Tag: rape culture

  • best friend’s unacknowledged son

    My mother’s best friend is sick with coronavirus. She also suffers from dementia, so she likely won’t know about it or be able to understand what is happening to her – she’s just going to endure a terminal period of painful breathing, agony and frustration, medical isolation: a bodily grief.

    Like many people, this woman has suffered enough. I’ve known her since I was seven, we all lived together in the luminous Seventies expatriate community of three- to five-year residents from foreign countries in Jakarta. We used to holiday together, cheaply in a row of bamboo cottages along the coast; I babysat her daughters. In 2016 I was home from Germany to care for Dad before the cancer ate him; as the only Labour and Green voters in the extended family the two of us hopped gleefully in her tiny, scuffed green car and hared off to the polling booth set up under huge spreading fig trees at a local primary school. We voted and felt good about ourselves. She hailed her former comrades handing out how to vote righteously leaflets. Then in the car her manner changed, she grew confused and started pulling out wadded clots of tissues from her bottomless bag. She was unable to explain what she wanted, only saying over and over, I know it’s here somewhere. I began to fear for her ability to drive. She was like a stage magician emptying out his pockets of their meaningless props, unable to produce the rabbit blinking with real life and twitching its nose.

    As I digest this difficult news my timeline is clogged with people celebrating Boris Johnson’s identical diagnosis. He too may die in agony. “Karma!” people crow. They sound uncannily undissimilar to Johnson and his cronies, or Trump and his ilk, gnashing their hands in satisfaction when a raped women gets what’s coming to her, or a sexually active teenager falls pregnant, or an entire population of Jewish Germans are rounded up and eliminated because they are less human than Us.

    This tyrannical Us. How it bonds us to our best humanity. How it can render us judgemental and pious, mean and censorious, dangerous, cruel. I want to know why people feel justified in celebrating the suffering of a man they despise because he seems, from his comfortable position of Etonian lifelong power, to celebrate others’ sufferings. Of course we are enraged by his deeds. We needn’t spend our time pining for him. All hail our sanity and survival and our ability to detach from those who have done us harm. But let’s not celebrate his – or anyone’s – suffering and painful death. Let’s not become more like what we loathe.

    It’s my experience that sociopathic acts get easier for insensitive people the more they get practiced in ignoring cries of pain from their victims. Ordinary Englishwomen and Englishmen don’t have the power over Boris Johnson that he has over their lives. On the other hand, ‘involuntarily celibate’ incels who murder crowds of women invariably feel disempowered and victimised, not powerful. However delusional this feeling on the part of a man wielding an AK-47 or setting a carload of his children on fire, it is still dangerous.

    Celebrating the release from bondage which Thatcher’s death brought her populace is very different from being savagely glad she herself is dead. How many rapists and murderers of women are spitefully glad the bitch got what she deserved? I will not allow my heart to become dehumanised, that is, less compassionate, by celebrating the suffering of anyone I abhor. By seeing our commonality I honour and celebrate my very real capacity to distinguish myself from such people.

    How do rapists rape women? By dehumanising. How does Boris cut funding to the NHS? By dehumanizing sick people in need. And if you feel offended by the implication that you yourself are in any way comparable to this ‘subhuman piece of trash’ whose diagnosis has so filled you with glee… you are forgetting what he has forgotten. We all have the same capacities for good and for bad. It’s how we choose to use them.

    That is, we are each of us *fully and utterly human.* I will never bend on this point, which is exactly what Johnson and his ilk have lost. My mother’s dear friend gave birth in the early 60s and was instantly separated from her child. Shein her seventies courageously chose to announce to her friendship circles that she was a mother to this lost son, and tracked him down, and loved him. Boris Johnson has been directly responsible for the deaths of thousands. If you feel able to separate ‘good’ persons, such as my mother’s friend, who don’t ‘deserve’ suffering, from ‘bad’ persons like Johnson who do, you are treading a most dangerous path. I hope I’ll never go down that road. I hope I will choose to use my humanity, today and forever, whatever the provocation, in the opposite way to how Boris Johnson uses his.

  • scripteddybareitall

    Saturdays in the studenty district of Berlin where I am living have been infested with a gobbling string of raucous hens’ parties. You’ll see a dozen young or not so young women all wearing matching headpieces – bunny ears, airline-hostess hats, fascinators, halos on headbands – and maybe pink t-shirts with a slogan, or beauty queen sashes… today I saw nine girls towing a children’s wagon which had several bottles and all their handbags stashed in it, the head girl (the bride-to-be) had on a prison uniform and her satin sash read, “Lifer.” You’ll hear them before you see them, most probably. Last week I saw fourteen candy-pink bunnies coalesce in front of two long-legged fellows who had taken up life on the couch, someone else having left a corduroy couch in a garden bed by the cobbled street; they made some sort of suggestion to the boys who responded with some sort of willingness, bringing a ragged cheer, a whooping, from the hen party, that had an unmistakeably dutiful quality.

    What I dislike about these dos is they seek to rope in passersby. It reminds me of why I don’t like street theatre – at least not the kind that leaps, rehearsed and scripted, onto a tram and then claims the other passengers, immersed in their own train of thought, their lives, their worries, their books, have no sense of humour/are ‘inhibited’ if they refuse to be bullied into taking part. This seems to me to give what might otherwise be actual fun an aggressive quality. There’s always one girl lagging behind, her arms folded, her handbag protecting her heart. Why must a woman be willing to consume penis-shaped chocolates to marry the one she loves? Why must she dress like a lap dancer in order to prove she’s a good sport? In a small northern town over Christmas we saw a man sweeping the town hall steps. His friends called us over and dispensed beers from the open hatchback of a small scarlet car. “He’s thirty,” they explained. “This is his birthday. He has to sweep the steps until nightfall, or until a virgin comes past and kisses him.” Eventually his girlfriend, her expression an unutterably painful combination of the wry and the humiliated, scampered up the steps and kissed his cheek. He put down the broom. A cheer went up. Somehow celebration seems to me – Christmas notwithstanding – far less convincing when it is so scripted.

  • Game of Drones

    Game of Drones

    Just watched the opening episodes of Game of Thrones. Until recently I imagined it was a video game: a world all but invisible to me. Turns out it’s a television series.

    Melodrama. It’s a kingdom of sighs, and costume. I’ve never seen such a celebration of unthinking brutality. Well, not since A Clockwork Orange. It doesn’t just document, it glories: beheadings, rapes, all filmed in lingering detail. A small boy is pushed out of a window off-handedly. The script is littered with casual misogyny. A man wakes up among his dogs and his enemy sneers, “Better-looking than the bitches you’re usually with.” “Soon enough that child will spread her legs and start breeding.” “Thank the gods for Bessie, and her tits.”

    The kingdom is populated entirely by supermodels. There’s a lot of modern slang and the bad characters and good characters have neon signs above their heads. The good have an edge of self-pitying martyrdom, the bad have sensation instead of feeling. If there ever is a dystopian future in which this kind of glamorized yet boring reconstruction of some imagined medieval past holds sway, people like me will either be queens or court jesters or we won’t last very long.

    H2O HoL mahjong tiles