Wild Sovereign Development Site

Tag: underground

  • Ghanaity

    Had to change trains twice to get home and I was reading Cranford by Elizabeth Gaskell, great, familiar, female, underrated. On the second train I glanced up when somebody laughed and saw a short, beautiful African man gazing longingly at me.

    It was so startling. I hurried back to Cranford, the village where the old ladies are not nearly so old as they were in Miss Matty’s own youth. At the next station I looked up, focussing between the heads of people sitting back to back all down the left side of the cabin, and saw that he was still looking at me. His eyes were soft and fond as though I were terribly familiar. We smiled. I went back to my book.

    Someone got off, occasioning the usual genteel German shuffling whereby everybody shifts their knees to one side saying, Bitte, Danke, Entschuldigung. All of a sudden the man who had been gazing plumped into the vacated seat opposite, he slung his bag down on the floor and had altogether an air of decision.

    So I looked up and said, How are you? Good, he said, and you? Good, I said. Thank you. Then we all travelled along in a kind of noisy trainside silence for a while.

    What are you learning?

    O, it’s not really study, just rereading a book I have read so many times before. I turned the cover to show him.

    You have a very nice face, I told him, and he smiled. You, too. Thank you, I said. In fact he was beautiful, with a pointed cat like chin and slanting eyes and in the middle of his forehead he had an asterisk-shaped scar as though someone had shattered him with a mallet and then put him back together again.

    The moon, upstairs, was rounding white and only slightly eroded down one side like an aspirin in water. I hadn’t seen it yet but later it led me right home. The man said, My name is Maxwell. And so I stuck out my hand and said, Cathoel. We shook hands and I said, Are you new in Berlin?

    Three months. Ah, I said, welcome. He had lived four years in Italy. So I speak Italian. But no Dutch.

    Ah, I said, again. And then he began talking to me about Jesus. Jesus knows how many hairs you have on your head. He took hold of a lock of his hair and tugged it.

    Well, I said, that must be very comforting. I am getting off here. Good luck in Berlin!

    But as I was standing on the platform he appeared beside me, standing too close. Are you married? No, I said. Why not? It’s not my way. I stepped away a half pace and he stepped up close to me again, in my shadow. Can I ask you a question, I am not a bad man.

    Thanks, I said: I don’t want to marry you.

    Ok, he said. But can I give you my phone number, friends? Friends. I am lonely and it’s good to have a friend in Berlin. Berlin is big.

    The train pulled in and he said, ingeniously, I can get on the train with you. I can always ride back again after I give you my number. Oh, well, I said. Okay then. But I am going to be reading my book.

    We sat opposite a lady with a fiery head of hair and a warm wrinkled smile. She was holding up a magnifying glass on its stalk to read some tiny photostatted text closed printed across an A4 page. She listened to our conversation, smiling at me over the man’s head, and when he got off, as promised, at the next station and I folded his phone number and put it in my pocket I said, in German, He wanted to talk because he is lonely, I think.

    Her smile grew warmer. She reached into her pocket and handed me a card, much creased, printed in black and white. This is a church where people get together, she said, plenty of African people go there, he can make friends.

    It was evident neither of us were native speakers. Oh, I said, then I am glad. I will pass it on. I got out at my own stop and walked up the stairs into the night and the incomplete moon made me gasp. If you are Ghanaian and you come here over Italy, you cannot access refugee services because you have Italian papers. The trees on either side of my road have bloomed and lost their bloom and though the forbidding Germanic cold has now returned still it seemed to me something warmer, something Springlike was afoot, a pussyfoot, an affair of the filigree trees, afar.

  • pity flamingo

    Every week I cross town on the train and we pass a tower block of identical grey-frame units which have grey balconies. One balcony, at eye level with the train, has a bright pink inflatable flamingo hanging like a lurid fern, I guess somebody went to Florida or Havana and brought it back with them to bring back the tropics. It doesn’t look tropical. It looks more defeated. The air has shrivelled out of it, or perhaps shrunk in the bitter chill of Berlin’s below-zero winter. The bird sags, motionless, its head drooping over its breast and hanging down to the shrivelling feet.

