Wild Sovereign Development Site

Tag: songwriting

  • apple a day

    Saturday night, home with the one I love. We cycled over to the Korean grocers’ in the freezing cold mist to get ingredients and I made soto ayam, my favourite Javanese chicken soup from childhood. He is nutting something out for himself on the guitar. I read him something I had written earlier, while he was shredding the chicken. Then we lay down for a while in silence and after a long time I said, want to hear the song I wrote on my phone the other day? I can’t remember how it goes. And he listened to it and then said, Cathoel just drop the ‘& the New Government’ and publish your songs as Cathoel. I said, but why? It’s my favourite band name of all time! And so then he told me why, mentioning some features of what he hears in my voice that made me curl my toes with delight.

    The song, I tell him, reading off the tiny screen, is called In the Human Senses of the Word. He closes his eyes. Outside the window it is silent and completely dark. I can see a few lights on in a few other houses. What’s your day like right now? Catch me up.

  • writing hardily

    Today I was writing in a cafe and when I pulled out my laptop to transcribe out of a messy notebook the woman next to me got up and slid between our tables, saying something over her shoulder under her breath. “I’ve just come from the office…” I was wondering why she would feel so insecure that she would need to explain her movements to a stranger when it sank in – as she sank in, to the bench seat opposite – what it was that she had said: “Ich komme gerade vom Büro, I’ve just come out of the office and I don’t want people doing their office work around me.” The funny thing was she was clutching her mobile phone like it was a huge reefer she was about to lift on the ball of the hand to her lips, and the flickering of her screen had caught my eye and momentarily bothered me, before I caught myself and realised how insane it was to resent someone for poring over their screen while I pored over mine. She was staring at me across the room, I raised my shoulders and spread my hands. “Was, denn?” She called the waitress over and repeated her complaint in the exact same words: “I’ve just come out of the office and I don’t want people doing their office work around me.” Around the flower arrangement she pointed me out. The waitress shrugged helplessly, her face relapsing from an attempt at sympathy into a foolish smirk. What could she say? I let go the sward of ideas I had built in the air as they demolished themselves and dissolved in the face of such tiny, such concerted ill-will, and took out my notebook again and tried to let my gaze fall into the precise point of the middle distance where happiness and contemplation and, it sometimes seems, poetry lie thick on the chilly air like leaves on the ice. I told myself this place – a “literary cafe” attached to a bookshop – would not exist if not for writers like me and took up my pen again and foraged on.

  • all the accidental musics wrung

    Sometimes a song I’ve been listening to intently for ages suddenly rolls past in a different setting, the studio rather than the live performance, or another performance of it at some other gig somewhere in some other dive across town… and I all of a sudden realise, unwelcomely, that favourite line I so exquisitely cherished is in fact a simpler, balder statement or plea than what I had heard… and what I’ve been singing all of this time. Whenever this happens I wish I could take it back, unhear it I mean but also take it deep into myself, have that line – which in a kind of unintentional way, perhaps I wrote, or cowrote – for my own and smuggle it into some other song, illuminating some other life. I guess you could do this (I could, I mean) if you acknowledged the spurring accident… as in a piece of poetry or a painting made in response to something made by someone else, a work that brings to conscious light an insight some artist you are not has already articulated. Maybe then.