Tag: writing

  • The Great Fire

    Only Shirley Hazzard could end a novel by writing explicitly of a virgin woman’s clitoris – which she describes with a kind of cheerful poetic simplicity as ‘the final fleshly inch where he could wake her and touch her, and say her name’ – using it to literally embody survival, and art, and all of life; turn her back on the War, which is, as we see, unending – ‘the inextinguishable conflagration’ – and write, at last, ‘Many had died. But not she, not he; not yet.’

    Even to her, he would not say outright that he was thinking of death; of the many who had died in their youth, under his eyes; of those he had killed, of whom he’d known nothing. On the red battlefield, where I’ll never go again; in the inextinguishable conflagration.

    These hours would be lived to the full. Years of hours would follow, but not this. He had felt their chance passing; she too, in fear. For this he had travelled to the airy, empty harbour where, like a legend, she lay in a mildewed swing-seat, waiting. As surely as if she had leapt from a planked deck into the ocean and swum ashore, she had jumped ship for him. Ten thousand miles had been retraced, down to the final fleshly inch where he could wake her and touch her, and say her name.

    Many had died. But not she, not he; not yet.

    ~ Shirley Hazzard.

  • welcome, Auntie

    I’ve joined a Facebook group which posts pictures of people’s dogs. The rules are long and repetitive: only dog pics and pics of dogs being doggish and cute: no lost dog posts, no questions about dog food… just hounds.

    In the last week this group has taught me all kinds of new vocabulary. Boop is the thought dogs have when they come up and touch you with their nose. A blep is where they stick out their tongue a little bit; a mlem is when they stick their tongue out further. Well today an older lady posted in public in the group, “Auntie! You are now part of this dog group. Please enjoy the dogs’ cute little antics!”

    Within seconds a woman had come along to comment, gently, “Maybe just send her a private message.” I commented, Hi, Auntie! and my comment now has 40 likes. Meanwhile a thread of joyous appreciation has unravelled, so divine: 460 likes and over a hundred people have posted pictures of their dogs for Auntie. One is of a labrador gambolling toward the camera and it says “Running to say hello to Auntie.” “This is Cecil, he says Hi Auntie.” “Welcome, Auntie!” One man wrote, “Now we are all Auntie’s Nieces and Nephews” and attracted a trail of love hearts under his comment. In between people are tagging their friends and coming back to the thread to muse OMG so pure! This thread! Those comments, tho. Sometimes I truly adore you, social medina.

  • Uruk

    In the museum today we followed the script, that is, the writing. Ancient forms of writing carved in stone, and some felled onto papyrus that was torn out of its location later and jammed into ‘found’ metal boxes. What is it about inhumanity that allows one to covet a culture’s gorgeously wrought temple at the same time as dehumanising them enough to justify tearing down the temple, or carving a chunk off it, and then rebuilding in a far colder climate in your own museum? We found this headstone densely scribbled which I so longed to touch. Only that I wouldn’t have put my fingers’ oils all over the ancient, four thousand year old stone. But if I had this in my house (I told my companion) I would rub my face over it every day: like this.

  • to her hinge

    Just found a line in a notebook which I wrote, on July 15 last year, and I’ve no idea what I might have meant by it. ‘In the mornings/we are proud of his everyday miracle together.’ Is it about sex? I guess it must be. My relationship was in the throes of some difficulties and a page later on July 20 I find, ‘his insignificant other.’ Then a cry from the heart, not mine, but which I wrote down after it came from the mouth that had applied itself to another woman’s hinge: “My beautiful Cathoel.”

    Even then, I was glad of the possessive.

    To be possessed, whilst remaining free and sovereign: isn’t this the essence of sexual love.

  • pure new cold all over

    It’s snowing! It’s snowing! It’s snowing! I came into a cafe going, It’s snowing, and she said, I know, and I said, But – it’s snowing! and then hours later walked out into the dark and under the golden lights every car wore a fresh crisp white bonnet, my old tears burst its banks, oh – snow.

    In my cafe two fellows in black beards were drawing at a big round table and as the cafe closed two girls in long tresses came up to say, So? Are you drawing? They looked up, patiently. The girls were pretty and the boys kind. “So do you do this professionally? Or…”

    Ah, yes. That tasteful first question, also asked of every dentist and every builder’s labourer – so how much do you get paid for that? The taller girl plumped her bag down on top of the nearer guy’s paints. She got out her phone. “May I?” Yes, he said, standing back so that she could take a picture of his work. Her friend said, Doesn’t it bother you, working in a cafe? Behind her packing up my laptop and my notebooks I answered for him, only quietly – the only thing that bothers me about working in a cafe is that people come up and interrupt, this has happened to me many times, someone actually waving their hand under my nose to get my attention so that they can say, Doesn’t it bother you working in a place like this, how can you concentrate?

