Tag: sublet

  • postcard torrent

    A few years ago I was living in Berlin and it felt indefinite. I had not made plans to stay and felt unable to leave. I felt homesick and unsure and one day I asked on facebook if anybody felt like sending me a postcard through the mail. I just love postcards. Occasionally I send them to myself.

    Weeks later I came home and opened my postbox at the door of my new sublet apartment with its old-fashioned sign, “Briefe und Zeitungen,” letters and newspapers. This torrent fell out. As we get closer to Christmas I want to remind myself and us all that this world is made up of seven billion diverse humans, and that by and large, humans are constituted of love.

  • four years ago today

    Walked into a Turkish convenience store late on Friday night, they sold water pipes as well as a dazzling array of alcohols and sundry sweet snackettes… behind the counter stood a very untall & wizened woman wearing a scarf, her hands on the counter at chest height in front of her, and beside her a large, slightly slavering dog, standing on his back legs with his forepaws folded on the counter. I said to him, “Excuse me. Do you sell yoghurt?” She said to me, “Sie haben eine so schöne Stimme, eine richtig wunderschöne Stimme. Bitte singen Sie weiter.” But I was too self-conscious to keep singing under this barrage of compliments. We talked about the dog and his jolly helpfulness & how tidily & sweetly she kept her shop and then as I was leaving, she called after me, “Keep singing! Always keep singing!”

    ~ beginning of my second month in Berlin, second date. We held hands and took it in turns to walk blindfolded round the city. Later that week I wrote:

    Tomorrow I am moving ~ boldly! ~ into a sublet apartment of my very own, here in Berlin! I was only here for a week but I have staid & staid ~ and so it is the last day in the sweet sunny breakfast room with its big basket of soft-boiled eggs, tucked in a cloth ~ the man who serves coffee came in to clear and I went over to him and touched him on the arm. “I’m moving out tomorrow, and I just wanted to say, thank you for the ~” ~ floundering in my early-morning German like a shallow foaming surf ~ “the service?” he suggested ~ “the um,” I said ~ “the table service?” he wanted to know. “The love,” I said, finally. And then ran away back to my table. Every morning he brings me a pot of hot water & some honey, my life in Berlin has been far cosier since I discovered that chai tea is called “yogi tea” and that you can buy it in bags at a Bio Store.

  • the peace yard

    Walking home down rainy streets my last night in this house. Tomorrow unnest, budge myself, nudge, shift. Winter has landed with its big wings. Now the warmth of the indoors folds us in, the subway’s roaring throat, we all descend, we bring our dogs and biscuits. I saw two small boys fighting in the subway train, one slammed his hand down on the other one’s shoulder their sister put back her head and roared. They were hipheight to everyone’s delicate glances, the mother looked estranged. In this city if they serve you tea it is a mess of hot water in a clear jar (hard, chalky water, that dries white) and with spoon and bag of leaves laid on the white milky ceramic… neatly. Effervescent neatness, the German delight: effortless neatless and high art and kitsch. German joy, Friede; German graveyard, Friedhof. I’m leaving I’m leaving. I’m coming I’m coming: Australia wait for me. Maybe forever as jet blurting travel grows inexcusably wrong. Standing stranded on the traffic island as the creamy lights pour in three strands down the hill like pearls and the crimson lights pour like Christmas up: I said something aloud to myself in German, I started to cry. Thank you for your hospitality, your kindness, your warmth to all the strangers, your strangeness, your calm. The leaves shaped like webbed hands that wave in the wind. The strings of lights under the lip of each awning. The Grüss dich, the Tschüssi in shops, the dogs. In 24 mornings more, I’ll be gone.

     

     

  • unforgiveably gone

    Today my hair kept tangling in the buttons at the back of my coat. I spent a long time standing in doorways or under trees, thoughtfully fishing there with my fingers, dreamily, gingerly unwinding. I’ve been spending time in a cafe that was opened “ca. 1930” by the stout pretty dark-haired woman whose blurred photograph on the front page of the menu (hand-written) may have been one of the last ever taken of her. Berlin’s dark, sour, staining history runs alongside every step, like the raised seam of bricks which traces where the much more recent Wall has been carted off and destroyed: maybe she was torn down, maybe deprived of her life and livelihood, maybe dispatched, grossly outraged, starved, murdered, ruined, unforgivably gone.

    The brass plaques, size of a cigarette packet, that here and there replace one or two cobblestones with a name or a family of gone names are, I found out, the work of one artist.

    I spent much of the day in her cafe, writing and writing, had a bowl of broth with pancakes rolled and thinly sliced into it, lingered, in the air spiked with smoke, over a menu of dishes I couldn’t understand. Because even where I can translate, the concepts are unfamiliar and dim: Leberknoedel, Schupfnudeln, alles mit Kartoffelecken.