    Poor tropical bird, alone trapped in glassy Berlin and its colourless end of year season, after all the other bright birds have vanished down to the southern shores to caw and preen.

    Snow lies on the ground in greying patches. Hardened scars of black ice have been strewn with sharp pocks of gravel from the big grey plastic bins. This fake bird is the only pink thing. Apparently flamingoes, naturally flamboyant or perhaps insecure on their wavering stalk legs, will not make babies unless a crowd of other bright pink flamingoes stands round them watching.

    Zoos have had to set up elaborate peacock tails of mirror to encourage them to breed. Gazing out at this sad blow-up bird sometimes I think about staging an intervention. What if every passenger put on a pair of Edna Everage sunglasses. What if we all stared out the windows and flapped our arms. Maybe the dying flamingo would stir on its still leaf of string. Maybe the neck would waggle and stretch, and the tiny head come up again to display proudly its improbable and superciliously curled coconut ice pink swan lip.

    But Berlin’s trains are courteous and pragmatic. People stand back tiredly to let each other on. This week I’ve passed a junkie shooting up right into the arm, against a pillar at my nearest U-Bahn station; five people in a row who were all reading books but seemed unaware of each other; and a sturdy Polish tourist who rolled, under my nose, a plump head of ganja into his palm so that when we all got off the train, he could light it.

  • cigarette break

    A lot of noise round the house today as the Hausmeister – Deutschland brims with masters – has called a gang of workmen in to saw back the thorny bushes round the huddle of bins. Our bin system is complex because everything gets recycled – everything but, puzzlingly, aluminium and steel. The thorny bushes make it hard to access the bike racks without scoring one’s skin and I welcomed the intrusion, but after a couple of hours of swearing and sawing I took refuge in a cafe I love, to try to do a bit of writing.

    I miss Brisbane but I’m not missing having to google “cafes open past 2pm” when I want to work later. This place is groaning with shelves of books and they let me sit on a sagging couch with a single coffee in front of me for nearly three hours. I came out into the lissom afternoon and joined the slow streams of people heading down to the underground station. A man was playing the flute, with his eyes closed. He was entranced.

    The first flush of leaves has hit the ground and to me it feels too soon. I’m not ready! I rode home via train and bus and train because the middle section of the line was being repaired and in Berlin everybody files in orderly fashion from the ‘replacement vehicle’ back onto the interrupted line and sits down. When I had left, two tree surgeons were standing at the street entrance of my house in boiler suits, smoking by the big glass doors. When I came back hours later they were still there. As I came up to them, I had started to laugh. “Sie waren beide hier,” I explained, “als ich rausgegangen bin. Und es scheint meinetwegen zu sein, als ob es eigentlich eine sehr sehr lange Zigarettenpause war.” You were both here when I went out. From my point of view it is tempting to assume this was a very very long cigarette break. They looked uncertain. Were they being criticised, by a stranger? Then one man smiled. “So viele Zigaretten können wir gar nicht rauchen,” he said. We can’t smoke that many. “Wir schaffen es gar nicht.” We just wouldn’t manage it.

  • the man she likes

    I saw a girl on the Underground travelling with the man she’s in love with and the girl he likes. They were Italian. Crisp faces. Hers, naturally, a little long and sad; the other girl’s, naturally, coquettish and confident. He had a lovely outlook, solid stance, good beard, and kind expression; compared to them he was tall, he stood unselfconsciously, his feet well planted. Oh, how she loved him and craved for his attention, his acknowledgement. The other girl was wearing a cute mini. On the platform the girl who loved him poked him as if playfully, but he barely saw her; the other girl made a lot of play with the straps of her little backpack. My girl couldn’t help herself, she went close to him and buried her face in his chest, pretending she was joking, but really soaking up some of his smell and his heartbeat, his masculine solidity, his illicit love that would never be her own. Your heart would have ached to see her. She followed him onto the train like a little sister, dragging her feet. The two girls were, purportedly, friends and she had to pretend to be interested in what the winning girl was saying, which seemed endless; the loser girl was lacklustre, she’d lost confidence, she could see the headlights of disaster barreling right down the tunnel towards her. They leaned on opposite sides of the carriage, the man, the two girls, and you could see he had forgotten they were travelling in a trio. She peeled his heart open with her yearning eyes. She longed for him and gazed and gazed. And longing does no good at all. I could have told her that, if she’d asked me; I thought of saying so. But she wouldn’t have believed it, we never do, just as he couldn’t see the love standing in front of him, yearning for every morsel of his blessed being.