    Coming out into the fresh snow, unexpected and perfectly flawless just yet, I saw a man – let’s say a man – had drawn a huge erect penis on the rump of one of those anointed cars, cos some people don’t understand perfection. I could hear children cluttered round the corner shrieking in their snowsuits, that time of year! is here! so I put down the palm of my hand on someone’s bonnet to make a snow angel of five long fingers, marking: I too see this snowing time of year. This indoor landscape. Domain of families and gold. I too am here.

  • don’t you feel like reading books any more?

    I was in a bookshop yesterday with my friend just arrived from Copenhagen. It is around the corner from the bookshop where he and I first met. We met because he was standing gazing at the books in the English-speaking section when I visited to see how the ones I’d left were doing, and I went up to him and said, You should buy this one! I wrote it! And he did and then later I visited him at his own bookshop near the cold Danish lakes which has one wall of records and two walls of books and a tiny espresso machine.

    The bookshop yesterday has a cafe attached, it’s built under a railway line in a series of old-fashioned orange brick arches and you can hear trains screaming overhead while you drink your coffee. Adjacent to the cafe part are the shelves of books in two rooms, and the two sections of literature reach each other by means of a narrow passage, all too brief, papered entirely with the titles published by a German house which uses bold whole colours. So you walk into a rainbow of literature: I catch my breath. On the other side I peeled off to go visit poetry and my friend went visiting novels. The man who staffs the back section (English and French, philosophy, poetry) came sailing through from the just-closed cafe holding a small plate high on one hand. A fork stuck out of it, upright like a sail. Hard on his heels were two sad-eyed beagle-like dogs who weren’t beagles, who gathered themselves at his feet as he reached the stool and gazed imploringly at the underside of his plate. “Two very firm friends!” I remarked. “With clearly no agenda whatsoever.” “Tcha,” he said, spearing a wedge of cake. “Or maybe two very firm friends of the strawberry cake.”

    I began turning over the hardcover books, looking to see how people had solved the design problem I am wrestling with: how do you answer, on the back cover, the one powerful almost abstract image on the front? Do you just have a plain colour? If you put another photo, does it end up looking 90s, like a boulevard magazine? The combination, I find, of ambitious ideas of beauty with design inexperience makes independent publishing hard. My friend showed me a novel marked The greatest book you’ve never read. Neither of us had read it, either. He was looking for WG Sebald. “Have you read Proust?” “Oh, yes. But I can’t remember any of it. It took me months.”

    As he turned away I remembered what my novelist friend had said, at the time: You should put that on your gravestone. “She read Proust.” The man on the stool dropped two chunks of cake for his patient friends. I thought how the poetry section was in the dimmest corner but a good slice of strawberry cake brings dogs to your heels. I turned back to the hardcovers, none the wiser, nonetheless. Another book lover walked in, an older man in a beautiful wool coat. One of the dogs had climbed into the leather armchair at the entrance to my rainbow and was sitting there looking rather tired and sad. “Na?” he said, stooping to greet her. ‘Na’ is hard to translate but means, I think, approximately: so? how are you, person whom I feel attached to and fond of, or whom I like on sight. The dog gazed back at him plaintively. Clearly he had brought no strawberry cake. He tickled her under her chin. “Und?” he asked her. “Hast du keine Lust mehr, Bücher zu lesen?” Don’t you feel like reading books anymore? How Germans speak to dogs – courteously, seriously, with familiarity – makes me truly love them.

    You’ll see some raddled punker and some lady in expensive trainers, their two dogs tangle in a sniffing wreath along the river path and they both stand there smiling tolerantly, as if to say: Tcha…. That’s just the way dogs are. I had seen this that same morning, in a seamier part of town. In other news, we saw an otter swimming along the canal, and followed it for half a mile under the trees. Periodically it dived, making a ring of bright water and then emerging further along up the bank. Turns out otters swim at about a walking pace. In all my life I’ve never seen one before, I’d have taken it for a beaver except that I asked a man standing with his arms folded and he told me, doubtlessly, “That – is an otter.” Another man in his blue kayak was sorting things on the bank, readying himself for a sunny day’s rowing. On the other side two trumpeters stood side by side and played some mournful tune into the quiet water’s ears.