    When I came out the blue hour had struck and everything felt festive. I went into a hat shop and wound my way along the walls right to the back. I picked up and fingered things, stroking and probing. I stood in front of their long polished mirror wearing a crimson top hat that was too big and came down over my brows.

    My new Kiez is studded with turreted buildings, an old tollhouse, an old gatekeep. Many of them now are restaurants and the golden interiors, the white clothed tables, the solicitous bending of waiters in the windows – the shimmering, old-glazed, inviting windows – were so irresistible. I resisted. I went into the supermarket which bursting like fruit from a basket was so much more vivid, more lively than the dreamily acquiescent twilighttime street, and filled with families. Stubbornly determined to cook in my two-room palace of hired minimalism which has no pepper grinder, no chopping block, and no knives, I snatched up a small sack of potatoes, some garlic and onions, a roll of butter. I have powdered stock and a Swiss army knife and I reckon it’s enough to make soup.

    It’s so cold. The insides of the windows are cold. Not too cold. Not just yet. Deliciously so. My landlady hovers like a ghost in the hollow of her white apartment, her beauty, her wide frightened blue eyes with their large pupils staring like bullets. I found our bed last night to be beautifully cosy and soft, woke to a window of tree. Once I’d had a bath there seemed little else to do and I felt so happy about that.

    In the evening after I’d moved in, before the bath, I went out exploring, feeling hollow and hungry inside. A restaurant golden and beckoning softened the corner of my new street. I stood shivering in the dark for ten minutes and walked up and down and up and down again before I found the courage to walk in the door and thus enter its enchanted, entire, intact civil world. It was disconcerting, after all this long travel, how hard it felt just to walk in. Intruding on the community of this new district, unknown to me like a new city, by this decision to eat out took far more courage than I’d expected. I so often eat alone and I like that. But I guess my adventurousness is exhausted.

    In Melbourne I used to notice this, every morning even when I’d been writing over my breakfast in the same cafe every day for months: the forcefield that people establish or emit when they form an unconscious community, shiftingly, by being all in the premises, by forming a varied, large party, strikes me like shyness buzzing electric across the doorway of every new cafe, and always has; this felt far harder.

    Now, this evening, everything feels different. I can feel I have found my way. The new part of town is becoming my Kiez. Its dark streets of houses feel now already less intimidating and austere, more quietly homey and interesting and wan. My sublet in its dank courtyard is divided from the welcoming bustle of shops by a river of rushing lights pouring the hill, like sand, from one glass to another. My sight clears and I start to see. Not everyone here has money. Between the lifestyle shops are the lifeline shops, where hungry people find what they eat. I am hungry. I’m always so hungry. At the supermarket checkout a man in front of me said to the cashier, Holst du mir mal vierzig Cent? Ich habe keine Brille mit. Can you grab me the forty cents? I don’t have my glasses. Obligingly the guy sorted through the coins, patiently, turning them and showing them til he found the right ones. The guy behind me made a friendly remark and I turned it to advantage – a politician! Laying a finger on his bright yellow toilet rolls I asked, Have you ever thought of trying out the recycled kind? No, he said, in a tone that showed it’s never crossed his mind. It’s just that the trees take such a long time to grow, I said. And it takes a long time to replace the ones we chop. He gave me his twinkling smile. Next time, he promised, I’m going to remember that. I piled the stuff into my knapsack and took up the mesh bag of potatoes by its uppermost root. The corner of the sack yielded a perfect potato, an archetype, shaped and sized exactly like an egg. I closed my fingers and palm right round it and used that to carry them home, internally a handle. The high blue wintery sky and red lights were so absorbing that I accidentally walked right past my street and found a brand new park. The grass was still dimly green but the trees already blackened by night. Little children darted round the path, excited, calling out. As I turned back for home I saw a little family, with very young children, slowly climbing the damp stone steps carrying candle lanterns. The parents’ lamps genteelly leap-frogged each step, one by one, the candles swinging three feet up from the stone. But the littlest child, to whom walking is still a labour of concentration, held his lantern outstretched and swung it right forward with the effort of each step’s climb. I came home and put the potatoes on and put on all her lamps. The window above the bare desk is a square of black in this white soft room and I can hear as I’m typing the dark-throated toll of some old church’s beautiful, wild, German bells.