  • jazz bar, balconies, bikers, busker, moth, Madrid

    The moth which landed in the glossy black curls of a woman sitting on the Metro so lightly and delicately without her noticing, and which spread its dun linen wings like opera skirts to reveal the sheer, white gauze underneath. The two boys who jumped on and played joyously, their guitars facing belly to belly. The long, arching trees filling curving streets with greenery and palpably articulating the breeze into soft whistles and dim spirit presences, into a welcoming and retired song, almost a language. The man and woman whose voices caught my attention from above and whose conversation diagonally across from his first floor balcony to hers on the third seemed frank and gossipy, reflective, unhurried. The jazz bar with windows open right onto the street and spilling glorious plants, which served gin and tonic in round-bellied goblets with surprisingly sweet, chewy, nutlike juniper berries bobbing against the cubes. The lovely dog opposite, above the antiquarian bookshop, who stands on the balcony and gazes up and down the street with such a mournfully intent expression; the man playing a baby grand under a white cloth in his open window and gesturing to his colleague, playing violin, and the crowd of silent witnesses standing with their phones and faces raised on the curving road underneath. The security guard reading a volume of poetry on the underground, so intent he almost missed his stop. The three tiny ladies chatting loudly and volubly on the train who parted with light, smacking kisses at Nuevos Ministerios. The BMX bikers who practice outside the opera house every day, every day, waiting their turn and daring each concrete bench and set of steps to rout them like ballet dancers swimming far out to sea. The low doorways and Metro tunnels against which my sweetheart has to watch his head. The expressiveness of public life with a girl flying into a passion of sobs at the post office counter, a woman crying openly as she was talking on her phone walking through a crowded restaurant district at lunch time. The yoghurts brewed in little glass pots desde 1992 which we top with strawberries, blueberries, bananas; the milk section of the supermarket which is on shelves unrefrigerated because everybody likes powerfully adulterated longlife milk yet luscious, unpasteurised, handmade yoghurt. The quiet, hot siesta hours when shops are barred and windows shuttered and the Metro crammed to the gills. The people who gaze up so curiously, so unjudgingly, at me and my two metre tall lover as we bow our heads to enter the train. The busker in orange top hat who tied his dog to the railings and turned aside into a shop window to tune his guitar. The little backstreet shops which build guitars and the man with his cardboard box desk on the shopping street who carves crosses out of two sticks and binds them together to sell, one after another, he was here at Easter and he is still here now, filling the paving creases with whittled shavings as though there can never be enough crosses in the world and he must fill the lack.