  • alone at last

    I have this really long poem which I have rewritten decisively – indecisively – thoroughly over about four or five years. It’s five pages long and it’s called Reaching for the Remote – about our longing despite celibacy for gods. Did I say celibacy? I mean atheism. This poem is one of three reasons the book I completed six years back cannot yet be published. It’s infuriating. I love the book. I want to hold it in my hand. Its title strikes me as genius, listen up: Comb the Sky with Satellites, It’s Still a Wilderness.

    The other two reasons are a poem called We and Yet We, about colonialism, which I rewrote yesterday and think I may finally have wrestled to the mat, and the cover, which is made from salvaged cement bags, which I have sourced and designed and all of that only I cannot find anyone who can print in full colour on this brown-paper surface. Anyway today I dragged out all six major versions of the poem. I set them all side by side on my tiny screen. I made a big pot of tea and banished the cat. I set to work. Mumbling aloud and compiling slowly like an ant dragging large crumbs of earth these ideas which stand larger than I do, weaving them all in the way they seem (today) to best speak for each other. Like a entire school called before the headmaster and no one will dob anyone in. Anyway I’ve done it. I read it three times. My eyes are swimming, my brain is numb. I think I have completed it, I’m so pleased and relieved, now the book can go ahead. Or it could be just today. You know how you need to leave things several weeks to be sure they aren’t playing tricks on you.

  • on not being a brand

    Had to write a blurb about myself – a bio – for Queensland Poetry Festival. Oh, the horror. Describing oneself & talking about one’s work… is there anything yukkier. I hammered out a couple hundred words, only to discover I had been too verbose (who whuddha thunk?) and they needed a brief 100 words for the website & for the programme, an even briefer 25.

    25 words! There is a reason I suck at Twitter. The deadline was rife. In a crowded wifi cafe I pulled something out from under my hat and I feel so boastful about it. Whaddaya think?

    100 WORDS: “2014 sees two new releases from Cathoel. Her new poetry collection is hailed by Robert Adamson as the work of ‘a born poet.’ The debut album of Cathoel & the New Government was recorded in New York, Melbourne, and at home, by a collective of twenty-eight jazz, folk, and funk musicians. 50s impresario Bob ‘King’ Crawford on first hearing Hey, Big Splendour said, ‘In my opinion you will be one of the greatest artists this country has produced.’ Even fresher new work can be found at houseoflovers.com.”

    25 WORDS (woot!): “Cathoel writes poetry and jazz. Robert Adamson says, ‘a born poet.’ Overland journal call her ‘a first-rate artist at work.’”

  • the godfather underground

    Riding on the train underground I feel like a caterpillar carving through the belly of the city. The hungry metallic smell of the train’s breath is become familiar as I jog down the steps to Underworld. Sitting and writing and sitting and writing. I glanced up and caught the eye of an elder gentleman standing with his son against the glass doors, watching benignly. He said, across the carriage, “Schoene Schrift!” Lovely handwriting. Oh! I said. Thank you. And he nodded and nodded. I went back to my page. Filled it and turned to another and smoothed it down. Finished what it was I was saying and capped my pen and slipped the book into my bag. The doors opened onto the platform and this man and his son, my age, were standing beside me. He stepped back to let me past. “Alles schoen aufgeschrieben,” everything nicely written up, he said, with great satisfaction. Unintrusive and approving, like a kind of fairy godfather.

     

  • all that love

    all that love

    Robert Peston’s preface to Sian Busby’s posthumously published last novel, as quoted in The Guardian. He transcribed the novel from her notes after his non-smoking wife had died of lung cancer. “My motive was selfish: I wanted to keep talking to her. I still do.”

    He writes: “Life became punctuated by terrible shocks and emergencies. Yet those who met her at pretty much any point in this ordeal encountered the Sian they had always known: solicitous, supportive, witty, insightful, unselfish. The cancer did not haunt us. If anything, it helped us understand what matters in life: family, first and foremost; work that fulfils; friends, beauty and fun.”

    As I read his words it occurs to me everything he values most highly in the face of bereavement is love. Even beauty is a form of love: isn’t it? A mechanism for our appreciation? “Work that fulfils” is our service to the world, as well as to our own character, daily life, and development. Love is all.

    H2O HoL handfasted