  • eggshellac

    Like a little eggshell in the sky. I have moved into my final Berlin sublet, just 3 weeks, and barely dare breathe. Everything is white down to the phone, painted roughly with house paint but still black on the inside when you pick up the receiver. In the little white bathroom a toilet with no lid and no seat. A tiny wooden vegetable brush perches primly across the back of the… mouth of the sewer. I said to my landlady, who is off to India for three weeks to translate Arabic manuscripts, “No toilet seat?” “Oh, did you notice that? Does it bother you?” “Well…”

    She said, “I guess it’s a bit cold, and kind of uncomfortable, but it broke and I just realized, I don’t really need this.” I foresee that within a few years she will be living cross-legged on the head of a pin. The place is quiet and curtainless and resembles a tiny Buddhist monastery. Floorboards painted white. White rugs which, she showed me, she cleans with a little brush. She pulled out a rush cushion from under the low white bed to show me: “This makes a great table, for eating.” Then she set off in the November rain through streets full of sticky wet leaves to fly south, with one little blue bag, wearing a pair of socks inside white sandals. Mysteriously there is no mat at the front door, yet everything within is pristine. My landlady had also painted her little computer white, including all the keys, but then had to scrub most of them back to the original black so that she could see what they were. Her patchy keyboard in the chalky white room was startling, a giant crossword. We exchanged money and keys this morning and she showed me around. “I have these two spoons.” Four plates, two bowls, and a couple cups, no pepper, oils, pans, forks, knives. “Poor little flower,” said the friend who helped me carry my suitcases. “You get the feeling that a gust of wind would blow her away.” I on the other hand will not be having that problem. In just 18 months my pile of cases and boxes has swollen like paper in water to twice their original dimensions. I think of the old cartoon of a bag lady pleading not guilty on a charge of shoplifting “by reason of static cling.” To get home I will have to divest myself of a rowboat full of leaves, intricately rusted bottlecaps, brochures and books that I picked up and brought home because they seemed beautiful or interesting. This might be the perfect place to do it. In between, I will loll in the tub and read, an egg in an eggcup in a large eggshell in the grey, minimalist skies over Germany.

     

  • living in the garden

    living in the garden

    Last night I slept under my own roof for the first time in four months. So to speak. It’s a beautiful sublet in a groovier part of town, bristling with bars, but very quiet behind the city wall of our foremost apartment building. I’m in the back, windows facing the trees, in a place with high ceilings and old DDR coal stoves clad in green and corn-coloured ceramic tiles. Downstairs is a baby with lusty lungs. A black and white cat sleeps in the courtyard. The owner of the flat spends her summers living ‘in the garden’ just outside town, which sounds idyllic, and has rented me her keys, her crockery, her weird hot water system, her dreamy curtains. Turning off the reading light I felt momentarily assailed by ghosts and spirits, a movement in the darkness, a sense of swarming: all the people who have lived in this old building in the past; and it occurred to me this was my first night sleeping out, beyond the palings, in the saddening wilderness of old-time East Berlin.

    H2O HoL windowglimpse

  • a novel filled with good advice

    a novel filled with good advice

    The place I’ve sublet has a shelf of Joanna Trollope novels and I’ve just reread two of them. It’s so interesting learning all the signs she uses to indicate class. In the gentry, rudeness indicates an unwillingness to pander to form, it is authenticity. In factory workers, rudeness betrays a lack of breeding. Horsey women have good-quality possessions which they do not value and treat casually. They do things carelessly, having nothing to prove, dropping tea bags on the floor, “sloshing” milk into mugs and speaking in clipped half-sentences: “Shut up! Bloody dogs. Sit over there, it’s the only comfortable chair. Chuck the cat off.”

    The landed class recognize one another by signs: tea is always “China”, never “India”, perhaps because China eluded colonization by these characters’ forbears and thus like a spirited horse showed independence. To have middling-quality possessions and to take care of them is unmistakeably a sign one is trapped in the worst of all worlds: bourgeois, unimaginative, burgerlich middle class. At least the poor have their realness and dignity. At least the gentry have their self-assurance and intricate codes: ‘”Daddy says,” one ten year old said cheerfully to our main character Liza, surveying a French pronoun exercise almost obliterated in red ink, “that there’s really no hope for me because I’m as utterly thick as him.”‘ Very often Trollope’s plots seem to unravel the marital miseries of a couple ill-suited as to class: in the case of A Passionate Man, a lordly doctor and his timid wife whose appearance is dismissed as “pretty.” She’s not of good enough stock to be either ugly or beautiful.

    In fact the approval of both aristocratic and poorly educated character types in these novels seems to revolve on their ‘realness’ – excusable bluntness in the gentry, forgiveable gaucheness in the “frightful woman” who runs the post office. The middle class, by aping their “superiors” but without access to the insider knowledge that would let them buy the right kind of tea, show themselves to be false.

    The other novel I read yesterday, The Best of Friends, was reviewed (on the cover) by The Observer as “above all a novel filled with good advice.” Like a recipe book.

    H2O HoL goldfish