  • someone else’s rage

    A girl with a most glorious voice started singing as the train took off, she was hidden by a mess of passengers who cleared, instinctively, to give her some room. Playing a tiny ukelele and letting the song free like a bird: her fond little scratchings on the instrument suited the sweet, round spiciness of her voice. She sang “Leaving on a Jet Plane” and somehow turned it into a kind of confident kvetch. “Don’t know when I’ll be back again ~” or if, babe, if you don’t shape up. Her hair sprang up out of her head like fireworks, fizzing in spiraling coils. She was relaxed, she was vivid. I searched all my pockets: not a single coin. But I could applaud, and the lady sitting opposite, huddled in the shoulder of her stolid-looking husband, sat up and clapped as well. I was about ready for some music, having had a close encounter this morning with somebody else’s pain and bewilderment, a massage therapist who had told me too much of her personal stuff and now retreated behind a wall of rage so sudden as to be rather terrifying. Why are you now so angry with me, I said, and she said, because we keep talking about my stuff. Now just lie down and let me treat you. I had said, when we found ourselves back on That Topic, you need to take action, and she snarled: I’m so sick of your opinions! How did we get ourselves into this? It was my fault, she told me, because on arriving I had asked “How are you.” So I was riding home sore from a non-massage and felt glad of the girl with her spunky round voice and her star-spangled stockings crossed over each other, comfortably loosely, as she leaned against the door. Glad of the blue sky when I came out of the train, its creamy little penguins of cloud. I stepped round nine Australians in the street who were saying to one another, patiently, “I want to do the museum and then the Wall,” “Well, I thought you wanted to do the club park”. I stepped into a bakery and said, “Haben Sie Brezel?” “Alle weg!” she told me, looking up from her scrubbing and then saying, ah, no, look – there’s one more left here. I took my pretzel into a corner store and bought it a beer. Because, fuck it. The girl at the counter was so divinely beautiful I had told her so before I realized I’d opened my mouth. “You! are beautiful as a picture!” Thanks, she said, laughing, perfectly familiar with her personal splendour. It was such a joy to look at her and laugh and to walk home along the slow, clogged, crowded street with bread in one hand and with beer in the other. If I could find the desert here and the beach, if I could find a way to make a living, I would live in Berlin for ever and ever and ever and never sleep.

     

  • the godfather underground

    Riding on the train underground I feel like a caterpillar carving through the belly of the city. The hungry metallic smell of the train’s breath is become familiar as I jog down the steps to Underworld. Sitting and writing and sitting and writing. I glanced up and caught the eye of an elder gentleman standing with his son against the glass doors, watching benignly. He said, across the carriage, “Schoene Schrift!” Lovely handwriting. Oh! I said. Thank you. And he nodded and nodded. I went back to my page. Filled it and turned to another and smoothed it down. Finished what it was I was saying and capped my pen and slipped the book into my bag. The doors opened onto the platform and this man and his son, my age, were standing beside me. He stepped back to let me past. “Alles schoen aufgeschrieben,” everything nicely written up, he said, with great satisfaction. Unintrusive and approving, like a kind of fairy godfather.

     

  • reeky dog

    Such a pretty day. When I came out of the Underground station the sky had filled with these tiny white, flat-bottomed clouds, as though they were puffs of steam that had popped up from the chimney of some hidden machinery. It was a pleasure to reach the outdoors. Jumping onto the train I caught the eye of a raddled punk, crouched over his big brown dog. He was petting and soothing the animal, lovingly. I smiled and he smiled. The doors slid shut. But what was that… awful smell? Oh, god, it’s the hound. A guy in workout gear looked over and made an expression of disgust. I looked about me. People were wrinkling their noses. The smell filled the cabin and was unendurable.

    I got up and slid down the far end of the train carriage. Within seconds that end of the carriage was full, as though the track had tilted: the punk and his dog sat up on a vinyl bench by themselves, unsurrounded on all sides. The dog was emitting these edgy, whining noises. Everyone looked strenuously away, in a body, as though they could dissolve him by pretending he wasn’t there.

    The punk guy shrugged at me, the only person making eye contact. “Der reitet nicht gerne,” he said. He doesn’t like to ride. I said, “Tcha…” I was revolving in my mind the most inoffensive way to mention it to him, trying to translate: dude, your dog really reeks.

    The smell was unbearable, a creature rotting alive, I was breathing in little shallow gasps. We pulled in at the next station and the carriage emptied within seconds. Seven people ran pelting down the platform and leaped into the carriage behind. There they stood doused with disapproval, that righteous German indignation people can excite by basic inconformity. Even in a punk city, even in Berlin. I followed, laughing helplessly. Och, the poor old punk with his mangy, stinking, poor terrified animal. The long-term neglect, the isolation. You know that kind of released and loose laughter that feels like crying, feels almost like sex. It was kind of sad but wonderful and could only happen here. All the way home I was remembering him and the confederacy of perfumed people locking him out of their secret, hidden glances. I remembered and kept glancing out the window and smiling to myself. The poor smelly dog and his misery, the poor old drug-fucked oblivious punk who maybe thinks people reject him because he’s rejected society, thirty years ago, with his haircut and his piercings. Making up his stories to himself of why people can’t bear him and will not come near. An almost unbearable ecstasy of shame pierced me, that I had not spoken, that my German is laborious when it counts, that I couldn’t find the words. Berlin, decorous and louche at once. You big old mess of freaks.

