace I’d not seen before. We hugged with the uppermost parts of our bodies like two woman at a premiere wearing the exact same dress. She made tea and set out the sticky gingerbread I’d brought, in a clockface on a large flowered plate. “It’s Nigella Lawson’s recipe,” I said, “only I put in twelve times the ginger and six times the cinnamon and also some black pepper.” “So,” said my mother. “Show me your book.”

    I drew it out of its paper bag and handed it to her. Changing my mind about the bag’s inscription I folded the brown paper and stashed it in the upper pocket of my overalls. My mother took the book and opened it. Prominently on the end table lay another book, written by an ex lover of mine who treated me with breathtaking perfidy. I lifted the cover with the back of my thumbnail and read the inscription: To dearest Cathoel, love from. I let the cover drop. It wasn’t clear why this book, which must have been somewhere on their shelves for the last seven or eight years, suddenly had appeared next to the couch the day I was to visit.

    I watched my mother encountering my new book. This book is only five days old, we found for it a sumptuous eggshell paper, it has all the decent poems I have written in the last fifteen years, since my first book, it has been a labour of decades and in the final drafts I found early copies of the illustrated layout, on my computer, going back to 2008. The poetry is as round and whole and nutty as I could make it. I had the sense, seeing it go into the press last week, of this work no longer belonging to me, as though the poems are intact worlds of their own in which I am only a familiar visitor. That’s how I know it’s done. The title, the yearning, the courage, the brimming pages: to me it is still the most beautiful book in the world, just as every baby once born is, however briefly, perhaps only for microseconds, momentarily the youngest person on earth.

    My mother looked through the book for thirty seconds. She liked the colour of the cover (bright yellow). She remarked on a couple of photographs, neutrally, incidentally: “Oh there’s that photo of the beach that you took.” She didn’t read one word. The kettle boiled and she set the book down on the couch beside her and got up to make the tea. “Are there coffee shops round where you’re living now?” she wanted to know, “are there any that you like?”

    My father left his enticing, absorbing online universe. He came struggling over to the couch, on his stick. He has a new hearing aid, his first. “I don’t notice the difference,” he was saying, as he reached me, and I said, “Perhaps it’s the other way round. Perhaps you weren’t noticing the difference beforehand, and we all were, because you just didn’t hear what you weren’t hearing.” His eyes gleamed suddenly, a kind of sleeping awakeness. “Yes,” he said, “that is probably true.”

    He moved my book aside so he could sit down. He asked if there were any coffee shops round our new place for me to hang out in, any I liked. My throat filled with a hot, tight, swollen feeling like heated rocks. I was crying, but I wasn’t going to let them know that. My mother came over with the tea, a single mug for me alone, and we all sat down and gazed at the low polished table between the couches.

    We talked about my father’s hearing aid and the new fabric on the chairs outside, their wide verandah. I admired some shelves my brother and father had built together. My mother picked up the book and set it on the low table. She must have felt she hadn’t somehow paid it enough attention because she started asking, Is it selling well? And Now that you’ve got the book out of the way, are you working on the CD? I brought forward by an imaginary hour the appointment I had made in the next suburb. When my mother got up to carry the tray of tea away I pilfered the book written by the ex lover and slid it into my bag. I left behind my parents in their house which is so strongly scented with cleaning products that I’d had to get up and open the outside door casually, which is how we came to be talking about the pretty covers on the lounge chairs overlooking the pool. The silverbeet fronds I had planted in January when I came back from Berlin stood proudly greenish yellow with their scarlet and purple spines, a border to the flowerbeds as I had intended them to be. I carried away the rocks in the throat, determined they would not come all the way home with me. I knew a comforting local coffee shop where I could leave them, had left them before, could leave them. I drove away from my uncle’s house, that is opposite theirs and where my uncle who has never married hoards all the china and silver intricacies once belonging to our grandmother and pets, presumably, his conviction now three years old and formed on a strange circumstance that I had been stealing from my own family ‘heirlooms’ (some old clocks, taken to pieces by our other uncle who never repaired them) and selling them, on eBay, for a profit. He will not back down from this insulting character assessment and I will not accept it, we no longer speak. My parents have him round for dinner but not when I am there. I left all that behind under the trees including the one with the spine of our old treehouse embedded in it like an ingrown tooth and the one that sweeps its skirts along the ground, dropping seedpods like earrings, the new house that stands next to the old house now sold, and took myself up to the coffee strip and into a dingy local bookshop playing, comfortingly, the plaintive tales of local boys the Bee Gees, and browsing along the racks I found several books I wanted to read including one written by a friend of mine whose work I’ve not yet explored, and I noticed the bad feeling ebbing away and this pleased me, I felt proud of myself, and I told myself paying for the books that this was an achievement, an improvement on the other times when pain arising from this household had lasted me all day, all year.

    The pain lasted only an hour or so. Maybe a little nervousness beforehand and some despondency residual afterwards, but most of the negative part of the experience was confined to that one hour: the half hour in their house and then, in ebbing increments, the browsing half-hour afterwards, a dim fish nosing round a quiet tank. Later that afternoon I met up with a poet from Melbourne who is cycling in small sections round Australia as a fundraiser, he bought my book and cooed over it, loving the papers, loving the photographs, stroking his cyclist’s hand down the poem pages. He told me how awesome it was. I told him how awesome it was that he is making this huge trip, his own books sent on to the next town care of a performance poet friend, and I thought about how he will cycle home over the Nullarbor, west to east, planning his route so that every hundred kilometres or so he can fill up with water. You can’t bring enough water for your own journey, it’s too hard to carry. You have to rely on other people, strangers, sometimes, en route to fill you up with their water, because really all water is shared water anyway.