  • boyfriend is bearded

    boyfriend is bearded

    This afternoon riding the Underground (the above-ground Underground, speeding through the trees) I saw a bearded man put up his hand to the steel pole at the end of his bench seat. In doing so he embraced his girlfriend, sitting beside him rather hunched. He said to her, in accented English, “it’s good to be you, my-Sascha.” “Is it?” she said, bleakly, and submitted to his hand dropping round her shoulder and cupping and fondling the bone.

    H2O HoL small dog large man

  • democracy

    democracy

    Voted! Gosh it feels wonderful. For those few minutes with ballot paper in hand, we are utterly sovereign, entirely free.

    It turned out something of an odyssey to get there: which feels also appropriate and fitting. So many people have died for our right. I got sidetracked, absorbed in some other work I was doing, suddenly looked up and it was late. I rang the Embassy. Yes, they said, just come on in, we’re open for another twenty-five minutes.

    I was twenty minutes away by train. So I jumped on my bike. Me and bike climbed on the wrong train at the right station (U-Bahn, S-Bahn, Strassenbahn… who can tell the difference here?) and as we travelled uncomfortably it occurred to me maybe you’re not supposed to bring your bike onto the Underground. The cars are narrow. It was hard for other people to climb on and get off. But they were very friendly about the inconvenience. Four stations later realizing this line (now travelling through the treetops – it’s confusing) did not connect with the above-ground line I needed, me & my bike jumped off.

    Locked up bike and flagged a cab. “Can you take me to the Australian Embassy?” We got there at three minutes to four. There was a little queue outside, of people clutching passports. “It’s not clear we’ll still get in,” a woman explained. “Ah,” I said. “So maybe the government will be decided by people who are just that little bit more organised. Maybe that’s a good thing!” The guard let us in. I was the last through the doors. We had to give up our bags for screening, the fellow next to me (a songwriter from Melbourne who later told me his life’s summary) seemed to have endless pockets full of coins. He literally made a pile on the security guard’s counter, two handsful. He had travelled from Hamburg.

    The Embassy smelled of Australia, possibly because of the charcoal artworks in the beautiful foyer. It really was beautiful. The staff were casually dressed, like people who have not have time to iron. A woman in trodden-down loafers and white jeans came out with handsful of ballot papers, calling out names. “Rosie? Molly? Hugh?” We stood about like pub patrons at the tiny high tables, bent over our forms. People were chatting as they voted. Democracy, I love you. On the U-Bahn platform on my way back to collect the bike I watched a man in salmon-coloured jeans hitched very high on a black leather belt, so old his skin was reptilian, prance down the platform very slowly whilst carrying what looked at first like an old fashioned suitcase, black and with white corners. Turned out it was an immaculate but disposable carrier bag from a glossy store. He stood waiting and felt round the bottom of his (empty ~ I peeked) huge bag to pull out its contents: a small plastic comb. Nervously he smoothed his hair back one more time.

    Beside us a young girl with glitter round her eyes forged through the pages of the novel she was carrying. She held it right up to her nose, almost literally immersed. If anyone is curious my voting method ran as follows: 1. Greens. Because our environment is a bigger issue than any other. 2. Start putting all of the cruelest people last. Above the belt, below the line. I had to carry my vote into a glass-fronted office where a man said, cheerfully, “All done?” and sealed up the envelope for me with sticky tape. “Such a friendly embassy,” I told him, “thank you.” I love you, Australia.

    H2O HoL snowy australia globe